Painter james editor (8 risultati)
Ncaa Basketball: The Official 1996 College Basketball Records Book (NCAA MENS BASKETBALL RECORDS)
Johnson, Gary K. [Compiler]; Campbell, Richard M. [Compiler]; Painter, John D. [Compiler]; Straziscar, Sean W. [Compiler]; Wright, James F. [Compiler]; Bollig, Laura E. [Editor]; Wolfgang, Teri [Illustrator]; Young, Hank [Photographer];
- Brossura
Da: Robinson Street Books, IOBA, Binghamton, NY, U.S.A.Robinson Street Books, IOBA
Contatta il venditoreVenditore con 4 stelleMembro dell’associazione: IOBA
Condizione: Usato - Molto buono
EUR 12,20
EUR 8,33 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good used book, light creasing and wear. 679p. Wolfgang, Teri (illustratore).
Forging a Modern Identity: Masters of American Painting Born after 1847: American Paintings in the Detroit Institute of Arts, Vol. III
James W. Tottis [Editor]; Mary Cassatt [Painter]; Marsden Hartley [Painter]; Frederick Childe Hassam [Painter]; John Singer Sargent [Painter]; John Sloan [Painter]; James McNeill Whistler [Painter];
- Rilegato
Da: Gulf Coast Books, Cypress, TX, U.S.A.Gulf Coast Books
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 46,15
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: New.
Forging a Modern Identity: Masters of American Painting Born after 1847: American Paintings in the Detroit Institute of Arts, Vol. III
James W. Tottis [Editor]; Mary Cassatt [Painter]; Marsden Hartley [Painter]; Frederick Childe Hassam [Painter]; John Singer Sargent [Painter]; John Sloan [Painter]; James McNeill Whistler [Painter];
- Rilegato
Da: Orion Tech, Kingwood, TX, U.S.A.Orion Tech
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 46,15
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: New.
Forging a Modern Identity: Masters of American Painting Born after 1847: American Paintings in the Detroit Institute of Arts, Vol. III
James W. Tottis [Editor]; Mary Cassatt [Painter]; Marsden Hartley [Painter]; Frederick Childe Hassam [Painter]; John Singer Sargent [Painter]; John Sloan [Painter]; James McNeill Whistler [Painter];
- Rilegato
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 66,49
EUR 6,10 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.
The Dance of the Millions: Latin America and the Debt Crisis
Roddick, Jacqueline; O'Brien, Phillip [Editor]; Painter, James [Editor];
- Brossura
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 70,28
EUR 6,10 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.
In a New Light: Alice Schille and the American Water Color Movement
Kathleen A. Foster; Tara R. Keny; James M. Keny; Alice Schille; Christopher S. Duckworth [Editor]; Alice Schille [Painter];
- Rilegato
Da: Brancamp Books LLC, Batesville, IN, U.S.A.Brancamp Books LLC
Contatta il venditoreVenditore con 5 stelleMembro dell’associazione: IOBA
Condizione: Nuovo
EUR 112,92
EUR 12,10 spedizioneSpedito in U.S.A.Quantità: 2 disponibili
Hardcover. Condizione: New. BRAND NEW.
[Percival Stockdale, author, editor of the Critical Review and radical abolitionist.] Stipple engraving by James Fittler from portait of Stockdale by John Downman.
Percival Stockdale (1736-1811), author, editor of the Critical Review and Universal Magazine, and radical abolitionist [James Fittler (1758-1835), engraver; John Downman (1749-1824), portrait painter]
Editore: London, 1809
- Manoscritto / Collezionismo cartaceo
Da: Richard M. Ford Ltd, London, Regno UnitoRichard M. Ford Ltd
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 60,43
EUR 5,28 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSitter, artist and engraver all have entries in the Oxford DNB. No copy in the National Portrait Gallery. In good condition, lightly aged, on good paper with small embossment of castle. Dimensions of paper, 14.25 x 22.5cm. Dimensions of print, 12.5 x 17.75cm. Oval portrait, 10 cm wide and 13 cm high. Without date or place, but p…roduced as the frontispiece to Stockdale's 1809 memoirs. A half-length portrait of Stockdale, his face turned to the left, with white cravat and powdered hair, loosely wrapped in a coat. From the papers of the agriculturist and colonial civil servant Sir Frank Stockdale (1883-1949), whose Oxford DNB entry does not mention any relation to Perceval Stockdale.
