pierre daret (69 risultati)

Condizione: New. pp. 449.

Condizione: New. pp. 449.

Condizione: New. pp. 449.

Condizione: New. pp. 449.

Condizione: New. pp. 449.

Condizione: New. pp. 449.

Original Kupferstich-Portrait mit schöner Barock-Umrahmung. -- Bild-Maße: ca. 21,5 x 14 cm. -- mit kleinem Plattenfehler, sonst gut erhalten. || Original engraved portrait with beautiful baroque framing. -- with a minor plate defect, otherwise in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Schönes original Kupferstich-Portrait von ca. 1700. -- Blattformat: ca.25x18 cm. Platte: ca. 12 x 8 cm. -- gut erhalten. || Original copper engraved portrait from c. 1700. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

schönes Original Kupferstich-Portrait aus dem 18. Jahrhundert - Blatt-Format: ca. 15,5 x 25 cm - teils leicht fleckig, sonst gut erhalten. | // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Hardcover. Condizione: Good. No Jacket. Pierre Daret (illustratore). 1st Edition. Please email for Photographs or further information. Good - 2 parts in 1, first edition in English, translated by T.M. Gibbs, additional engraved title, engraved frontispiece, title vignette, illustrations (many full-page), engraved initials and headpieces, scattered faint spotting (mostly marginal), hole to front free endpaper, cracked hinges, contemporary calf, rubbed, bumping to corners and extremities, folio. 1721 1st Edition , THE DOCTRINE OF MORALITY or, A View of Human Life. According to the Stoick Philosophy. Exemplify'd in One Hundred and Three Copper Plates, Done by the Celebrated Monsieur Daret, Engraver to the Late French King. With an Explanation of each Plate : Written Originally in French by Monsieur De Grmberville, for the Use of the Said Prince. Translated into English by T.M. Gibbs, late of Hart-Hall, Oxon. By Marin Le Roy de Gomberville Author Bio: Marin le Roy, sieur du Parc et de Gomberville (1600 - 14 June 1674) was a French poet and novelist. In 1646, Gomberville published the first edition of his emblem book, La Doctrine des Moeurs ("The Doctrine of Morals") based on Otto van Veen's "Quinti Horatii Flacci Emblemata" [1607].[1] Later editions appeared in 1681, 1682, 1683, 1684, 1685, and 1688 (all Paris). The illustrations in the first edition, mirror images of van Veen's, were engraved by Pierre Daret. 1721 Translated into English by T. M. Gibbs Illustrated By: Pierre Daret Illustrator Bio: Pierre Daret de Cazeneuve, a French portrait painter and engraver, was born in Paris in 1604. Binding: Hardcover, folio (fo 12 × 19 in 305 × 483 mm ) Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary. Collation: pp. Language: English Published By: E. Bell, A. Bettesworth, London Condition Report: Dust Jacket: No Jacket, Dust Jacket Condition: No Jacket Good - 2 parts in 1, first edition in English, translated by T.M. Gibbs, additional engraved title, engraved frontispiece, title vignette, illustrations (many full-page), engraved initials and headpieces, scattered faint spotting (mostly marginal), hole to front free endpaper, cracked hinges, contemporary calf, rubbed, bumping to corners and extremities, folio. SKU: BTETM0002582 Shipping Info: Approximate Package Dimensions H: 12.5, L: 30, W: 25 (Units: cm), W: 3Kg Tracked Shipping, Insurance Coverage as per Customer Request.

Couverture rigide. Condizione: Satisfaisant. Paris, Au Palais, en la boutique de A. Soubron, chez Jacques Le Gras, à l'entrée de la Galerie des prisonniers, à Paris, 1685. In-12, reliure plein veau de l'époque, dos à nerf, frottements et usures aux coins, mais reliure solide. Notre exemplaire contient 8 feuilles non chiffrés contenant la page de titre, Préface et table des devises pour la première et la seconde partie du livre, 412 pages, les chapitres sont réparties en devises accompagnées de textes d'explications des figures. Cet exemplaire est orné de bandeaux, cul-de-lampes type figures, ou fleurons, lettrines, gravures réalisées par Pierre Daret, légendées 102 planches en pleine page. Il manque la quarantième gravure dans la seconde partie, aussi il manque la page 7 et 8, indiquant la quarante deuxième figure. Quelques nudités figurant dans les gravures ont été biffées laissant des petits trous. Un petit manque au milieu de la page de titre qui est aussi légèrement froissée aux bords, mais sans altérer la lecture. Une édition reprenant l'édition originale : La doctrine des moeurs tirée de la philosophie des stoïques : représentée en cent tableaux et expliquée en cent discours pour l'instruction de la jeunesse, publiée à Paris, Pour Pierre Daret, de l'Imprimerie Lovys Sevestre, 1646 et conservée à la bibliothèque nationale de France. Livre inspirée de Vaenius, Otto Van Veen, (1556-1629) dans son Emblemata Horatiana, édition 1606.

