P b fransen (23 risultati)

paperback. Condizione: Very Good. Eskimo Museum, Churchill, Manitoba, 2nd.prtg. c.1971, 7-1/2 x10 oblong wraps, ca.108pp. mostly photos. captions in english, french & runes. F $.

Wraps. Condizione: Good. written in French, English and Eskimo; text block corner-creased, but clean and tight in moderately edge-worn and rubbed binding; No publication date given; Father P.B. Fransen, O.M.I., came to the Arctic in 1953 from Flanders in Belgium. B&W Photographs; Line Drawings (illustratore). Paperback.…

Paperback. Condizione: Very Good. Light shelf wear to cover. U.S. orders are shipped from Lewiston, NY location.

Soft cover. Condizione: Very Good. 1st. Eskimo Museum, Churchill Manitoba (Canada). A photographic.study in French, English and modern Eskimo/Innuit script. No date. No page numbers but likely 60+ pages, photos, script.

1970/1971. Inuit, eskimo, photography. "Eskimo Museum" Churchill, MB, Canada. Good+ paperback, black and white photos. No page count.

paperback. Condizione: very good +. second edition. 10 1/4 x 7 1/2" unpaginated. gift inscription, not from the author, on inside front cover, otherwise looks almost as new.

Paperback. Condizione: Used - Very Good. Editions de Chavetogne, Editions du Cerf, 1960. xix, 346 pages. Partly unopened. 9 x 5.75", paperback. Clean, tight, very good.

Paper bound, second edition, oblong 8vo, unpaginated (approx. 110pp). Ex-library copy in very good condition. 370 grams - ships lettermail. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

Paper bound, second edition, oblong 8vo, unpaginated (approx. 110pp). Illustrated with astounding and remarkable photos throughout. Note to imprint page states: "The French and Eskimo text in this book is not a literal translation of the English text." A very good or better copy. 370 grams. All books in stock and available for immediate shipment from Winnipeg, Manitoba.…

Rústica (Tapa blanda). Condizione: Aceptable. Sin cubierta. Materia: Historia de la Iglesia. Características físicas: Por dentro en buen estado. Sello en anteportada; tapas y lomos desgastadas. La tapa de atrás está suelta. Ubicación: R7B1-92. LIBRO.

Soft cover. Condizione: New. Trilingual book : ENGLISH - FRANÇAIS - INUKTITUT. Profusely illustrated with photographs and drawings rthroughout.

Original publisher's sewn white paperback, title spine and frontcover, large 8vo: xvi, 344pp., [2]pp., very richly illustrated, bibliography, index scientific names. Lists all specimens & all sources in the dry collection collected before 1900. Very fine copy. Volume 311: Zoologische Verhandelingen.

Condizione: Very good. xvi, 344, 79 figs. . PB. Vg. Zoologische Verhandelingen no. 311. [9789073239586].

Paperback, 24 cm, 344 pp. Ills.: black and white illustrations. Cond.: zeer goed / very good. ISBN: 9073239583.

Condizione: Very good. xvi, 344, 79 figs. . PB. Vg. Name to front cover. Zoologische Verhandelingen no. 311. [9789073239586].

Couverture rigide. Condizione: Neuf. Edition originale. Brussel 2006. 1 Volume/1. Hardback ( 29,7 x 21 cm ). ------ 458 pages , 316 b/w ill. + 195 colour ills., . *************** "" . The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum's archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium's Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liège. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible. . '' *********************.…

Condizione: gut. Flemish Primitives IV Masters with Provisional Names In deutscher Sprache. pages.

Paperback. Condizione: Very Good. Signed by author.

Paperback. 344pp. author/title in ink on spine, else near new, clean, tight and bright condition.

hardcover, 458 pages ., 316 b/w ill. 195 colour ill., 210 x 297 mm, English. ISBN 9782503517438. The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum?s archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium?s Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liege. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible. 0 g. …

Hardback, XXXII+567 p., 155 x 245 mm. ISBN 9782503052052. Apres le commentaire paulinien des 'Douze Peres', voici une nouvelle realisation de l'equipe autour de dom P.-I. Fransen, concernant cette fois le plus important des ouvrages exegetiques de Florus. Le volume de l'expositio ex operibus Augustini auquel les editeurs ont donne la priorite, le troisieme des quatre tomes prevus, couvre la section II Cor. - Phil., par laquelle debute ce qui subsiste du manuscrit original, Lyon, Bibliotheque municipale 484 (L). A partir de ce point on peut profiter directement des decouvertes de L. Holtz (Revue Benedictine, 2009) concernant la genese de l'expositio. En plus d'une analyse du manuscrit L, l'introduction de ce tome comprend une etude de l'orthographe de Florus basee sur la partie de L qu'il a copiee lui-meme et sur les annotations et corrections de sa main dans une quinzaine de codex. Parmi les quatre apparats au pied de chaque page de l'edition, signalons surtout celui qui fait etat des modifications apportees au texte des manuscrits-sources. Le volume se termine par un index des passages augustiniens dont la section II Cor. - Phil. est composee. Languages: Latin, French. 0 g.…

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Catalogue of Early Netherlandish Painting: Royal Museums of Fine Arts of Belgium(CENP 4) P. d'Olne, A. Dubois, R. Slachmuylders, B. Fransen, F. Peters The Flemish Primitives IV Masters with Provisional Names 458 p., 316 b/w ill. + 195 colour ill., 210 x 297 mm, 2006 ISBN: 978-2-503-51743-8 Languages: English, English Hardback The publication is available. Retail price: EUR 195,00.- The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum?s archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium?s Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liège. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible.…

Condizione: gut. Corpus Christianorum. Florus Lugdunensis Expositio in epistolas beati Pauli ex operibus s. Augustini III In epistolam secundam ad Corinthios. In epistolas ad Galatas, Ephesios et Philippenses In deutscher Sprache. pages.