pantagruel (16 risultati)

Condizione: Gebraucht / Used. 1933. Or.wrappers. Spine and front sl. Dam. 22pp. 8°. This nr. 90.

Hardcover. Condizione: Good. Français, couverture rigide, bon état, 239 pages.

Condizione: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Discrete con Difetti, bruniture macchie.

Encuadernación de tapa dura. Condizione: Muy bien. François Rabelais Gargantua-Pantagruel-Librairie Garbier. Escrito en francés. Encuadernación de tapa dura en piel. Tiene 753 páginas. Medidas: 18 cm x 13 cm.

Paperback. lxxxii,106 pp.: plate. Uncut, unopened; 19 cm. - "Société des Textes Français Modernes, 175" (edges sl. foxed) Very good. 250g.

766 S. XLIV Seiten Vorwort. Französischer Text. Braunes Leinen, Rückengoldprägung im Stil der Zeit. BEILAGEN: 2 Zeitschriftenausschnitte mit Illustrationen von Grandville und Informationen über Rabelais. Einband gut, Kopfschnitt grau, Text, Schnitte nachgebräunt, Leerblatt alter Name + 1903, guter intakter Zustand.

Couverture rigide. Condizione: Très bon. Éditions Michèle Trinckvel, 1993, couvertures cartonnées de l'éditeur, environ 28 X 27.5 cm, 734 pages au total à travers les deux volumes, avec les joyeuses illustrations en couleurs de Dubout. Nos deux volumes sont en très bon état, on ne notera qu'un légère trace d'impact au coin inférieur avant du dos du premier tome. Les intérieurs sont sans reproches.

Couverture souple. Condizione: bon. RO60030767: 1969. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 189 Pages. Premier plat illustré en couleur. . . . Classification Dewey : 840.03-XVI ème siècle.

Condizione: DISCRETO USATO. Die komische Bibliothek TEDESCO Volume della Die Komische Bibliothek. Un libro di domande in xilografia con 120 immagini (fuori testo) ed un prologo di Johannes Fischarts, ristampa anastatica dell'edizione in francese del 1565. Legatura in tela, scurita dal tempo, con strappo alla cerniera, leggera usura alle cuffie e mancanza al dorso, in corrispondenza dei titoli. Pagine appena ingiallite, come pure i tagli, salde, con ampio margine, in tedesco e francese. Numero pagine 34.

Single Issue Magazine. Condizione: Used: Very Good. Ottimo (Fine) .

Couverture rigide. Condizione: bon. R320066520: 1936. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 25 pages augmentées de nombreuses illustrations monochromes in et hors texte dont le frontispice + 1 depliant de 3 volets. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française.

Condizione: As New. Etat de Neuf. in8. 1925. rempliée. belles illustrations. As New.

Couverture rigide. Condizione: bon. RO80276815: 1959. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 64 pages de dessins en noir et blanc + fascicule de 29 pages "les songes drolatiques de Pantagruel et l'imagerie en France au XVIe siècle par Jean Porcher" - tranches dorées - signet conservé - contre plats et gardes jaspés - sous emboitage cartonné rigide en cuir en bon état. . Sous Emboitage. . Classification Dewey : 94.4-Editions numérotées.

Condizione: 1900-1930. Rêverie De l'Enfance de Pantagruel Pour Piano à deux mains Par Erik SATIE A Madame Julien Henriquet Paris, Editions de la Sirène 1920 2 pages 35 x 28 cm Très bon état 045100 Piano solo.

Very good. Exhibits light wear along original fold lines. Size 15 x 21.75 Inches. This is an 1878 Augusto Grossi political cartoon of Russia as Pantagruel (French literary character and son of a giant) surrounded by nightmarish creatures and hostile figures. A Description of the Cartoon Entitled 'Pantagruel's Dream', Russia as Pantagruel (his nightcap is labeled Russo ) sleeps with his blanket unable to cover his enormous body. Czar Peter the Great's 'testimony' is under his pillow and he holds a doll labeled Bulgaria. A frog wearing a hat labeled 'Diplomacy' sits on Russia's head. Ghastly, nightmarish figures surround him. A gigantic lobster labeled 'Nikilista' sits on his torso, while a witch identified as Austria appears to be handing him a coiled snake. The ghost of Romania holds what can only be a poisoned chalice, while a Prussian ghost in armor and helmet points directly at the sleeping Russia. England, kneeling near the foot of Russia's bed, fans the coals of 'Revolution' below Russia's exposed feet, while a young Greece brandishes a sword in Russia's direction. Serbia and Montenegro are bugs flying above the melee, watching the events. War and Peace appear above Russia's head, evoking the two possible avenues that Russia could follow in the wake of the Russo-Turkish War. The caption (written in Italian) reads, 'OMBRE, Pentiti, don Pantagruel, abbandona la bambola a noi, se no ti porteremo a Pietroburgo a volo di pipistrello'. Translated into English, this roughly means, 'Shadows (ghosts) - Repent Don Panagruel, leave the doll to us, otherwise we take you to Petersburg at bat's flight.' Analysis and Historical Context This cartoon was published two months and two days after the end of the Russo - Turkish War (1877 - 1878). The Russians, leading a coalition of Bulgaria, Montenegro, Romania, and Serbia, won the war and regained the territory they lost during the Crimean War (1853 - 1856). The Treaty of San Stefano, which ended the war, established an 'independent' Bulgarian state within the Ottoman Empire. Per the terms of the treaty, Bulgaria became the autonomous, although it remained a de jure tributary of the Ottoman Empire. Under the terms of the treaty, Bulgaria would receive land on the Black Sea and the Aegean Sea, which appeared very tempting to the Russians. It is unclear how much influence the Russians had over the Bulgarians and if the Bulgarians would be willing to allow the Russians to use this land for navy bases. A port with access to the Mediterranean had been on Russia's wish list for a long time, since the reign of Peter the Great. One of the other terms of the treaty stipulated that Ottoman troops had to withdraw from Bulgaria but that Russian troops would remain for another two years. The fact that Russia would have significant influence in Bulgaria made the Western European powers nervous, leading to this cartoon and its message of beating the Russians at all cost. Russo-Turkish War (1877 - 1878) The failure of the Berlin Memorandum led Russia to declare war on the Ottoman Empire in 1877. Russia recognized the conflict as an opportunity to seize desirable territories along the Black Sea and potentially Istanbul itself - and, with this territory, port access to the Mediterranean and Atlantic, a long-time sticking point for Imperial Russia. Russia won victory after victory, driving hard towards Istanbul. Britain, fearing increased Russian power in Turkey might threaten British dominance in Central Asia, convinced Austria and Germany to intervene. They forced Russia to the negotiating table. Hostilities formally ended with the March 3, 1878, Treaty of San Stefano, which stipulated independence to Romania, Serbia, and Montenegro; autonomy to Bulgaria; reforms in Bosnia and Herzegovina; and ceding Dobruja and parts of Armenia to Russia alongside a large indemnity. Publication History and Census This cartoon was created by Augusto Grossi and published in the Sunday May 5, 1878, edition of Le Perroquet , t.