Altre immaginiHistory of the Indian Tribes of North America
McKENNEY, Thomas L. (1785-1859, editor), James HALL (1793-1868, writer), Charles Bird KING (1785-1862, painter); James Otto LEWIS (1799-1858, painter)
Editore: Edward C. Biddle, 1836; Daniel Rice, 1838; and James G. Clark, 1844, Philadelphia, 1844
- Rilegato
- Prima edizione
Da: Donald A. Heald Rare Books (ABAA), New York, NY, U.S.A.Donald A. Heald Rare Books (ABAA)
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 108.399,85
EUR 21,93 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloFolio; 3 vols. (20 1/16 x 14 1/4 inches). 120 hand-colored lithograph plates, map, and 17-page subscriber list present. State "A" of volumes one and three, state "B" (issued with part 16) of volume two. 19th-century half-Morocco to style over marbled boards, spines gilt. Within individual chemises and slipcases. First edition of… this Americana highspot, a profusely illustrated record of prominent nineteenth-century Native Americans, which was "the grandest color-plate book issued in the United States up to the time of its publication." (Reese) Thomas McKenney, a Quaker, was Superintendent of Indian Affairs from 1816-1822. While in this post he became concerned for the survival of Western tribes after observing unscrupulous people taking advantage of Native Americans for profit. McKenney decided to create an archive to preserve the artifacts and history of Native Americans whose culture was disappearing due to settler-colonialism. A visit to the studio of artist Charles Bird King inspired McKenney to add portraits to his archive. McKenney helped start the first national collection in Washington, the Archives of the American Indian, and served as curator of this archive while he was Superintendent of Indian Affairs and head of the Bureau of Indian Affairs. Perhaps surprisingly, in his government role, McKenney advocated for Indians to be removed to somewhere west of the Mississippi and the portraits he commissioned make reference to the benefits of missionary and "civilizing" work. He was instrumental in the passage of the 1830 Indian Removal Act, but also criticized some government policies toward Indians, which led President Jackson to dismiss McKenney from his post in 1830. After leaving government, McKenney was able to turn more of his attention to his publishing project recording biographies and portraits of Native Americans. Within a few years, he was joined by James Hall, a journalist, lawyer, and the Illinois state treasurer, who had written extensively about the West. Both authors saw their book as a way of preserving an accurate visual record of a rapidly disappearing culture. The text, which was written by Hall based on information supplied by McKenney, takes the form of a series of biographies of leading figures among the Indian nations, followed by a general history of the North American Indians. The work is famous for its color-plate portraits of chiefs, warriors, and women of various tribes, which are faithful copies of original oils by Charles Bird King. King painted the illustrious Indians from life in his studio in Washington, D.C., where McKenney commissioned him to record visiting Indian delegations from 1821 to 1837. At times King's paintings were worked up from the watercolors of the young frontier artist, James Otto Lewis. All but four of the book's original paintings were destroyed in the disastrous Smithsonian fire of 1865; their appearance in this work preserves what is probably the best likeness of many of the most prominent Indian leaders of the early 19th-century. Among King's sitters were Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. This was the most elaborate plate book produced in the United States to that date, and its publishing history is complex. Its production spanned eight years, multiple lithographers, and was funded by 1,250 subscribers. The title pages give an indication of issue: Volume I, first issue was by Edward C. Biddle and is dated 1836; the second issue was by Frederick W. Greenough with the date 1838; and the third issue is by Daniel Rice and James G. Clark and dated 1842. Volume II, first issue is by Frederick W. Greenough and dated 1838; and the second issue is by Rice and Clark and dated 1842. Volume III, first issue is by Daniel Rice and James G. Clark and dated 1844. American Color Plate Books, 24; BAL 6934; Bennett, 79; Best of the West, 68; Bowers, 339-40; Field 992; Howes M-129 ("d"); Lipperhiede Mc4; Sabin 43410a; Servies 2150; Stack, 5.
