Pardey ulrich (36 risultati)

Encuadernación de tapa blanda. Condizione: Casi nuevo. Condizione sovraccoperta: Buen estado. 2006. Catálogo de la exposición celebrada en el Sprengel Museum (Hannover, Alemania) y en el Museum Jean Tinguely (Basel) en 2006. 224 pp. Numerosas reproducciones en color y b/n. Idioma: Alemán. LIB 1AR.

hardcover. Condizione: Fine.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

30x25 cm, 224 S., OPbd., gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Condizione: New.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. pp. 272.

Condizione: As New. Unread book in perfect condition.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 268 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Condizione: Brand New. 256 pages. 8.58x0.79x5.35 inches. In Stock.

Hardcover. Condizione: Brand New. 352 pages. 6.50x0.98x9.57 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Sehr gut. 1. Auflage. Z/M/da : 24,5 x 30 cm, 224 Seiten, durchgehend illustriert, teils farbig. - Höhepunkt im Leben von Niki und Jean ist ihre intensive künstlerische Collaboration, die auf verschiedene Art, auf verschiedene Ebenen und Tiefen erfolgt. Jeder ist mal Mitarbeiter, mal Berater des anderen, Anstifter und Mitschöpfer: Oft steht Tinguely mit technischer Unterstützung Niki zur Seite, während Niki Jean mit kreativen Ideen anspornt: «Du könntest ein paar Federn hinzufügen» und so entsteht Jeans wichtige Werkgruppe der «Balubas».…

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: new. Hardcover. The received view of identity takes it to be a binary relation between objects like many others: specifically, identity is thought to be the binary relation every object bears to itself and to no others. As such, it is supposed to play a fundamental role in our conceptual scheme. It is also widely held that Gottlob Frege (1848-1925), after a false start in his Begriffsschrift of 1879, where he proposed that identity is a relation between signs, eventuallycame round to the now mainstream view, the first paragraph of his celebrated 1892 essay "On Sense and Reference" marking the transition. In Frege: Identity Challenges Reflection, Ulrich Pardey and Kai F.Wehmeier show that common wisdom is mistaken on both counts. First, careful exegesis shows that Frege did not repudiate the earlier, sign-based conception of identity in his 1892 essay, but instead defended it; moreover, that conception is in no way refuted by the collection of formal and philosophical objections that have been raised against it in subsequent decades. In particular, the Begriffsschrift theory of identity, far from being incompatible with quantification over objects, infact affords an elegant, ontologically conservative integration of identity into predicate logic. Second, Pardey and Wehmeier argue that our conceptual scheme is not at all committed to a binary relation thatevery object bears to itself and only itself. Moreover, the tension between the alleged binarity of the identity relation and the logical impossibility of its ever relating two things, famously pointed out by Wittgenstein in the Tractatus, forms the basis of an argument for the logical incoherence of such a relation. Frege: Identity Challenges Reflection argues against the view of identity as a binary relation between objects, and shows that Frege maintained a sign-based conception of identity from earlier to later work. Pardey and Wehmeier argue that this theory of identity offers an elegant integration of identity into predicate logic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Encuadernación de tapa blanda. Condizione: Muy bien. Condizione sovraccoperta: Muy bien. Jean Tinguely and Niki de Saint Phalle are two fundamental artists of the 20th century, not only for understand sculpture but its time, both in the development of the avant-garde (after its historical moment in the strict sense) as in the beginning of Pop art. This exhibition analyzes in depth the relationship between the two sculptors who, in addition to being a sentimental couple, they collaborated frequently during their artistic output. The work of both is linked to the European and North American avant-gardes of the last decades of the 20th century, from the sixties, so impregnated with changes in ideas and customs, especially in the world western. During this period, creators multiplied their presence, not only in the world of plastic arts, but also in immediate and productive relationship with music, theater, cinema and other cultural genres of his time.…

Hardcover. Condizione: Brand New. 352 pages. 6.50x0.98x9.57 inches. In Stock.

Buch. Condizione: Neu. Neuware - The received view of identity takes it to be a binary relation between objects like many others: specifically, identity is thought to be the binary relation every object bears to itself and to no others. As such, it is supposed to play a fundamental role in our conceptual scheme. It is also widely held that Gottlob Frege (1848-1925), after a false start in his Begriffsschrift of 1879, where he proposed that identity is a relation between signs, eventually came round to the now mainstream view, the first paragraph of his celebrated 1892 essay 'On Sense and Reference' marking the transition. In Frege: Identity Challenges Reflection, Ulrich Pardey and Kai F. Wehmeier show that common wisdom is mistaken on both counts. First, careful exegesis shows that Frege did not repudiate the earlier, sign-based conception of identity in his 1892 essay, but instead defended it; moreover, that conception is in no way refuted by the collection of formal and philosophical objections that have been raised against it in subsequent decades. In particular, the Begriffsschrift theory of identity, far from being incompatible with quantification over objects, in fact affords an elegant, ontologically conservative integration of identity into predicate logic. Second, Pardey and Wehmeier argue that our conceptual scheme is not at all committed to a binary relation that every object bears to itself and only itself. Moreover, the tension between the alleged binarity of the identity relation and the logical impossibility of its ever relating two things, famously pointed out by Wittgenstein in the Tractatus, forms the basis of an argument for the logical incoherence of such a relation.…

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z / M : 352 Seiten, 372 Abb. Gebunden mit Schutzumschlag - Die Publikation bietet einen ungemein umfangreichen Überblick über die künstlerische Bewegung: So werden die Protagonisten der Künstlergruppe, ihre bevorzugten künstlerischen Verfahren, der Rückbezug auf dadaistische Strategien und das Vorbild Marcel Duchamp oder auch der Dialog zwischen Paris und New York breit vorgestellt. Eine mit historischen Fotos reich bebilderte Geschichte der vielfältigen Aktionen, eine umfangreiche Chronologie und eine ausführliche Biblio- und Filmografie ergänzen das Standardwerk.…

Karton Karton. Condizione: Sehr gut. mit Abbildungen, 224 Seiten Ausstellungskatalog zur Ausstellung im Sprengel Museum Hannover, 2005/2006 und im Museum Tinguely Basel, 2006/2007. Zust: Gutes Exemplar. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Deutsch Gewicht in Gramm: 1780.…

weicher Einband. 156 S. Reg. Br. *gutes Expl.*. Sprache: Deutsch.

224 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten sind minimal bestoßen. Sprache: Deutsch Gewicht in Gramm: 2001 Hardcover, Kunststoff ohne Schutzumschlag.

Softcover. Condizione: Sehr gut. 31 x 25cm, Softcover, 224 Seiten, zahlreiche Abbildungen. Katalog zur Ausstellung «Niki & Jean L'art et l'amour» im Tinguely-Museum Basel und im Sprengel Museum Hannover, 2005 - 2007. --- Sehr gutes Exemplar.