Condizione: Good. 4to. 19 x 27.5cm. Contemporary brown calf binding (scratches on the covers, partially split joints, bumped corners) - Spine with raised bands decorated and titled in gold (gilt, cracked leather, lower headpiece leveled, splits) - - Title soiled and restored at 1 corner, some marginal restorations, halos, sometimes marked, weakened leaves, marginal loss to the portrait of Louis XII, some passages underlined in the texts accompanying the portraits - 74 portraits engraved hors texte with 10 added from other works of Philippe VI, François Ier, Henry II, Charles IX, Henry III, Henry IV, most of smaller formats - Old handwritten bookplate with the title .OCLC Number / Unique Identifier:7870300:Comprises engraved t.p. and 64 full-page engravings (each with oval portrait, small coat of arms and engraved biographical text). Presumably engraved by P. Daret, J. Frosne, and possibly, the publisher L. Boissevin.Most of the plates have the undated imprint of Boissevin but pl. 63-64 have that of Daret and are dated respectively 1653 and 1652Listed in the supplement to Graesse's Tresor de livres with imprint: vers 1660.

Hardcover. Condizione: Good. First Edition. Modern morocco, gilt-stamped lettering in black and green leather spine labels; folio; two parts in one volume. Lacking the main title-p. and engraved plates introducing part 1, but otherwise complete, with full-page engraved frontis., pp. [24] (illustrated text, poem, author portrait), then 103 large plates (engraved on coppy by Pierre Daret) accompanied by text, comprising the substance of the work. Light stains and marginal browning to first 20 or so pages, otherwise text is in excellent condition, with nice, bright plates, and ornate chapter headings and illuminated initials. Incomplete and sold as is.

Condizione: Fair. Otto Vaenius (illustratore). 'L'homme est rien qu'un peu de boue.'Engraving on hand laid (verge) paper. Sheet size: 16,8 x 28,2 cm. (6,6 x 11,1 inch). Image size: 14,7 x 18 cm. (5,8 x 7,1 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 103)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Fair, given age. Page trimmed. Small tear at right below top. Paper edges a bit irregular at bottom right. Some creasing, mostly in left margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MAN IS NOTHING BUT DUST-DEATH-SHADE(PCO) A331-40.

Condizione: Good. Engraving. 4to. Very Good with minor staining.

Condizione: Good. Engraving. 13.5 cm x 20.75 cm (5.6 in x 8 in). Unbound sheet. Good with marginal tear on upper left corner and staining along edges. Half-length black and white portrait of Leon Bouthilier, the Count of Chavigny. Eleven lines of description lettered in French in lower margin. Text at bottom reads: "a Paris, 1652. ex." En Francais.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 458. A perfect gift for your loved ones. Reprinted from 1662 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 458.

Condizione: Befriedigend. Radierung von Pierre Daret, nach Simon Vouet dargestellt ist die Muttergottes mit dem Christuskind; Blattgröße 49,5 x 32,3 cm, Bildgröße ca. 27,5 x 18,5 cm; kräftiger Druck; Randbereich etwas unfrisch, kl. Perforation im Vorhang, kaum sichtbar, ebenso im Randbereich Size: 49,5 x 32,3 cm.

Condizione: New. Print on Demand pp. 248.

Condizione: New. Print on Demand pp. 246.

en feuille. Condizione: Très bon. D'après une peinture de J. Blanchard. Excudit de Pierre Mariette. 35,5 x 26,5.

