Orsolini carlo (19 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Loose Leaf. Condizione: New. Reproduction. Original title: Portrait of Giovanni Colombo, chancellor of Venice German: Porträt von Giovanni Colombo, Kanzler von Venedig French: Portrait de Giovanni Colombo, chancelier de Venise Spanish: Retrato de Giovanni Colombo, canciller de Venecia High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1765). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Portrait of Cardinal Angelo Maria Quirini German: Porträt von Kardinal Angelo Maria Quirini French: Portrait du cardinal Angelo Maria Quirini Spanish: Retrato del cardenal Angelo Maria Quirini High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1747). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Title print with ornamental cartouche and text German: Titeldruck mit ornamentaler Kartusche und Text French: Tirage de titre avec cartouche ornementale et texte Spanish: Estampado de título con cartouche ornamental y texto High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1730). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Portrait of Frederik Christiaan, Elector of Saxony German: Porträt von Frederik Christiaan, Kurfürst von Sachsen French: Portrait de Frederik Christiaan, Électeur de Saxe Spanish: Retrato de Federico Christiaan, elector de Sajonia High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1732). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condizione: New. Reproduction. Original title: Two tokens with portraits of Bishop Girolamo Velmi and Dominican Sixtus Medices German: Zwei Token mit Porträts von Bischof Girolamo Velmi und Dominikaner Sixtus Medices French: Deux jetons avec des portraits de l'évêque Girolamo Velmi et dominicain Sixtus Medices Spanish: Dos fichas con retratos de Mons. Girolamo Velmi y Dominican Sixtus Medicis High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1720). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1759 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 58 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 58 Language: Italian.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1758 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 170 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 170 Language: Italian.…

Incisione all'acquaforte di mm 375 x 530 alla battuta su carta vergata veneziana di gran corpo. Ottimo esemplare con buoni margini esterni. Sotto il medaglione il blasone dei Manin e la seguente iscrizione : "Ludovicus Maninus Divi Marci Procurator Anno MDCCLXIIII" e in piccolo sotto l'immagine a sinistra "Car. Orsolini del: et sculp." e a destra : "Alles. Longhi Pinxit". La incisione rappresenta infatti il futuro ultimo Doge di Venezia nell'occasione della sua entrata a Procuratore di San Marco, massima carica dello Stato dopo quella del Doge. Carlo Orsolini nacque a Venezia verso il 1704 e ivi morì nel 1784. Secondo il Moschini : "contendeva vanamente del primato nell'intaglio con Giannatonio Faldoni, avendone tutti e due avuta principalmente la stessa maniera a un solo taglio". 18mo secolo.…

Condizione: ottimo. Quattro volumi in -4° che comprendono: Tomo I pp. [20], 485, [3]; Tomo II, pp. 498, [2]; Tomo III pp. 560; Tomo IV pp. 534, [2]. Legature coeve in carta decorata a spruzzo, etichetta con titolo e tomaison al dorso. Il primo volume si apre con l'occhiello con titolo abbreviato e una bellissima antiporta con ritratto calcografico dell'autore inciso da Carlo Orsolini su disegno di Jacopo Nazari. Frontespizi stampati in rosso e nero con bella vignetta calcografica con allegoria di Venezia e alcune note di mano antica. Testo arricchito da testatine, iniziali e finalini calcografici e xilografici. Esemplare genuino a pieni margini in barbe, ottime condizioni. Four quarto volumes comprising: Volume I, pp. [20], 485, [3]; Volume II, pp. 498, [2]; Volume III, pp. 560; Volume IV, pp. 534, [2]. Contemporary sprinkled paper boards, with paper spine labels bearing the title and volume number. The first volume opens with a half-title carrying an abbreviated title, followed by a fine engraved frontispiece portrait of the author, engraved by Carlo Orsolini after a design by Jacopo Nazari. Title pages printed in red and black, featuring an elegant engraved vignette depicting an allegory of Venice, together with a few early manuscript annotations. The text is embellished with engraved and woodcut headpieces, decorative initials, and tailpieces. A genuine, untrimmed copy with wide margins, preserved in excellent condition. Cicogna, no. 611: "This history has always been regarded as a fine work, although the author's death prevented him from giving it its final revision. It is therefore deservedly praised by Foscarini.". Carlo Orsolini su disegno di Jacopo Nazari. (illustratore).…

