Paul joseph mathews (15 risultati)

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condizione: good.

Cloth. Condizione: Very Good-. Condizione sovraccoperta: None Issued. Later Edition. 482pp, Illustrated. No marks or tears, but the covers are somewhat darkened. Size: 8vo - over 7?" - 9?" tall. Book.

Condizione: As New. Unread book in perfect condition.

hardcover. Condizione: Very Good. Unmarked hardcover no jacket.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. The book has significant pencil markings thoughtout the first 68 pages, a very slightly shifted spine, and loose hinges, otherwise the book is in very good condition with crisp pages, a tight binding, and a strong, clean cover. The dustjacket has rubbing and surface scratching to both covers, few scuffs to the front cover that has resulted in minor color loss, fading to the spine, minor shelfwear to the edges and corners of the covers, and gentle aging most notable at the back cover, otherwise the dustjacket is in very good condition, intact and attractive, and is now in an archival protective mylar. Sears, Paul B. (illustratore). …

Condizione: New.

Hardcover. Condizione: Very Good. No Jacket. 193 pages : illustrations (some color) ; 30 cm ; ISBN: 3791309668 ((hardcover ed.)); 9783791309668 ((hardcover ed.)); 3791324896; 9783791324890; National Library: 901222917; 379-13096 LCCN: 90-33501 ; LC: ND237.P85; Dewey: 760/.092 ; OCLC: 21228605 ; To accompany an exhibition at the Whitney Museum of American Art, New York, May 31, 1990-Sept. 2, 1990 and at other museums./ Includes bibliographical references (pages 179-180) and indexes. ; [this exhibition has been organized by the Williams College Museum of Art, Williamstown, Massachusetts ; exhibition itinerary: Whitney Museum of American Art, New York, May 31, 1990 - September 2, 1990 . The Phillips Collection, Washington, DC, May 18, 1991 - August 25, 1991] ; cloth ; no dustjacket ; tiny ding on spine ; Contents: La Belle Epoque : Observations on modern life (1891-1906) - Early modernism : studies in color and form (1907-1913) - Persol vision : Myth, fantasy and the idyll (1914-1924) - Postscript : the monotypes - Plates - Chronology - Selcetedbibliography - Catalogue of works ; "Maurice Prendergast's joyous, light-filled canvases have made him one of America's best-loved painters. His unique perception endowed his sensuous experiments in pattern and textures, in atmosphere and light with a stature achieved by few artists. Working in the last decade of the nineteenth century and the first several decades of the twentieth, he perfected his distinctive style, becoming one of the great colorists of all time. This major reappraisal contributes a wealth of new scholarship. Based on letters, sketchbooks, contemporary articles and reviews, it also brings to life an exciting and pivotal era, for Prendergast was in the forefront of modern painting in America. He exhibited as one of The Eight, becoming known as one of the "Red Hots, " and participated in the Armory Show. His experiences, including living and working in Europe, allowed him to draw on a wide variety of sources - including Cezanne, Signac, the Renaissance Italian painter, and Watteau. Out of these he created his own truly unique idiom." ; VG. Book.…

Condizione: New.

Paperback. Condizione: Brand New. 208 pages. 9.00x6.00x0.75 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Revue trimestrielle. Paris, rédacteur en chef : Henri Deluy. Comité de rédaction : Elisabeth Roudinesco, Bernard Vargaftig, Paul Louis Rossi, Charles Dobzynski, Pierre Lartigue, Mitsou Ronat, Jacques Roubaud, Alain Lance, etc. Un volume 13x21cm broché de 190 pages. Bon état. Fondée au début des années 1950 à Marseille par Gérald Neveu, Action poétique est une des revues de poésie de la seconde moitié du XXème siècle en France qui connut la plus grande longévité. Animée par Henri Deluy, de 1958 jusqu'à sa dernière livraison en 2012 (210 numéros), Action poétique inscrit la poésie dans le champ théorique de la création française : désir de changer le monde, de s?ouvrir à lui, à travers des traductions défricheuses, et d?interroger la langue qui permet de lui donner forme. "Une des plus vastes encyclopédies de la poésie, couvrant tous les âges, tous les pays, de Gilgamesh à la poésie multimédia." (Jean-Yves Lacroix, Catalogue Revues, janvier 2019, p.4). Livres.…

[26] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Exhibition catalogue published in conjunction with show held April 10 - May 12, 1992. Curated by Max Schumann. Includes artists'' statements by some of the artists in the exhibition including: Liz Was, Paul Dean/Paper Shrine, Stokley Towles, Carol Stetser, Dana Henry, Karen M. Wirth, Frank Moore, Susan Gold, Larry Walczak, Marcello Diotallevi, Christian Rigal, Simon Ford, Judith Weinperson, Daniel Plunkett, J. Nebraska Gifford, Robert Drake, Deborah Small, Elizabeth Sisco, Carla Kirkwood, Scott Kessler, Louis Hock, David Avalos, Stephen Willats, Harold Lohner, Art Strike Action Committee, Joseph Nechvatal, Joan Mathews, Paul Weinman, Sabra Moore, Peter Silvia, Bern Porter, Sharon Gilbert, Heino Partanan, Miekal And, Tom Scarpino, Andrea Scott, David Thorne. "This book gathers together artists'' statements from participants in the exhibition BY ANY MEANS NECESSARY: Photocopier Artists'' Books and the Politics of Accessible Printed Technologies, held at the Printed Matter bookstore at Dia, from April 10 to May 12, 1992. The texts were generated from a questionnaire circulated by the curator Max Schumann." -- publisher''s statement. Good. 3 cm. dog-ear to top left corner of recto. Additional bumping along spine edge and rubbing of covers. Contents clean and unmarked.…

Soft cover. Condizione: Fine. 1st Edition. COMPLETE RUN, first editions. Five volumes, octavo (25 x 17 x 4cm). Publisher's printed card wraps. With an introductory letter from the editors and a typed letter from the press office loosely inserted. No. 5 has a postcard noting that the journal had ceased to be produced. Internally clean, press cutting in the first volume has left offset toning to facing pages. Light external wear. Fine. Scarce with only nine institutional holdings within the UK and no other copies seen for sale at the time of cataloguing. Part of US Cold War era soft power projection, a journal highlighting modern American thinking and art.…