petra halkes (28 risultati)

Soft cover. Condizione: Near Fine. Art Illustrations (illustratore). 1st Edition. Inscribed by Susan to former owner, otherwise unmarked, clean, bright and tight copy. Signed by Author(s).

Cloth. Near Fine clean solid hardback copy in a Near Fine dust jacket. #.

Condizione: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Half-Leather. Condizione: Very Good. Condizione sovraccoperta: Very Good. Minor scuffing wrinkling and spots on the dustjacket. Clean unmarked interior, several colour and black and white photographs.

Condizione: Good.

1st ed. - Thesis University of Leiden. - With references. - Softcover.

Illustrated. 16 x 24 cm. 270 pages. Hardcover. Sprache: Englisch.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First Edition; First Printing. Tight clean book in illustrated boards, about new but for crease to front endpaper; unmarked but for "all my regards" signed by Stephen Hutchings; in crisp dust jacket with just a touch of shelfwear; 10.5 X 1 X 11.25 inches; 160 pages; The book explores Hutchings' large-scale oil paintings that meditate on temporality, permanence, eternity, and the sublime in natureâ"often evoking apocalyptic or transcendent "end times" through dramatic skies, stormy seas, and luminous forests. His work blends realism with abstraction, influenced by contemporary music and innovative techniques (e. G. , charcoal underdrawings blended with oil glazes for chiaroscuro effects). Hutchings (Halifax-born, New Brunswick-based) creates immersive, dreamlike vistas that reflect environmental fragility and human transienceâ"praised for technical mastery and emotional depth. (Grok); Signed by Author.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 1st. (CAD) Presumed first edition. SIGNED BY ARTIST to the inside front endpaper, no other markings, Fine in Near Fine dust jacket with 1/2" closed tear to upper flap fold corner of back panel. DJ is in mylar sleeve. Hardcover, 160pp, colour photos and reproductions of paintings, video disc unopened to inside back cover. From the jacket: This book is based on a major exhibition of Stephen Hutchingss monumental landscape paintings organized by the Glenbow Museum in Calgary, Alberta. The paintings and the two videos included in the exhibition examine ideas of temporality, permanence and eternity. The book is illustrated with the paintings from the Landscapes for the End of Time exhibition as well as with many other examples of Hutchingss work. The accompanying essays provide insight and context, and offer an understanding and appreciation for his art as a whole. Also included is a discussion of the innovative techniques and methods he employs in his creative process and the significant role that contemporary music plays in the development of his work. (3.2 JM HOQ 103/6 Size: 4to - over 9¾ - 12" Tall. Signed by Artist.

Hardback. Condizione: New. The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art.Four installations of large-scale paintings by Canadian artists Eleanor Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and iconography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature.It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardcover. Condizione: new. Hardcover. The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art.Four installations of large-scale paintings by Canadian artists Eleanor Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and iconography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature.It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: new.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 270 Figures.

Condizione: New.

Condizione: New. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture. Num Pages: 270 pages, illustrations (some colour). BIC Classification: 1KBC; AGB; AGN. Category: (P) Professional & Vocational. Dimension: 236 x 160 x 20. Weight in Grams: 480. . 2006. Illustrated. hardcover. . . . .

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. illustrated covers, dust jacket, 160 pages. : illustration. (chiefly col.), ports.,signed by artist on front blank "Best regards ! Stephen Hutchings" Includes bibliographical references., unopened video disc inside rear cover,CONTENTS: Introduction / Colleen Sharpe -- Portfolio: the paintings in the exhibition -- Keeping ruin and promise together: Stephen Hutching's landscapes for the end of time / by Petra Halkes -- Portfolio: details of the paintings -- Drawing upon memory / by Mary Reid -- The painting process: an illustrated description -- About landscapes, the end of time, and other issues . : a conversation between Vincent Varga and Stephen Hutchings.Catalogue of an exhibition held at the Glenbow Museum, Calgary, Alta., Dec. 11, 2010-Mar. 13, 2011 and then travelling to other venues. Size: 4to - over 9¾ - 12" tall. Signed by Author(s). Book.

Condizione: New. pp. 270 Index.

Hardcover. Condizione: Brand New. 1st edition. 270 pages. 9.00x6.25x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture. Num Pages: 270 pages, illustrations (some colour). BIC Classification: 1KBC; AGB; AGN. Category: (P) Professional & Vocational. Dimension: 236 x 160 x 20. Weight in Grams: 480. . 2006. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

Hardback. Condizione: New. The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art.Four installations of large-scale paintings by Canadian artists Eleanor Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and iconography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature.It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture.

Hardcover. Condizione: new. Hardcover. The idea of nature as a cultural construction has been discussed extensively in postmodern theory. Less attention, however, has been paid to the underlying motivations shaping the ideologies of nature, in particular the desire to submit to some larger order outside of oneself. Aspiring to the Landscape examines this persistent desire and how it is made manifest in contemporary landscape art.Four installations of large-scale paintings by Canadian artists Eleanor Bond, Susan Feindel, Stephen Hutchings, and Wanda Koop are the focus of Petra Halkes's study. The works vary widely in style and iconography but are drawn together by the way they invite a reflection on the troubled relationship between culture and nature and our contradictory and simultaneous longing to conquer and to succumb to nature.It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture. It is the tension between modern and postmodern interpretations of the subject of nature that makes the theory and the artwork discussed in Aspiring to the Landscape so important to contemporary Canadian culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

306pp., with 52 bl/w ills., 20cm., softcover, text in English, Doctoral Dissertation (Rijksuniversiteit te Leiden), stamp at verso of title page, text is clean and bright, good condition, S110430.