Contemporary vellum. Condizione: Good. Second, augmented edition. Folio (43.5 by 28.2 cm.) [6: title, engraved frontispiece, dedication, reader's preface], 7 (descriptive text); 41 (of 48) full-page engraved plates, numbered in five sequences. Contemporary vellum (lightly soiled; traces of old paper label at spine); edges stained crimson. Minor erosion at top margin title, just affecting one letter; intermittent moderate dampstain at top margin, notably extending into 12 leaves. Lacks final seven plates. A good, amply-margined copy, with otherwise clean, crisp text and plates. Second, much augmented edition of this epitome of Vitruvius by the learned French nobleman, Julien Mauclerc (1543-ca. 1598), with additions by the editor, Pierre Daret. The work was first published in 1599/1600 by Jérôme Haultin at La Rochelle under the title Le premier Livre d'Architecture . traictant tant de l'Ordre Tuscanique, Doricque, Ionique, Corinthe, que Composite. "It contains the 1600 text, with modernized or modified vocabulary. Daret removes the specific references to Book III of Serlio's work, but adds commentary to the figures he has enriched the plates with, including a method for drawing the Ionic volute explicitly borrowed from Vignola. The engravings are enhanced by a few elements added in the spaces left blank by Boyvin. Daret's additions contribute to the work's eclectic nature, but from this perspective, they are quite coherent. Indeed, by introducing Vignola, Palladio, and Scamozzi, they update the material of an eclectic method that Mauclerc practiced at the dawn of the century with Blum, Serlio, Labacco, and de l'Orme, now superseded by the three Italians whom Fréart de Chambray, in 1650, designated as the three modern masters, and who provided 17th-century French architecture with the essential elements of its repertoire in the realm of the orders. Moreover, the juxtaposition of the orders presented here recalls the method that Fréart himself develops in his own Parallèle" (Pauwels). Regarding the work, Cicognara notes that "it is highly prized for its beautiful and clear engravings. Pierre Daret added the measurements and proportions of other masters to this work, as he notes on the title page. Indeed, Mauclerc could not have mentioned Palladio, Vignola, or Scamozzi, whose works were unknown to him during his lifetime. Therefore, it is clear that the five plates from 45 to 48, inclusive, in which these parallels appear, are by another engraver and were added by Pierre Daret to Mauclerc's work. All the other plates bear the original author's mark. As for the text, it is recognized that the notions are derived from Vitruvius, but succinctly, and confusedly and by avoiding difficult passages, such as those on the Ionic volute, on the Scamilli, etc." The military and civil engineer Marcus Vitruvius Pollio (ca. 70-80 BCE - ca. 15 CE) is the author of the only surviving ancient treatise on architecture, arranged in ten books. By his own account, Vitruvius served in the Roman army under the command of Julius Caesar. Rediscovered by the Florentine humanist Poggio Bracciolini (1380-1459) in the library of Saint Gall Abbey, and publicized by Leon Battista Alberti (1404-1472), Vitruvius' De Architectura would later define the canon of classical architecture. His assertion that structures should exhibit the three qualities of stability (firmitatis), utility (utilitiatis), and beauty (venustatis) became a commonplace in architectural theory. The wide-ranging program of De Architectura deals with "principles of buildings in general, building materials, designs of theatres, temples and other public buildings, town and country houses, baths, interior decoration and wall paintings, clocks and dials, astronomy, mechanical and military engineering." (PMM). Throughout the Renaissance, Vitruvius' work provided inspiration for Michelangelo, Leon Battista Alberti, Donato Bramante, Lorenzo Ghiberti, Giacomo Vignola, Andrea Palladio and many others. The first printed edition of De Architectura appeared at Rome (ca. 1483-90); the first illustrated edition, at Venice (1511). Notes on the engraved portrait plate and plate numbering: The portrait plate which appears as a frontispiece after the title leaf accompanied that first edition, and was engraved by Mauclerc himself; the elevation has been copied from the seventh book of Serlio: Tutte l'opere d'architettura di Sebastiano Serlio Bolognese (Venice: Francesco de Franceschi, 1584). Onto Serlio's composite style gate no. XIV, Mauclerc has grafted a rich iconographic mélange incorporating the nine classical Muses, the seven classical virtues, and the seven liberal arts: Grammar; Rhetoric; Dialectic; Arithmetic, Geometry, Music, Astrology. Over all hovers an allusion to Neoplatonism in the form of the five Platonic solids. The caption states: ". taillee au burin au mois de septembre 1566." The date must be an error, since Mauclerc was born in 1543. The caption in fact notes his age at the time of its design as 53; the correct date would be 1596. Columbia University notes the date of the portrait plate in their 1600 first edition as 1596. The appearance of the first "6" in the date on our plate suggests that an alteration was made. The engraved date has caused problems in the past, as indicated in Cicognara's confusing entry for the present work: "The first plate preceding the 50 figures contains Mauclerc's portrait, drawn and engraved by his own hand. The year 1535 was removed from the copperplate (but not sufficiently), and on our copy, which is of the finest quality, it reads 1535, although we find no mention of the author." In some copies of this work, notably the copy described by Fowler, the 49 plates have Arabic numeration at the headline, nos. 2-50, beginning with the portrait plate. In addition, 46 of the plates are grouped into six unequal series, distinguished by Roman numerals at the bottom. In the present copy, however, the Arabic numerals do not appear on the plates, and the final Roman series (nos. I-V), added by Daret.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1721 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 249 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 249 Volume c.1 Language: English,French.

