louis malatier (16 risultati)

PF. Condizione: New.

Condizione: New. In.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware.

Couverture rigide. Condizione: Bon. Ed. numérotée. 1 volume reliure demi percaline bleue à coins de l'époque, dos lisse, pièce de titre de cuir marron, couverture conservée, XII et 174 pages, et appendice de 11 pages (notes photographiques), avec de nombreuses photocollographies dans le texte, d'après les procédés spéciaux de la maison Thévoz de Genève, trace de mouillure claire sur l'angle de la marge supérieure. Tiré à 600 exemplaires numérotés, celui-ci justifié et signé par les deux auteurs. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request ). Signé par l'auteur.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

EA. - Edition originale. Gr.4°. Erste Auflage, XII, 174 S., 1 Bl., 11 S. Halblederband der Zeit mit etwas Rückenvergoldung, Marmorpapiervorsätze. Sprache: Französisch, Mit zahlr. phot. Abbildungen im Text. Einband leicht berieben; Deckelbezüge etwas beschabt (etwas größere, oberflächliche Bezugspapierfehlstelle auf dem Vorderdeckel, kleine Bezugspapierfehlstellen an den Deckelkanten); Rücken mit kleiner Fehlstelle am oberen Kapital; häufiger stockfleckig (vereinzelt etwas stärker); durchgehend jeweils mit kleinem, recht schwachen Wasserfleck im Kopfsteg, im seitlichen Steg und im Fußsteg. Reisebeschreibung mit photographischen Abbildungen - die Photos sind teils in avantgardistisch anmutender Manier in den Text integriert. Exemplar Nr. 403 der Auflage von 600 Exemplaren, von Malatier und Salles signiert. Außerdem mit handschriftlichen Namen "M. A. van Bever" über den Signaturen - wohl das Exemplar für den vor allem als Herausgeber und Bibliograph wirkenden Schriftsteller Adolphe van Bever (1871-1925).

Couverture souple. Condizione: Bon état. Grand in-4. Sous chemise carton à lacets, marouflée percaline cachou, report auteurs et titre en lettres argent sur le premier plat, dos muet, 1 volume broché, premier plat de couverture illustré en couleurs, XII-174 pp. et un appendice de 11 pp. notes photographiques, avec de nombreuses photocollographies dans le texte, d'après les procédés spéciaux de la maison Thévoz de Genève. Dos passé, lacets arrachés, intérieur frais. Tirage limité à 600 exemplaires. Celui-ci, N° 17, enrichi d'un envoi des auteurs. in-4°.

Condizione: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

1st ed. - 174 pages + appendice. - 600 copies printed. - This is nr. 97, signed by the authors. - Halfleather, fine.

Ouvrage orne de Photocollographies dans le Texte d'apres les Procedes speciaux de la Maison Thevoz de Geneve. Impremerie Fontaine, Villefranche 1894. 4to. XII+176+12 pages. Illustrated with photos in b/w. Bound untrimmed with the original wrappers preserved in a beautiful half morocco binding. Slight edgewear to the lower edge. * No. 512 of 600 numbered copies, signed by the authors.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1894 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 215 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 215 Language: French.

Condizione: New. Print on Demand pp. 218.

Condizione: New. Print on Demand pp. 218.

Condizione: New. PRINT ON DEMAND pp. 218.