Pape lygia (44 risultati)

Condizione: As New. Unread book in perfect condition.

Condizione: New.

419 pages, illustrated. A clean fine paperback exhibition catalog in decorative wrappers (soft cover book). In original shrinkwrap.

Soft cover. Condizione: Very Good. Very good copy in softcover. Light rubbing to covers and light wear at fore-edges. IB.

Soft cover. Condizione: Very Good. 1st Edition. 1st printing (2011). 399pp. French flaps. VG copy.

Softcover, 424 pages; in English; very good condition except creases to spine; light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

No Binding. Condizione: Very Good. This is an exhibition announcement for Lygia Pape, thick card paper 10-1/4 x 7-3/4 inches; edition size is unknown, it is not signed; in VERY GOOD COND.

Hardcover without dustjacket as issued, 96 pages, in English; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condizione: Very Good.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover staple bound, 24 pages, very good condition, light rubbing to covers; no internal marks.

Condizione: New. 2018. hardcover. . . . . .

Paperback. Condizione: Very Good. Lygia Pape (1927-2004) was a founding member of Brazil's Neo-Concrete movement. Her early work developed out of European geometric abstraction (Concrete art), but Pape expanded these idioms, drawing on the visual traditions of her native country. Her paintings, sculptures, books and films have made a defining contribution to Brazil's artistic identity, as well as to the field of artist's books. Pape was closely affiliated with artists such as Lygia Clark and Hlio Oiticica and enjoyed comparable prominence and acclaim in Brazil. Outside of Brazil, however, Pape has remained less well known than her contemporaries, until the Reina Sofia and Serpentine Gallery's landmark show of 2011-12. The ca. …

Large 8vo. pp 399, [5]. Black and white illustrated covers. Illustrated throughout in colour and black and white. Published on the occasion of the exhibition at Museo Nacional Centro de Arte Reina Sofia, Madrid; Serpentine Gallery, London; Pinacoteca do Estado de Sao Paulo.ISBN: 9788480264402 Very good, with some light shelfwear and small nick at top of spine.…

Hardcover. Condizione: Brand New. 116 pages. 13.50x10.00x0.50 inches. In Stock.

Hardcover without dustjacket as issued, 176 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Brand New. 144 pages. 13.00x9.75x0.75 inches. In Stock.

Pascale, Mark. LYGIA PAPE: Tecelares. 176 pages, including 170 color plates. Folio, cloth. New Haven, Yale University Press, 2023. One of Brazil's best-known contemporary artists, Lygia Pape (1927-2004) was a founding member of the Neo-Concrete movement in the late 1950s along with artists such as Lygia Clark and Hélio Oiticica. Presenting the first in-depth treatment of the experimental woodblock prints Pape made between 1952 and 1960, this volume examines the foundational role these works played in the rest of Pape's career, foreshadowing her philosophy of "magnetized space." Composed of overlapping geometric and linear elements that at times suggest atomic particles or slides of microscopic specimens, Pape's prints display an extraordinary depth accentuated by her use of incredibly thin, translucent Japanese papers.…

Paperback. Condizione: Brand New. 420 pages. 10.30x8.20x1.30 inches. In Stock.

Condizione: New. 2018. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 116 pages. 13.50x10.00x0.50 inches. In Stock.

Softcover, 80 pages; in Portuguese with English at rear; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

hardcover. Condizione: Sehr gut. 141 Seiten; 9783906915142.2 Gewicht in Gramm: 2.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

Encuadernación de tapa blanda. Condizione: Muy Bien. Bilingual: Portuguese, English.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 20,5 x 26 cm, 424 pages, 239 color & 108 b/w illustrations - Brazilian artist Lygia Pape (1927-2004) was a founding member of the Neo-Concrete movement, which was dedicated to the inclusion of art into everyday life. Her early work developed out of an interest in European abstraction; however, she and her contemporaries went beyond simply adopting an international style, and started to draw on their own local situation. Neo-Concretism is often seen as the beginning of contemporary art in Brazil, and Pape's work which focus on the coming together of aesthetic, ethical, and political ideas has formed an important part of Brazil's artistic identity.…

Fine. Poster-size leaf folded into an [8]-page brochure with text bilingual in English and Swedish. With illustrations. Ttéias are geometric artworks of silver- or gold-coloured threads in a space, an experiment which Lygia Pape began in 1978.

Hardcover. Condizione: Good. Privately Published, [Published Date: 1991]. Hardcover, 61 pp. Text in Portuguese and English. Text by Mario Fraga, with contributions from Luiz Carlos Mello and Lygia Pape. Photography by Luiz Carlos Saldanha. Published in connection with the 1991 exhibition entitled In Vitro at the Museum of Modern Art, Rio de Janeiro. Color and black and white photography throughout. Good in good dust jacket. Glossy magenta paper over boards with white lettering on front and spine. Light bumping, scuffing and fading to edges of covers . Light crack to spine along pp 24-25, but binding is still tight. A few pages have very light creasing but otherwise are clean and unmarked. Dust jacket has several small nicks and tears along edges with the color chipped off paper along fore-edge. Light overall scuffing to jacket as well. Now in an archival quality Brodart cover. NOT Ex-library. NO remainder marks. Contents include: IN VITRO : Espírito da Obra / The Spirit of the Work by Mario Fraga; ATELIER: Olhar do Criador /STUDIO: Creator's Look; O PROCESSO INDUSTRIAL : Transformação da Matéria / THE INDUSTRIAL PROCESS : Transformation of Matter; MONTAGEM : Construção do Espaço / ASSEMBLING : Building up the Space EXERCÍCIOS DO IMAGINÁRIO / EXERCISES OF THE IMAGINARY by Luiz Carlos Mello; A EXPOSIÇÃO : Luzes do Tempo / THE EXHIBITION : Lights of Time; MARIO FRAGA : O Viajante / MARIO FRAGA : The Traveler- by Lygia Pape; NOTAS BIOGRÁFICAS / BIOGRAPHICAL NOTES. [From introduction] "IN VITRO" is the name given to the research into painting in between sheets of glass, conceived and developed over the past 3 years. This exhibit is the natural consequence of the evolution of this work and its purpose is to disclose the technique developed up to now, as well as the various visions this new method reveals to us. Some recollections seem to me important, to enlighten the reader: in the early 60's, when, still young and an interest in painting was aroused in a me, I heard for the first time in the friendly voice of Clarival Valladares, the question which is today the response to these 30 years dedicated to Art: "Spatiality as an aesthetic basis should be questioned, not only as a support for the object, but merged with it, making a single indivisible whole." When the blueprint - a labyrinth of mirrors - with its environmental and sensorial propositions was to be implemented in 1970 - it came to naught because the planned materials were not available. The idea of researching sheet glass as a medium arose from a conversation with Sergio Bernardes. The first Contacts were made with BLINDEX in Sao Paula and experiments then began.The project called fro a great deal of work and full support form BLINDEX. The aim of "IN VITRO" is to afford people an opportunity for rethinking the relationship between art, industry and architecture.…

paperback. Condizione: Very Good. Paperback. No damage, internally clean. Good condition.