paul charlot (22 risultati)

Illustrated Cloth. Condizione: Very Good. No Jacket. Corinne Malvern & Charlot Bowman (illustratore). Light soiling to covers. Sound unmarked copy. Nice copy of an early reading text, probably grade two. "Reading for Meaning".

Hardcover. Condizione: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Illustrated by Corinne Ma and Charlot Bowman (illustratore). Very Good with no dust jacket; Edgewear, Previous owner's name; Reading for Meaning; Color Illustrations; 192 pages.

Couverture souple. Condizione: Bon. CHARLOT, Jean (illustratore). Ed. numérotée. 38 pp., In-4 (21 x 28 cm), broché, couverture rempliée. Non coupé, non rogné. Exemplaire n° H.C. LXXV / 4550 sur vélin Crèvecoeur des papeteries du Marais, seul papier, le notre un des CL hors commerce. Non coupé. Illustrations in et hors-texte en rouge de Jean CHARLOT. Couverture brunie, papier parfait. Bon exemplaire.

Hardcover. Condizione: Good. No Jacket. Jean Charlot (illustratore). Gilt lettering & ship decoration on blue cloth covered boards. 11-1/4" X 8-3/4", 54pp. "Clau" written on the first free end paper (This may be the hurries signature of the author, Paul Claudel). An unusual book! Covers somewhat soiled & corners worn. Contents fine.

Couverture souple. Condizione: Bon. Jean Charlot (illustratore). Édition limitée. Tirage limité à 1000 exemplaires Exemplaire sur pur fil Johannot n°163 Ouvrage, in-folio de 66 pages Couverture rempliée et pièce de titre manuscrite Sous papier cristal Très bon état Dimensions : 28,5 x 23 cm.

291 p., cartes, graph., couv. ill. 8°, plats de carton. Bon état. Good condition. 600 gr.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Very Good + Dust Jacket. 1st Edition. #243 Of 500 Copies Signed By Armitage, Kistler, And Charlot, With 32 Original Lithographs By Charlot Signed In Color On The Plates, And A Dj By Charlot. True Lithographs, Drawn By Charlot Directly On 34" X 44" Zinc Plates, In A Color Separation Process That Charlot Had Learned From Ben Shahn. Text Hand-Set By Kistler In Castellon Old Style, With Heads In Bodoni Ultra-Bold. A Fine, As New Example, No Wear Or Damage, No Browning Or Fraying. With The Original Light Brown Dust Jacket, Lettered And Illustrated In Red On Front And Rear Covers And On Spine, With Unprinted Upper And Lower Flaps On Front Panel, Side Flap On Rear Panel; The Dust Jacket Has Light Edge Wear And Spine Wear With Very Short Tears At Corners, And A 1/8" X 1/16" And Another 1/8" X 1/4" Light Brown Stain Or Mark At Lower Front Spine Corner, Otherwise Very Clean And Unfaded. An Exceptional Example. [With] The Four Page Prospectus For The Book, With Another Original Zinc Lithograph By Charlot, Signed In Pencil, #25 In The Book But With A Completely Different Color Scheme From That In The Book; The Prospectus Had A Small Printing For Circulation Amongst Printers In Los Angeles, And Is Rare, No Institutional Holdings Identified In Worldcat. Signed by Illustrator(s).

Hardcover. Condizione: Very Good. 1946. 62 pages. #66 of 1,000 copies, printed on Johannot paper as per the limitation. Illustrations by Jean Charlot. Text in French. Blue half leather with spine titles and ruling in gilt, four raised bands. Leather in very good condition for its age, with light edgewear including rubbed corners and spine tips, tiny points of fraying to bottom fore-edge corners. Gilt also a little rubbed, still bright. Binding sound. Pages toned with intermittent foxing, else clean and unmarked.

In-4 (h. 28,5 cm.) 66-(6) pp. broché. Edition tirée à 895 exemplaires, celui-ci est un des 840 sur vélin d'Arches. Très bon exemplaire malgré de petites taches aux gardes. Langue : Français.

Hardcover. Condizione: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hard Cover with Dust Jacket. Condizione: Near Fine. Condizione sovraccoperta: Very Good-. First Edition. Quarto. Bound in original blue cloth with silver ship design front cover, silver lettering spine, blue striped endpapers. A near fine copy in very good- sliver illustrated dust jacket with short closed tears, small piece missing tip of dust jacket spine, mild chips edges. Each page decorated in blue, black, and brown illustrations. 57 pp.

