Peter rutledge koch (67 risultati)

Soft cover. Condizione: Fine. 1st Edition. Fine staple-bound paperback. Overall a bright and attractive copy. Number 2 in the CODE(X) + 1 series. 24 pp.

Paperback. Condizione: Good. Condizione sovraccoperta: no jacket (softcover). This softcover edition is in good condition, showing minor wear typical of a gently used book. The cover is intact with no significant tears or markings. The binding is secure, and the pages are clean and free of inscriptions. There is no dust jacket, as it is a softcover publication. Eric Zhang (Bitmap Illustrations) (illustratore).…

First edition. 24 pp. Fine in stapled wrappers. Poems.

Softcover. Condizione: Very Good. Previous owner has written "Save" on the front cover. ; Volume 80, Number 1.

Softcover. Condizione: Very Good. Volume 79, Number 3. Contents include The First Codex Australia by Donald Kerr; and For the Love of Letterpress: A Review by Camden M. Richards.

Paperback. 6 x 9 inches. Paperback. 138 pages. First edition. This companion piece to The Fragments of Parmenides reveals the "blood, sweat and tears" the creators put into their original book. Carving the Elements tells the detailed story of the making of The Fragments of Parmenides, a grandiose book project meticulously crafted by: master letterpress printer Peter Koch; poet, translator and typographer Robert Bringhurst; punchcutter, type designer, typefounder and poet Dan Carr; master stonecutter and type designer Christopher Stinehour; master bookbinder Daniel Kelm; bookbinder, casemaker and printer Peggy Gotthold; and visual artist and master wood engraver Richard Wagener. The text of the book, actually written by the book artists themselves, takes the reader through their journey in the making of The Fragmentswith essays including the following: "Philosophy & Printing in the Real West: or Herakleitos in Montana and Fly Fishing on Telegraph Avenue" by Peter Koch; "Deep in the Stone: A Conversation about Hand-Crafted Letters" by Christopher Stinehour; "Parmenides, Craft and Being: Designing and Cutting an Archaic Greek Typeface" by Dan Carr; "Finding the Form of an Ancient Text" by Robert Bringhurst; "A Dream of Pre-Socratic Color: From Joshua Tree to Baudelaire" by Richard Wagener; "How Is It Possible for the "One" to Have So Many Parts?" by Daniel E. Kelm; "Binding Parmenides" by Peggy Gotthold; and "Raven's Wine Cup" by Robert Bringhurst. Well-illustrated and written by true bibliophiles, "This book is . a guided tour of . the philosophy of artisanship, in some of its many forms." Distributed for Editions Koch.…

No Binding. Condizione: Fine. Broadside on creme paper printed in red and blsck, measuring 13 by 7 inches. Printed by Peter Rutledge Koch for the April 20, 1993 meeting of the Roxburghe Club. A fine copy.

Soft cover. Condizione: Collectible-Fine. Edition of 1000 copies by Peter Rutledge Koch, Oakland. 32, [3] pages; index; white stiff paper wrapper (5 5/8 x 8 3/4 inch). A brief introduction is provided by Lawrence Clark Powell. This is followed by a survey of the holdings of private colleges in California from the Azusa Pacific University to Whittier College. It includes the large Stanford University collections and the University of Southern California holdings. An important introduction to the private holdings of books and manuscripts in California. Fine clean copy.…

Hardcover. Condizione: Very Good. No dustjacket as issued. First Edition. Very good hardcover with a few small dents on the edges of the boards. Contents clean. Oblong 4to. 125pp.

No Binding. Condizione: Near Fine. Broadside on creme paper, printed in orange and grey, measuring 18 by 7 1/2 inches. Designed and printed by Peter Rutledge Koch as a keepsake for the 2000 joint meeting of the Roxburghe and Zamorano Clubs. Slight soft creases at the head, else a fine copy.

