Phillpot clive and hendricks jon (6 risultati)

Softcover. Condizione: VG. Tan illus. wraps with black and red lettering; 64 pp. with one gatefold and numerous bw illustrations. With 157 catalogue pieces and helpful commentary.Contents as follows: Fluxus : magazines, manifestos, Multim in Parvo / Clive Phillpot -- Introduction to the exhibition / Jon Hendricks -- Neo-Dada in music, theater, poetry, art / George Maciunas -- Fluxus documents. …

Soft cover. Condizione: As New. No Jacket. 1st Edition. Catalogue published on the occasion of Fluxus : Selections from the Lila and Gilbert Silverman collections November 17 - March 10, 1989.66pp offset in b/w 20.5 x 20.5cms Colour french flap cover.Slight foxing to half-title page. workfortheyetodo sticker in back and Coracle rubber address stamp near front, otherwise perfect. …

Soft cover. Condizione: Very Good. No Jacket. Softcover. Condition: Very good, with just a hint of shelfwear to covers. Binding sound, no inscriptions. 64pp. Many b/w illustrations. This catalogue was produced to accompany the eponymous exhibition held at the Museum of Modern Art Library from November 17, 1988 to March 10, 1989.…

Softcover. Condizione: Very Good. Light wear to unlaminated cover & edge.

Softcover. Condizione: Very Good. First Edition, Second Printing. Square 8vo. This exhibition focused principally on the collective works of the group, documenting George Maclluna's slow-motion explosion of the concept of the magazine, from Fluxus 1 in 1964 to the Flux Cabinet 1975-77.

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 21,5 x 28 cm, Hardcover, cloth binding, 448 pages, 96 color & 267 b/w illustrations - Voids. A Retrospective is a paradoxical exhibition: by re-actualizing nine empty exhibitions, it is simultaneously an experimental project that refuses the classic rules of the visual arts and an historical object which confronts the projects of Art & Language, Robert Barry, Stanley Brouwn, Maria Eichhorn, Bethan Huws, Robert Irwin, Yves Klein, Roman Ondák, and Laurie Parsons. At once the support and an extension of the event, this publication outlines the concept of the void in art, aesthetics, philosophy, religion, science, popular culture, architecture, and music, and broaches the subject of nothing, of vacuity, of the invisible and the ineffable, of rejection and destruction. Opening with a catalogue section that documents the nine selected historical and contemporary exhibitions, the publication also contains an anthology of more than forty texts, many published here for the first time, as well as contributions by artists created especially for this volume.…