Hardcover. First Edition. Limited Printing of 250 copies. 8vo. 57pp. Bound in the original publisher decorative cloth. Patterned endpapers. Signed by Claudel and Charlot on the limitation page and frontispiece respectively. VERY GOOD in Very Good dust jacket protected in a removable mylar cover. The book itself shows minor rubbing of the topmost and bottommost of the spine and the corners, very small light rubbing mark on the front board, otherwise the binding is strong and tight, the text and illustrations are clean and unmarked, and the boards are bright and colorful. The dust jacket shows some edge wear with some very small chips and closed tears, some light rubbing marks, otherwise is bright, colorful and distinct. As pictured.

Paperback. Condizione: Very Good + / Near Fine. 1st Edition. FORM MAGAZINE. Complete set: Issues 1-10. (Summer) 1966- (October )1969.The most significant British magazine of the 60s concentrating on pure abstraction and through this art theory, architecture, avant-garde magazines et al. Interest in FORM itself has grown in recent years: while studying for his Ph.D. the Portuguese architect Joaquim Moreno made a particular study of the magazine, contending that it is essentially a magazine about little magazines of the avant-garde. Moreno was part of the research group that produced 'Clip Stamp Fold' (M + M books, Princeton, 2011), which features interviews with Bann and Steadman. Issues often include a Great Little Magazines section. Each issue is about 9.5 inches square, illustrated, with 32pp (apart from one issue with 36pp). Number 1: Contents includes Film as Pure form by Theo Van Doesburg (first translation of 1929 essay), The Activity of Structuralism by Roland Barthes, Experimental Aesthetics by Carlyn Cumming, essay on Fernand Leger, Great Little Magazines No.1 : Secession with work by William Carlos Williams, Hans Arp Yvor Winters / Number 2: Contents includes Le Parc and The Group Problem by Frank Popper; A Little Night Music by Charles Tomlinson; Articles by Gillo Dorfles; Poem by Charles Tomlinson; William Carlos Williams on Emanuel Romano. Great Little Magazines No.2: Blues with work by Gertrude Stein, Sidney Hunt, Parker Tyler, Kenneth Rexroth, Charles Henri Ford./ Number 3: Contents includes Poems by Ian Hamilton Finlay, Ernst Jandl, Paul de Vree, Kenneth Robinson. Articles on and by Charles Biederman and 'The Electrical -Mechanical Spectacle' by El Lissitzky. Great Little Magazines No 3: 'G' with work by Kurt Schwitters, Theo van Doesburg, Mies van der Rohe, Miklos Bandi./ Number 4: Contents includes: Brighton Concrete Poetry Exhibition , notes, map & full review (exhibition organised by Form's editors), Black Mountain College, Albers 'Graphic Tectonics', 'What is Kentetism' ? Two essays by Charles Biederman, Poems by Anselm Hollo. Review of Mecano magazine in Great Little Magazines No.4 (therefore discussion of Van Doesburg) - which includes translation of Van Doesburg text. / Number 5: Contains Hans Jaffes - De Stijl and Architecture, features on Bernard Lassus and Raul Hausmann, and in the Black Mountain Series John A. Rice, George Zabriskie and designs for college buildings by Walter Gropius and Marcel Breuer. Great Little Magazines No.5 'RAY' with work by Sidney Hunt, I. K. Bonset ( Theo Van Doesburg) and Kurt Schwitters./ Number 6: The contents include essays on Russian unofficial art, and on the work of Laszlo Moholy Nagy; John Evarts and Jean Charlot writing on Black Mountain; and poems by David Chaloner. Great Little Magazines No.6 'De Stijl' (Part 1). / Number 7: March / 1968. Contents include Kinetic Art in Czechoslovakia, Cinema and Semiology, by Peter Wollen, new American Photography, Abraham Moles on Vasarely. Airfields by Simon Cutts. Great Little Magazines No.6 'De Stijl' (author index part 2). / Number 8: The contents include Russian Exhibitions 1904 to 1922, Xanti Schawinskys - Spectodrama, and a feature on Pierre Albert-Birot with Barbara Wrights translations from - Grabinoulor. Great Little Magazines No.7 'SIC' with work by Apollinaire, Tristan Tzara, Pierre Albert-Birot. / Number 9: Contents includes articles by Hans Richter, Joost Baljeu, H. H. Stuckenschmidt. 'Notes on Theatre at Black Mountain College (1948-1952)' by Mark Hedden. 'Theo van Doesburg is of Today' by Maurice Agis and Peter Jones. Great Little Magazines section No 8: 'Kulchur' with work by Robert Indiana./ Number 10: The Aesthetic of Ian Hamilton Finlay by Simon Cutts. Art in Crisis by Charles Biederman, Structuralism & Literary Criticism by Gerard Genette. Great Little Magazines : LEF by Richard Sherwood & articles from LEF by Brik, Arvatov, Mayokovsky. Together with printed letter from the editor, Philip Steadman, sent to contributors when the magazine finished & flier for Form subs.