Paperback. Condizione: Very Good. Light rubbing on covers, .25 inch scuff on front cover, 1 inch light crease on top right corner of front cover, 1 inch light crease on top left corner of back cover, wear on side and top edges of front cover, light wear on corners, front cover is creased along spine, 1 inch closed tear on spine. otherwise a nice copy with clean, unmarked pages, an attractive cover, and a strong binding.…

Hard Cover. Condizione: Very good. No jacket. Spine is tight. Cover is lightly shelf worn. Inside is clean and unmarked.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Booklet (Saddle Stitched). Condizione: Good. Unmarked. Exhibition booklet. Color plates. 12p. Measures 7.5x10.5. Bumped bottom. Hard Words is a portfolio of nine works.

wrappers. 5.5 x 7.75 inches. wrappers. 16 pages. Number sixteen of the CODE(X)+1 Monograph Series. Number sixteen of the CODE(X)+1 Monograph Series. "The concept of Materialia Lumina [.] argues strongly for a synaesthetic approach to workmanship. Today, similar principles are being fruitfully combined with and vigorously informed by the conceptual daring and experimental nature of contemporary art practice to form, what is, in essence, a new vision of the book as a 'total work of art'.".…

paperback pamphlet. 5.5 x 7.75 inches. paperback pamphlet. 24 pages. Number two of the CODE(X) Monograph Series. Number two of the CODE(X)+1 Monograph Series. Includes several essays and notebook entries by Peter Koch related to the craft of making books. This book was designed and printed in an edition of 500 copies on a Heidelberg cylinder press by Peter Koch assisted by Jonathan Gerken for the CODEX Foundation. The cover was printed from antique wood and metal types in the Koch collection. Peter Rutledge Koch is a printer living in Berkeley, California.…

Hardcover. Condizione: As New. No Jacket. First Edition. 4to - over 9¾" - 12" tall. Fine. 411 pp.

Hardcover. Condizione: Very good. No jacket. Covers mildly soiled.

Softcover. Condizione: Fine. First edition. Spine trifle faded and bottom two corners very gently bumped, very near fine in stapled wrappers.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. In shrinkwrap. A nice, bright copy.; Color Plates; 12.2 X 9.6 X 1.7 inches; 512 pages.

Hardcover. Condizione: Very good. Condizione sovraccoperta: Very good. Great condition. Jacket is lightly scuffed, but binding is tight and inside is clean and unmarked.

6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. The inaugural issue of The CODEX Papers, an annual journal dedicated to bibliographic and art historical research and opinion in the field of contemporary book arts. The journal is edited by Gerald Cloud and Peter Koch, and the editorial brief is to publish articles that promote a clear understanding of the enormously complex and historically rich field of the book arts, including scholarly articles, artists perspectives, photo essays, interviews and profiles, reviews, letters and opinion. Contributors to this issue include: Robert Bringhurst, Gerald W. Cloud, Kate Contakos, Johanna Drucker, Crispin Elsted, Jerry Kelly, Peter Rutledge Koch, Mark Livingston, Kitty Maryatt, Marcia Reed, Gaylord Schanilec, Veronika Schäpers, Paul Van Capelleveen, Richard Wagener, and Lesya Westerman. From the Editor's Note: "As the Codex Foundation prepares to celebrate its fourteenth year and host its seventh biennial book fair and symposium it was determined that a journal of some sort was due. As an organization dedicated to promoting the book as a work of art, CODEX has made regular formal efforts to document and disseminate the content it has generated over the years, including Book Art Object and Book Art Object 2; a monograph series, CODE(x)+1, which recently published its fifteenth title; and our assemblings Alchimie du Verbe and Mapping the Cosmos, two carefully curated collections of printed works from some of the finest book artists and printers in the world. Yet, there was a sense among the Directors that the Foundation could do more, that it could generate a periodical that would offer a more frequent occasion for CODEX to engage in dialog with its supporters, collaborators, and fellow travelers. "The inaugural number of the CODEX Papers is a first shot over the bow, a clarion call for members of the book arts world to put pen to paper with an aim to articulate their observations, opinions, and critical analysis of the book, the artist book, and the book arts as they are practiced today, and perhaps, as they ought to be practiced in the future. "The CODEX Papers will give its readers an informed view on whats happening with the CODEX Foundation, and all that it seeks to support. We hope that our readers and members of the book arts community will consider submitting proposals for future articles; our interests include: scholarly, bibliographical, and historical perspectives; research, reports, and critical articles on contemporary book arts; photographic essays documenting studios, ateliers, bookshops and libraries; interviews and profiles; book and exhibition reviews and publishing perspectives; collecting contemporary book arts; letters to the editors, opinion, and travel, and other dispatches from the global perspective." Smythe sewn, letterpress printed wrapper.…

