Philippa simpson (48 risultati)

hardcover. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condizione: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

1st ed. Gift inscription on label on front free end paper; binding tight; dust jacket a little worn at edges Used - Very Good. VG hardback in Good dust jacket Used - Very Good. VG hardback in Good dust jacket.

Hardcover. Condizione: Good. Condizione sovraccoperta: Worn - Edges Scuffed. 1st Edition.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. hard cover in dust jacket., no flaws or wear. clean, no markings. no bumps, tears, chips. tight binding.; 144pp., 108 plates and figures, with some unnumbered details, most all in color. three essays, detailed catalogue entries, reference material. a most worthy and successful endeavor. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Hardcover. Condizione: Fine. 1st Edition. Book and dust jacket are in fine condition. 144pp with colour illustrations.

Softcover. Condizione: Very Good. No Dust Jacket. First Edition. Light curve to whole volume (pages and covers). Contains many colour illustrations. No dust jacket, as published. Previous owner's name, Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: 1-2kg. ISBN: 1854377981. ISBN/EAN: 9781854377982. Pictures of this item not already displayed here available upon request. Inventory No: 19122021041. All our books are sent by tracked mail. This book is heavier than 1kg, and may incur additional delivery charges on some delivery services to some locations. …

Hardcover. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: New.

Condizione: New. pp. 160 120 Illus. (Col.).

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 144pp. Blue paper boards with white text on spine. 4to. Dust wrapper is near perfect. Appears unread. Clean, tight and bright throughout.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Fine.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condizione: Very good in wraps. First Edition. 18 x 25cm 252pp very good paperback with black and white reproductions. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe.The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. …

Condizione: New. pp. 160.

Soft cover. Condizione: New. 1st Edition. This new copy is bound in illustrated card covers as issued. The contents are bright, tight, white and square. International postal rates are calculated on a book weighing 1 Kilo, in cases where the book weighs more than 1 Kilo increased postal rates will be quoted, where the book weighs less then postage will be reduced accordingly. J.M.W. Turner (1775-1851) is widely regarded as the greatest painter Britain has ever produced. Despite the many books and exhibitions that have been devoted to him, there is one aspect of his extraordinary oeuvre that has never been thoroughly examined. Uniquely in the history of European art, he took on all comers, past and present, that he considered worthy of a challenge, creating his own images in their styles. These works were both acts of homage and a sophisticated form of art criticism, demonstrating his understanding of great art and his ability to equal or better the most celebrated exponents of the landscape tradition. No artist, however revered, was considered beyond challenge. This unique habit is clearly a key to understanding Turner's art, yet the issue is one that has so far never been thoroughly addressed on Turner and on British art of the 18th and 19th centuries. In "Turner and the Masters" leading authorities explore this fascinating aspect of his career, revealing new detail on the debts and rivalries that shaped his work in often unexpected ways. Accompanying a major touring exhibition that brings together works by Turner with masterpieces by Claude, Canaletto, Ruisdael, Van de Velde, Poussin, Rubens and Rembrandt, as well as by Turner's contemporaries including Constable and Bonnington, this book firmly positions Turner in the company of the greatest painters of all time. The contributors include Guillaume Faroult, Sarah Monks, Martin Myrone, Kathleen Nicholson, Philippa Simpson and Ian Warren This stunning book was published to accompany the important exhibition 'Turner and the Masters' held at Tate Britain. Ref TTT 1.…

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: Fine. ~Robust packaging. All UK orders trackable, others on request. Used books are exempt from USA tariffs. Hardback. Size: xi, 252pp. 17.5 x 25cm. No dustwrapper.

Condizione: New.

Paperback. Condizione: new. Paperback. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe. The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. Thus, Part One engages with historically specific ways of transmitting messages about war and conflict, including maps, prints, silhouette imagery and war games produced in France and Germany; Part Two considers popular and elite imagining of war between 1793 and 1815, encompassing readings of paintings by Turner, Girodet and Goya, Portuguese anti-French drawings and British satirical book illustrations; while Part Three concentrates on visual cultures of commemoration, addressing British theatrical reenactments and museum collections, and British and Dutch paintings of the Battle of Waterloo. As such, the volume uncovers fascinating new visual material and throws fresh light on some of the more canonical visual representations of conflict during the first Total War. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New. pp. 252.

Condizione: New. pp. 252.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. pp. 252.

Gebunden. Condizione: New. The English romantic artist Joseph Mallord William Turner (1775-1851) was hailed as the painter of light for his brilliantly coloured landscapes and seascapes. This book examines the ways in which Turner consistently strove to confront Claude s achievement .