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PF. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Print on Demand. This book comprises the official records of the International Congress of Celestial Photography, an assembly convened in Paris in 1889. Attended by leading astronomers of the era, such as Janssen and Common, its purpose was to foster collaboration and set standards for celestial photography. The book presents discussions on various aspects of astronomical photography, including techniques for capturing images of the sun, moon, planets, and nebulae. It also delves into the use of photography for creating star charts and catalogs, and the preservation and reproduction of photographic plates. The significance of this book lies in its role as a historical document that captures the state of celestial photography in the late 19th century. It provides insights into the challenges and opportunities faced by astronomers as they harnessed the power of photography to advance their understanding of the cosmos. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condizione: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

First edition. Small 4to., [iv], 155 pp., text illustrations. Printed paper wrappers. Fine and unopened. Primarily concerned with the technical advances in the medium, including cinematography and color photography, with contributions by G. Lipmann, L. Vidal, V. Legros, Auguste and Louis Lumière, Louis-Edward Lévy, et al. The congress was held in conjunction with the Exposition Universelle de 1900. Roosens and Salu No. 2333.