6.75 x 8.5 inches. Smythe sewn, letterpress printed wrapper. 144 pages. First edition. A fine copy. The inaugural issue of The CODEX Papers, an annual journal dedicated to bibliographic and art historical research and opinion in the field of contemporary book arts. The journal is edited by Gerald Cloud and Peter Koch, and the editorial brief is to publish articles that promote a clear understanding of the enormously complex and historically rich field of the book arts, including scholarly articles, artists perspectives, photo essays, interviews and profiles, reviews, letters and opinion. Contributors to this issue include: Robert Bringhurst, Gerald W. Cloud, Kate Contakos, Johanna Drucker, Crispin Elsted, Jerry Kelly, Peter Rutledge Koch, Mark Livingston, Kitty Maryatt, Marcia Reed, Gaylord Schanilec, Veronika Schäpers, Paul Van Capelleveen, Richard Wagener, and Lesya Westerman. From the Editor's Note: "As the Codex Foundation prepares to celebrate its fourteenth year and host its seventh biennial book fair and symposium it was determined that a journal of some sort was due. As an organization dedicated to promoting the book as a work of art, CODEX has made regular formal efforts to document and disseminate the content it has generated over the years, including Book Art Object and Book Art Object 2; a monograph series, CODE(x)+1, which recently published its fifteenth title; and our assemblings Alchimie du Verbe and Mapping the Cosmos, two carefully curated collections of printed works from some of the finest book artists and printers in the world. Yet, there was a sense among the Directors that the Foundation could do more, that it could generate a periodical that would offer a more frequent occasion for CODEX to engage in dialog with its supporters, collaborators, and fellow travelers. "The inaugural number of the CODEX Papers is a first shot over the bow, a clarion call for members of the book arts world to put pen to paper with an aim to articulate their observations, opinions, and critical analysis of the book, the artist book, and the book arts as they are practiced today, and perhaps, as they ought to be practiced in the future. "The CODEX Papers will give its readers an informed view on whats happening with the CODEX Foundation, and all that it seeks to support. We hope that our readers and members of the book arts community will consider submitting proposals for future articles; our interests include: scholarly, bibliographical, and historical perspectives; research, reports, and critical articles on contemporary book arts; photographic essays documenting studios, ateliers, bookshops and libraries; interviews and profiles; book and exhibition reviews and publishing perspectives; collecting contemporary book arts; letters to the editors, opinion, and travel, and other dispatches from the global perspective." Smythe sewn, letterpress printed wrapper. CODEX (illustratore).…

Trade Paperback. Condizione: New. New! '"The distinguishing characteristic of a book we call "magical" is the presence of an aura that excites the imagination and imparts a sense of mystery. I am not referring here to a grimoire or books about magic, but rather to books that exhibit a palpable radiance emanating from the work itself, books made of magic - magical books." EMBODIED LANGUAGE: The Book as Craft and Concept is a collection of four essays that distill fifty+ years of thinking and practice in the arts of printing, poetry, and collage. The essays trace the history and formation of a unique field - the auratic Gesamptkunstwerk or "total book" - invoking ancient concepts of Craft that have evolved for thousands of years, transmitted through Neoplatonic thought, to become the book as metaphysical instrument (via Mallarmé) in the modern world. The French philosopher Gaston Bachelard has warned us in The Poetics of Reverie that "hands dream" and in extraordinary circumstances, the active principle of the artist and the poet is to employ the creative imagination in the struggle to constitute itself. These four pieces were written to "essay a thought" describing the emergence of a metaphysical paradigm, and illuminate the book as a work of art and magic. Inviting the Book as an artform into open discourse, Koch supplies a context for the work he most admires. Evoking the philosophical foundations of his mentors, William Everson, Adrian Wilson, Sandra Kirshenbaum, and Jack Stauffacher, Koch proceeds to describe the works of his contemporaries, Carolee Campbell, Clemens-Tobias Lange, Russell Maret, and Veronica Schaepers, that illustrate his thesis of the "Third Stream Book," a concept that borrows heavily from an essay by Kirshenbaum describing the "printer's book" as the form that offers the most authentic expression of the book as a total work of art. The final essay introduces a fresh thought experiment: The Poetry Musaeum - as a locus for exploring the materiality of language.' ~ Publisher.…

Condizione: very good. Photo non contractuelle. Envoi rapide et soigné.

Condizione: New. 2013. 1st Edition. Hardcover. . . . . .

Condizione: New.

portfolio. 4to. portfolio. unpaginated. Limited to 1000 copies. A fine copy. The club's 2015 keepsake. Table of contents, foreword by Bringhurst. Book Club of California (illustratore).

paperback. Condizione: New. Hardcover.