auf Bütten-Papier/hand-made paper (33x20cm) in der Darstellung typographisch betitelt und bezeichnet; aus: "La doctrine des moeurs tirée de la philosophie des stoïques" Sevestre Paris 1646 [Das dekorative wie seltene Blatt mit bedruckter Rückseite. Text on backsite.] Das Werk wurde von Kardinal Mazarin (1602 in Pescina - 1661 in Vincennes) zum Zwecke der moralischen Erziehung des jungen französischen Königs Ludwig XIV. in Auftrag gegeben.

auf Bütten-Papier/hand-made paper (33x20cm) in der Darstellung typographisch betitelt und bezeichnet; aus: "La doctrine des moeurs tirée de la philosophie des stoïques" Sevestre Paris 1646 [Das dekorative wie seltene Blatt mit bedruckter Rückseite. Text on backsite.] Das Werk wurde von Kardinal Mazarin (1602 in Pescina - 1661 in Vincennes) zum Zwecke der moralischen Erziehung des jungen französischen Königs Ludwig XIV. in Auftrag gegeben.

Condizione: Very Good. Otto Vaenius (illustratore). 'L'amour des biens est un suplice qui ne finit point.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 18,3 cm. (5,7 x 7,2 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 51)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: LOVE OF RICHES IS ENDLESS PAIN(PCO) A331-29.

Condizione: Very Good. Otto Vaenius (illustratore). 'Philosopher c'est apprendre a mourir.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 92)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small wormhole in bottom margin. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: TO PHILOSOPHIZE IS TO ACCEPT DEATH-PHILOSOPHY-STUDY DEATH-ATROPOS-CORNUCOPIA-DEMON(PCO) A331-40.

Condizione: Very Good. Otto Vaenius (illustratore). 'Le sage seul est libre.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,1 x 17,5 cm. (5,6 x 6,9 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 70)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: WISDOM-WISE-IS FREE-FREEDOM(PCO) A331-36.

Condizione: Very Good. Otto Vaenius (illustratore). 'L'avarice est un grand mal.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 52)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MISERLINESS IS A MISFORTUNE-VICE-TOMENTED BY HARPIES-HARPY-RICHESS(PCO) A331-29.

No binding. Condizione: Very Good. Otto Vaenius (illustratore). 'Dieu seul n'a point de maistre.'Engraving on hand laid (verge) paper. Sheet size: 21 x 33,5 cm. (8,3 x 13,2 inch). Image size: 14,5 x 17,8 cm. (5,7 x 7 inch).From: 'La Doctrine des Moeurs .' printed by Louys Sevestre for Pierre Daret, Paris, 1646. First edition. Author: Marin le Roy de Gomberville. Made by order of Mazarin for the instruction of the young Louis XIV. The plates are copies in reverse after Otto van Veen's emblems in 'Q. Horatii Flacci Emblemata.' Ref: Ref: Brunet II 1658. (Emblem 17)Made by 'Pierre Daret' after 'Otto Vaenius'. Pierre Daret de Cazeneuve (1604-1678) was a Frecnch painter and engraver from Paris. He was active in Paris and Italy as engraver, painter of mostly portraits. Otto van Veen, also known by his Latinized name Otto Venius or Octavius Vaenius, (c.1556-1629) was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late sixteenth and early seventeenth century.Condition: Very good, given age. Small damp stain at op left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: MEN ARE EQUAL UNDER GOD-APOLLO-KING(PCO) A331-12.