Acquaforte, 330 × 485 mm. Vergata grossa. Filigrana non rilevata. Stato I/IV. A sinistra in basso, dentro battuta: Venduntur in nico Sancti Lucae. A destra in basso: Apud eudem Auctorem Venetiis. Sotto il ritratto di Marieschi, incorniciato da un cartiglio, in piccolo:Anzolo Trevisan delineavi, Carlo Orsolini sculpis. Il titolo dell'album di cui Marieschi è l'autore, centrato sotto il ritratto: Magnificentiores selectioresque urbis Venetiarum prospectus, quos olim Michael Marieschi venetus pictor, et architectus in plerisque tabulis depinxit. Nunc vero ab ipsomet acurate delineante, incidente, tijspisque mandante, iterum in sexdeum aereis tabulis in lucem aeduntur. Venetijs MDCCXLI cum Eccellmi: Senatus permissu ac privit."Titolo dell'album centrato sotto il ritratto di Marieschi. Michele Marieschi (1710 - 1743) figlio di un mediocre pittore, studiò con passione architettura e si staccò presto dal padre. Tornato in patria dalla Germania nel 1735, dipinse belle vedute di Venezia. Nel 1741 (o 1742) diede alle stampe la raccolta di 21 acquaforti tratte dalle sue tele. Le incisioni di Marieschi rendono meglio delle sue pitture quel mondo scenografico e teatrale che la Venezia quotidiana offriva all'occhio dell'osservatore. Succi 1987, 23 I/IV, Montecuccoli degli Erri, Pedrocco 1999, 19 I/IV, Mary Pittaluga 1952, pag.45. Etching, 330 × 485 mm. Coarse laid. Watermark not detected. State I/IV. Bottom left, inside bar: Venduntur in nico Sancti Lucae. Bottom right: Apud eudem Auctorem Venetiis. Below the portrait of Marieschi, framed by a scroll, in small: Anzolo Trevisan outlined, Carlo Orsolini sculpis. The title of the album of which Marieschi is the author, centered under the portrait: Magnificentiores selectioresque urbis Venetiarum prospectus, quos olim Michael Marieschi venetus pictor, et architectus in plerisque tabulis depinxit. Nunc vero ab ipsomet acurate delineante, incident, tijspisque instigator, iterum in sexdeum aerials tabulis in lucem aeduntur. Venetijs MDCCXLI cum Eccellmi: Senatus permissu ac privilegit."Title of the album centered under the portrait of Marieschi. Michele Marieschi (1710 - 1743) son of a mediocre painter, studied architecture with passion and soon separated from his father. Returning to his homeland from Germany in 1735, he painted beautiful views of Venice. In 1741 (or 1742) he published the collection of 21 etchings taken from his canvases. Marieschi's engravings convey better than his paintings the scenographic and theatrical world that everyday Venice offered to the eye of the observer. Succi 1987, 23 I/IV, Montecuccoli degli Erri, Pedrocco 1999, 19 I. /IV, Mary Pittaluga 1952, page 45. 18mo secolo. …

Incisione calcografica di mm 304 x 430 , su carta veneziana, con buoni margini. Foglio in discrete condizioni. Frontespizio del famoso album di Marco Ricci. 18mo secolo.

Leather Bound. Condizione: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1759. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 58, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 58 58.…

Softcover. Condizione: New. Reprint. Lingua: Italiano. Circa 170 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1758. Raccolta poetica nuziale composta per le nozze di Pietro Contarini e Maria Venier, offrendo una testimonianza rappresentativa della cultura veneziana del Settecento. Il volume si distingue per le numerose incisioni su rame, gli ornamenti tipografici, le testate e i finali, e per il raffinato disegno delle pagine. Sarà di interesse per i collezionisti di poesia d'occasione, di immagini emblematiche e di libri italiani illustrati del Settecento. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1758. Poetic marriage collection composed for the wedding of Pietro Contarini and Maria Venier, offering a representative witness to eighteenth-century Venetian culture. The volume is notable for its numerous copper engravings, typographic ornaments, head- and tail-pieces, and refined page design. It will appeal to collectors of occasional poetry, emblematic imagery, and illustrated Italian books of the eighteenth century. Book images are non-contractual. Questo articolo è stampato su ordinazione e spedito dallo stabilimento dei nostri partner di stampa più vicino alla destinazione. Questi stabilimenti si trovano principalmente negli Stati Uniti, nel Regno Unito e in Canada. …

Leather Bound. Condizione: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1758. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 170, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 170 170.…

Das Porträt bezeichnet "Anzolo Trivisan deliniaui, Carlo Orsolini scupis."Feinzeichnender kräftiger Druck auf breitrandigem Bütten. Le Blanc 10. Großformatiges Titelblatt zu dem 1741 erschienen Venedig-Werk "Magnificentiores Selectioresque Urbis Venetiarum Prospectus" des italiensichen Landschafts- und Vedutenmalers Michele Marieschi (1710 - Venedig - 1744). - Eine sehr kleine Fehlstelle, sorgsam ergänzt. Im breiten Rand etwas unfrisch und mit kleineren Läsuren. Ein größerer Fleck am Oberrand, nur ganz minimal in die Darstellung reichend. Sprache: Deutsch Gewicht in Gramm: 0 32,5 x 47,5 cm (Plattengröße). Papier: 65 x 46,5 cm. …