Couverture rigide. Gallimard | Paris 1933 | 22.50 x 28.50 cm | relié sous étui | Edition originale, un des 55 exemplaires numérotés sur japon impérial, tirage de tête. Reliure en demi maroquin bleu, dos lisse, encadrement de maroquin bleu et d'un filet doré sur les plats de box façon vélin, vignette de titre de maroquin bleu frappée au centre du premier plat, gardes et contreplats de papier bleu, couvertures et dos conservés, tête dorée, étui bordé de maroquin bleu, plats de papier bleu, très élégante reliure signée Pierre-Lucien Martin réalisée en 1954. Une petite tache sans gravité en pied du premier plat de l'étui. Ouvrage illustré de nombreux dessins in texte et hors-texte imprimés en trois couleurs par Jean Charlot. Bel exemplaire parfaitement établi par Pierre-Lucien Martin. | [ENGLISH DESCRIPTION FOLLOWS] First edition, one of 55 numbered copies on Japon impérial, deluxe copy. Half blue morocco binding, smooth spine, blue morocco frame with gilt fillet on vellum-style box calf boards, blue morocco title vignette stamped at center of front board, blue paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, slipcase with blue morocco edges, blue paper boards, very elegant binding signed Pierre-Lucien Martin executed in 1954. One small stain of no consequence at foot of front board of slipcase. Work illustrated with numerous drawings in text and hors-texte printed in three colors by Jean Charlot. Fine copy perfectly executed by Pierre-Lucien Martin. *.

Paperback. Condizione: Very Good. First Edition. Limited edition of 500 numbered copies, signed by Charlot, Kistler & Armitage. Complete, with 32 original chromolithographic plates by Charlot. 4to, 28.3 x 22.2 cm. Bound in publisher's printed wrappers. Wear to dust jacket, with some loss. Good binding and cover. Clean, unmarked pages. 128 pages. "The beautiful illustrations in this book, typical of Charlot's Mexican [Mayan] figure style, are these lithographs, drawn by the artist on zinc plates rather than stones"- The Artist & The Book 54.*Autographed by author.*. Signed.

Paris : La Table Ronde, 1946 - grand format sous couverture imprimée en deux tons, et rempliée, 48 pages imprimées en deux tons avec des illustrations dans et hors texte par Jean Charlot - 1/4400 ex. num. sur vélin - bon état - Jean Charlot fut l'assistant de Diego Rivera au Mexique. Livres.

EDIZIONE ORIGINALE Esemplare numerato. Illustrations de Jean Charlot / Gravées sur bois par Gérard Angiolini. Egloff, Fribourg et L.U.F., Paris. Anno: 1946 (25 novembre). TIRATURA LIMITATA ; Le tirage de cet ouvrage, constituant l'édition originale, a été limité a mille exemplaires / EXEMPLAIRE N° 466 (exemplaire sur pur fil Johannot). Frontespizio xilografico. Dimensioni: 23 x 29 cm circa. in lingua francese. Stato di conservazione: la camicia editoriale si presenta alquanto sbrindellata (con mancanze), qualche ingiallimento, una leggera curvatura centrale dell'intero corpo del volume (che probabilmente, in passato è rimasto schiacciato tra altri volumi), un'ombra (brunitura) sul retro del piatto anteriore e sulla prima pagina bianca causata dai bordi della sovraccoperta e della camicia. Nel complesso un esemplare più che discreto. coperta muta con sovraccoperta e camicia editoriale in carta velina. Pages: 0.

Envoi autographe signé d'André Maurois et dessin pleine page du peintre Paul CHARLOT (crayons de couleurs et gouache), signé et daté. [15804].

Condizione: Lég. sal. et déch. à la couv. . Illustrateur : CHARLOT (Jean). (illustratore). Paris, Gallimard N.R.F., 1933, in-4, br., couv. rempliée ill. en noir, 67 pages. Drame lyrique en deux parties, illustré par Jean CHARLOT. Exemplaire numéroté sur Vélin d'Arches. Petites usures. Livre.

Editions René Julliard 1963. In-8 broché carré de 206 pages au format 19 x 20 cm. Couverture à rabats, illustrée. Dos carré. Plats et intérieur frais. Complet de la rare bande annonce avec texte de Jacques Prévert. Complet du carton d'invitation pour la séance de dédicaces, qui eut lieu à la Librairie Galerie Gérard Mourgue le mercredi 27 février 1963. Contient 7 entretiens entre l'auteure et les 7 artistes, accompagnés de 7 illustrations en couleurs et 21 en noir, hors texte. Préface de Jacques Ménétrier. Superbe état général. Edition originale. Précieux exemplaire enrichi d'une cordiale dédicace de Gisèle d'Assailly, accompagnée des 7 signatures de Paul Charlot, Camille Hilaire, Jean Marzelle, Marcel Mouly, Daniel Ravel, Maurice-Elie Sarthou et Claude Schürr.