peter sekaer (19 risultati)

Softcover, 56 pages of photos from the mid to late 1930s; very good condition, clean and crisp, no internal marks.

First Edition. First edition. Softcover. 54 pages. Exhibition catalog for a show that ran March 19 through May 1, 1999 at Howard Greenberg Gallery and May 8 through July 31, 1999 at Addison Gallery of American Art, Phillips Academy. Essay by Allison N. Kemmerer. Includes numerous black and white images. A fine copy in wrappers and with laid in complimentary slip. An attractive catalog.

Soft cover. Condizione: New. 1st Edition. Condition: New. Often compared with Walker Evans, Peter Sekaer's photographs contained a similar tension between the documentary and personal urges. Though often exhibited duing his lifetime, it is only with this publication, and the touring show from which it is drawn, that his brilliant depression era images are being seen again.

Trade Paperback. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condizione: Very Good +. This is a VG + condition paperback. 1-879886-45-6 Size: 4to - over 9¾" - 12" tall.

Condizione: Very Good. Hardcover, 200 pages. Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. Record # 361109.

Softcover. Condizione: Fine. First edition. Quarto. Photographically illustrated self-wrappers. 54, [1]pp. Fine. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn. Shahn is represented with an illustration of one drawing.

Condizione: Wie neu. Erste Ausgabe / First Edition. 28 x 26 cm. 198 S. OPappband mit illustriertem OUmschlag. Verlagsfrisches, neuwertiges Exemplar - originalverschweißt. Durchgehend mit Abbildungen versehen. Text in Englisch.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. A MINT/MINT First edition copy. Signed by Author(s).

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 198 pages; Physical description: 198, [1] p. : chiefly ill. (some col. ) ; 28 cm. Catalog of an exhibition held at High Museum of Art, Atlanta, Georgia, June 5, 2010-Jan. 9, 2011. Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. Subjects: Sekaer, Peter, 1901-1950 - Exhibitions. Photography, Artistic - Exhibitions. Documentary photography - United States - Exhibitions. 4 Kg.

Hardcover. Condizione: Like New. Publisher: High Museum of Art, Atlanta, 2010 (in conjunction with Steidl Publishers, Germany). First Edition, First Printing. FINE hardcover book in FINE dust-jacket. PRISTINE. As New. Unread. NOT marked. NOT price-clipped. NOT remainder marked. NOT faded. NOT book club edition. NOT ex-library. All of our books with dust-jackets are shipped in fresh, archival-safe mylar protective sleeves.

4to. 54, [1]. numerous b/w. illus. wrs. Published in Conjunction with an Exhibition.

hardcover. Condizione: As New. Prima edizione (First Edition). Volume pubblicato in occasione della mostra tenutasi presso l'High Museum of Art, Atlanta 5 giugno 2010 - 9 gennaio 2011. Testi di Juliam Cox, Christina Sakaer, John T. Hill. Fotografie in bianco e nero. Biografia e Bibliografia selezionata . Cm 28x26. pp. 200. . Perfetto (Mint). . Prima edizione (First Edition). . Il fotografo documentarista danese Peter Sekaer (1901-1950) fu uno dei collaboratori chiave dei progetti fotografici del governo americano durante la Grande Depressione. Sekaer fotografò insieme a Walker Evans il Sud degli Stati Uniti durante gli anni della Farm Security Administration, e le fotografie dei due sono talvolta indistinguibili. La mostra, organizzata dall'ex curatore Julian Cox per l'High Museum of Art, proponeva circa 80 stampe realizzate dal 1935 al 1945, ed è la prima grande mostra museale dedicata al lavoro di Sekaer. Book.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 8vo 8" - 9" tall; 198 pages; Physical description: 198, [1] p. : chiefly ill. (some col. ) ; 28 cm. Catalog of an exhibition held at High Museum of Art, Atlanta, Georgia, June 5, 2010-Jan. 9, 2011. Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s. Subjects: Sekaer, Peter, 1901-1950 - Exhibitions. Photography, Artistic - Exhibitions. Documentary photography - United States - Exhibitions. 2 Kg.

