philip leacock (19 risultati)

Soft cover. Condizione: VGF. A VG or better folded 4-page pressbook with no cuts or missing pages. Size: 12" x 15". Book.

Soft cover. Condizione: VGF. A VG or better folded 4-page pressbook with no cuts or missing pages. Size: 12" x 15". Book.

Soft cover. Condizione: VGF. A VG or better folded 4-page pressbook with no cuts or missing pages. Size: 12" x 15". Book.

Soft cover. Condizione: VG. A VG folded one sheet from the film "Tamahine". Size: 27" x 41". Book.

No Binding. Condizione: Near Fine. A NF or better original release lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG one sheet from the film "13 West Street" based on the novel by "The Tiger Among us" by Leigh Brackett. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG one sheet from the film "13 West Street" based on the novel by "The Tiger Among us" by Leigh Brackett. Size: 11" X 14". Poster.

No Binding. Condizione: Very Good. A VG or better Columbia Studio release schedule which measures 6.5" x 9.5" inches when closed, 9.5" x 12.5" when open to display the wonderful movie graphic and 12.5" x 18.5" when fully open to view the schedule of upcoming releases. Studio release schedules were sent to film distribution companies in advance of a film's release and contained a listing of the main cast, director and running times of the films to be released over the next few months. Ultra rare. Size: 12" x 18". Poster.

No Binding. Condizione: Very Good. A VG or better Columbia Studio release schedule which measures 6.5" x 9.5" inches when closed, 9.5" x 12.5" when open to display the wonderful movie graphic and 12.5" x 18.5" when fully open to view the schedule of upcoming releases. Studio release schedules were sent to film distribution companies in advance of a film's release and contained a listing of the main cast, director and running times of the films to be released over the next few months. Ultra rare. Size: 12" x 18". Poster.

Vintage black-and-white still photograph from the 1953 UK film. Printed with the original title, "Appointment in London." A retiring bomber pilot intends to keep the new recruits focused by banning women from the base. Then he meets smiling officer Eve Canyon 8 x 10 inches. Very Good plus, with an ink notation on the verso, two tiny chips, and light toning.

Magazine. Condizione: Very Good. PROGRAMA DE MANO. LOS SECUESTRADORES (Philip Leacock), 1955. DUNCAN MACRAE ADRIENNE CORRI. Hoja suelta. 9x12 aprox cm. (Base x Altura x Grosor). Color. Ubic: CINE - Programas de Mano--1 - . - - - NOTAS SOBRE EL ESTADO: Artículo de segunda mano. Buen estado general. Ver fotos y leer descripcion, las fotos se consideran parte de la descripcion.

Two vintage studio still photographs from the 1962 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1959 novel by John Hersey. The hotshot commander of a Boeing B-17 Flying Fortress bomber lives for the most dangerous missions, and acts as though he may have a death wish. Shot on location in Cabridge, Bovingdon, and Kent, England. 10 x 8 inches. One Near Fine, the other Very Good plus, with creasing and tape residue at the bottom left corner.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1884 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 15 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First edition. Large octavo. 202pp. Cloth. Illustrated. Gift inscription, pencil loop detached, else a fine, bright copy in price-clipped, fine dust jacket. The pictorial jacket reproduces a design by O. Soglow. Contributions include "How To Sleep" by Robert Benchley, a preface and "The Art of Breaking a Neck" by W.C. Fields, "The Doctor and the Contraption" by Stephen Leacock, "The Body Beautiful" by S.J. Perelman, "Essay on the Advantages of Sleeping in Bed Alone" by Groucho Marx, etc. Scarce in this condition.

Final Draft script for Season 1 Episode 1 of the 1970-1971 television series. Copy belonging to actor Jack Naughton, with his name in manuscript ink on the front wrapper. Laid in with the script is a xerographically duplicated shooting location map. The short-lived series followed three independent criminologists-George Maharis, Yvette Mimieux, and Ralph Bellamy-who took on especially dangerous, high-profile cases. In this debut episode, the trio attempt to solve a murder of a man found with a hole in his head that did not come from a bullet. The episode originally aired on October 10, 1970, on ABC. Red titled wrappers, noted as story No. 261 on the front wrapper. Title page present, dated June 30, 1970, noted as FINAL DRAFT, with credit for screenwriter Burton Wohl. 70 leaves, with last page of text numbered 62. Mimeograph duplication, rectos only, with rainbow revision pages throughout, dated variously between August 7 and 18, 1970. Pages Near Fine, wrapper about Near Fine, bound with two gold brads.

Final Draft script for the 1959 film. Based on the first play on Broadway to have been written by an African American playwright, about the challenges of a Black youth growing up in a predominantly white neighborhood. In 1991, "Jump Cut" magazine reassessed the play (and subsequent screenplay), calling it a pioneering work. Yellow titled wrappers, with credits for production company Hecht-Hill-Lancaster along the bottom edge of the front wrapper. Title page present, dated October 1, 1958, noted as Final Draft, with credits for screenwriters Julius Epstein and Louis Peterson. 119 leaves, with last page of text numbered 108. Mimeograph duplication on eye-rest green stock, pages dated variously between 10/1/58 and 10/2/58, rectos only, with blue and eye-rest green revision pages throughout, dated variously between 10/22/58 and 11/3/58. Pages Near Fine, wrapper Near Fine, bound with three gold brads.

Eight vintage full-color British front-of-house cards from the 1963 UK film. With distributors wraparound band. Nancy Kwan is featured in each still. Based on the 1957 novel by Thelma Niklaus, about a simple Polynesian girl who is sent to live with her uncle in London. Nominated for a BAFTA award for Best British Cinematography in Colour. 8 x 10 inches. A short tear to the wraparound band, else Near Fine.

Vintage reference photograph of Micheal Crawford, Philip Leacock, Steve McQueen, and an unidentified woman, on the set of the 1962 film. Based on the 1959 novel by John Hersey. The commander of a Boeing B-17 Flying Fortress bomber, cocky hotshot Captain Buzz Rickson, lives for the most dangerous missions, and acts as though he may have a death wish. Shot on location in Cabridge, Bovingdon, and Kent, England. 10 x 8 inches. Near Fine.

Draft script for the sixth episode of the first season of the 1979-1981 NBC television series, which aired on October 25, 1979. Based on the 1929-1967 comic strip character created by Philip Francis Nowlan. Developed for television by Glen A. Larson and Leslie Stevens, the NBC science fiction series ran for two seasons and 32 episodes, and premiered on September 20, 1979, ending on April 16, 1981. The series' two hour premiere was released as a made-for-TV movie and released theatrically in March 1979. The twentieth century astronaut Buck Rogers emerges out of 500 years of suspended animation in the twenty-fifth century and becomes Earth's greatest hero. In this episode, Buck and Wilma seek the help of a retired fighter pilot and his legendary "Fighting 69th" squadron to go after a notorious gunrunner who has stolen a stockpile of 20th century nerve agents. Front wrapper integral with title page, dated August 23, 1979, with credits for screenwriter David Bennett Carren. 69 leaves, with last page of text numbered 66. Xerographic duplication on blue leaves, rectos only, with pink revision pages throughout, dated 8/29/79. Pages Near Fine, bound with two gold brads.