Condizione: Good. 4to. Hard cover. 56 pp. Very good. B&W plates. Related ephemera included as insert.

High Museum of Art / Steidl Publishers, Atlanta / Göttingen 2010. First edition. Publishers boards with dustjacket. 198 (2) pages. Illustrated. Nice copy in very fine condition.

Condizione: Wie neu. Steidl, Göttingen. 2010. First edition, first printing. New, mint, unread condition. Still originally shrink-wrapped in publisher`s plastic foil. Hardcover in linen with dustjacket. 250 x 275 mm. 200 pages. 161 tritone plates. Edited by John T. Hill. With contributions by Julian Cox and Christina Sekaer. Peter Sekaer (1901-50) emerged as an artist in the company of Ben Shahn, Berenice Abbott, and Walker Evans. This book intends to show how he stepped from their benign shadows to build his own distinctive style. It is the first monograph to show the full range of his accomplishments. Sekaer's early work combines dispassionate images with others that show his concern and intuitive grasp of the human condition. Many of his most memorable photographs were made while fulfilling mundane assignments for various government agencies. Sekaer had none of the reformer's passion found in the works of Jacob Riis or Lewis Hine. His stance was more that of the artist/anthropologist, who delighted in recording the artifacts and gestures that defined American society in the 1930s.***************Steidl, Göttingen. 2010. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch. Noch original-verpackt in der Plastikfolie des Verlags. Hardcover in Leinen mit Schutzumschlag. 250 x 275 mm. 200 Seiten. 161 Tritone Fotos. Editiert von John T. Hill. Text von Julian Cox und Christina Sekaer. Sprache: Englisch Gewicht in Gramm: 1600.

Condizione: Good. Lettepress. 31 x 40.5cm. As published in Portfolio One , edited by Caresse Crosby. .Peter Sekaer (1901-1950) was born in Copenhagen, Denmark and immigrated to the United States in 1918. After successfully operating a printing business in New York City producing posters, advertisements and window displays, he enrolled in the Art Students League in 1929 to study painting. He soon became involved in the New York art scene, befriending, among others, the artist Ben Shahn and the photographer Walker Evans. By 1934 Sekaer had left painting behind to study photography with Berenice Abbott at the New School for Social Research. Through his friendship with Walker Evans he secured contracts from 1936 to 1943 to work on assignment as a photographer for various government agencies that were created as part of President Roosevelt's New Deal program. In 1945 Sekaer started his own commercial photography business, shooting advertisements and human interest stories for magazines. In 1950, at age forty-nine, Sekaer suffered a fatal heart attack. His life's work has been preserved by his wife, Elisabeth Sekaer Rothschild, and their younger daughter, Christina Sekaer.

Condizione: Good. Half-tone reproduction. 31 x 40.5cm. As published in Portfolio One , edited by Caresse Crosby. .TPeter Sekaer (1901-1950) was born in Copenhagen, Denmark and immigrated to the United States in 1918. After successfully operating a printing business in New York City producing posters, advertisements and window displays, he enrolled in the Art Students League in 1929 to study painting. He soon became involved in the New York art scene, befriending, among others, the artist Ben Shahn and the photographer Walker Evans. By 1934 Sekaer had left painting behind to study photography with Berenice Abbott at the New School for Social Research. Through his friendship with Walker Evans he secured contracts from 1936 to 1943 to work on assignment as a photographer for various government agencies that were created as part of President Roosevelt's New Deal program. In 1945 Sekaer started his own commercial photography business, shooting advertisements and human interest stories for magazines. In 1950, at age forty-nine, Sekaer suffered a fatal heart attack. His life's work has been preserved by his wife, Elisabeth Sekaer Rothschild, and their younger daughter, Christina Sekaer.