poitevin eugene (34 risultati)

Pamphlet. Condizione: Very Good. Sec 4, pp. 87- 92, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: Good. 1927 First edition, F.A. Acland (Ottawa, Canada), Canada Department of Mines, Geological Surve No. 47, brown paperbound with black lettering to front cover and spine, 45 pp., 6 x 9 inches tall. Covers chipped and tips bumped and tape were spine cracked, spine also chipped at top of copy. Front cover has 1927 received stamp and ink accession marks, though this does not appear to be ex-library. Pencil mark to title page, smudge to front free-endpaper and received stamp to margin of detailed contents page. Otherwise, a very good copy - clean, bright, illustrated and unmarked.~TT~.

Soft Cover. Condizione: Good. ORIGINAL 1918 PUBLICATION; Softcovers; ex-library; minor light dampstains and light scattered foxing; light wrinkling of pages; light stains at lower corner of 5 leaves; wraps lightly soiled w/ several rubbed areas along edges; o/w in good condition.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New. In.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. *Price HAS BEEN REDUCED by 10% until Monday, May 18 (weekend SALE item)* 21 pp., frontispiece, 2 plates included in the pagination; library hand stamps and markings but sound, good copy in original paper wrappers; concerns a single specimen from a gypsum quarry in Hillsborough but a rare find. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Couverture souple. Condizione: Bon. This book is 27th Museum Bulletin produced by the Department of Mines and the Geological Survey. It is the 35th in the geological series. It was published February 28, 1918. The cover has some marks on it and the bindng comes appart. The inside of the book is in excellente condition, there's a lot of pictures, tables, and a map. Exemplaire de bibliothèque. Code 1132.

Paperback. Condizione: New. Print on Demand. This book delves into the mineralogical makeup of Black Lake, a region celebrated for its asbestos and chromite deposits. The author takes the reader through the various rock types in the area, discussing the minerals found within them. Numerous minerals are examined in detail, including diopside, vesuvianite, garnet, colerainite, aragonite, and chromite. The author provides in-depth analysis of the composition, structure, and occurrence of these minerals, supported by stunning photographs and insightful commentary. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Condizione: New.

Condizione: DISCRETO USATO. Serie geologique Francese Brossura editoriale uin discreto stato, dorso mancante, piatti staccati e reincollati, parzialmente bruniti, con qualche ombratura, scritta a penna e leggera traccia di umidità al piatto anteriore, pagine naturalmente ingiallite e con leggere bruniture ai margini, con fig.in nero nei testi e f.t. Numero pagine 87.

Couverture souple. Condizione: Bon. Edition originale. In-8° broché, 103 pages.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condizione: Neu. Neuware.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture souple. Condizione: bon. RO50043839: NON DATE. In-Folio. Broché. Etat d'usage, Livré sans Couverture, Dos satisfaisant, Rousseurs. 2 pages de partitions non paginées. Premier plat illustré en couleur par P. Borie. Paroles de Eugène Poitevin. Quelques déchirures renforcées avec de l'adhésif blanc. . . . Classification Dewey : 780.26-Partitions.

Querformat. (22,3 x 31,2 cm). 13 S. Original-Halbleinen mit illustriertem Deckeltitel. Einband mit geringen Gebrauchsspuren. Deckel minimal aufgebogen, sonst wohlerhalten. Insgesamt guter bis sehr guter Zustand. Die Auflage der Reprintausgabe lag bei 280 Exemplaren. Das vorliegende Exemplar trägt als Numerierung: e.a. Das Titelblatt der Ausgabe weist einen Druckfehler auf, dort heißt es "dialobiques" anstelle von "diaboliques". ################## LIEBE KUNDEN, WIR MACHEN UNSERE JÄHRLICHE FRÜHLINGSAKTION MIT MINDESTENS 30% RABATT AUF DEN GESAMTEN BESTAND. DIE ERMÄSSIGUNG GILT AB SOFORT, DER RABATT IST IN DEN ANGEZEIGTEN PREISEN BEREITS ENTHALTEN. ÜBER IHR INTERESSE AN UNSEREN SELTENEN STÜCKEN WÜRDEN WIR UNS WIE JEDES JAHR SEHR FREUEN ###################.

Condizione: New. Print on Demand pp. 128.

Condizione: New. Print on Demand pp. 128.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 126. A perfect gift for your loved ones. Reprinted from 1918 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 126.

Condizione: New. PRINT ON DEMAND pp. 128.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 108. A perfect gift for your loved ones. Reprinted from 1919 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 108.

). 8 cm x 20,5 cm (apaisado). 12 lám. ilustr. con dos litografías por página. Cubierta ilustrada. Señal de óxido. * Eugène Le Poittevin fue un artista francés reconocido por sus obras paisajísticas y escenas marítimas. Edición rara. litografías. Escenas marítimas. Bibliofilia.

Scarce Complete Devils Having Diabolical Fun In a Very Unusual Binding LE POITEVIN, [Eugène Modeste Edmond]. Les Diables de Lithographies. Paris / London: Chez Aumont / Charles Tilt, n.d. [1832]. First edition, complete. Oblong folio (14 3/8 x 21 3/4 in; 363 x 600 mm). Eighty illustrations on twelve black and white lithographed plates, numbered, with two supplemental plates (Petits sujets des diableries manquent le plus souvent, nos. 19 and 26: Paris / London: Aubert / Tilt, 1832) with thirty-five illustrations; a total of fourteen plates in all. Traditional oriental string binding c. 1980 by an unknown hand in full walnut-stained leather with wood-grain highlights over flex-boards with a 159 x 159 mm central panel in wood with two contrasting wood onlays depicting Diables, and four smaller and similar corner-pieces, the whole reiterated on the rear cover with different figures. Original front wrapper preserved. Small 1/4 inch closed tear to right margin of plates 1 and 2; 1/2 inch neat repair to lower margin of plate 6; some soiling to margins; occasional soiling within images. Overall, a near fine copy in a most unusual and attractive binding. Scarce complete. OCLC records only one copy in institutional holdings worldwide. ABPC records only one complete copy at auction since 1923. The album was typically broken up with the prints sold individually and complete copies have become enormously rare. Impish devils dance, make merry, kidnap young maidens, engage in scatological activities, make mischief upon men and women. and generally have a hell of a time as rascals frolicking in diabolical fun. It is the most famous of all works, paint or print, by Le Poitevin, whose "Devilries" established a genre in the wake of the Romantic school's Mephistopheles and Faust, from scenes to fright to scenes that, as here, delight with lively charm. Le Poitevin's devilries with their light, devilish humor became extremely popular with other artists, such as Michael Delaporte and Bayalos. "Tout autre est Eugène Le Poitevin, le peintre de marines, qui popularise un genre bien différent mais dont le retentissement ne fut pas moins grand. Procédant en droite ligne du Méphistophélès de Faust et des tendances au bizarre de l?école romantique, les diableries de cet artiste vinrent jeter une note pittoresque et amusante au milieu des estampes sans couleur du consciencieux lithographe. Pendant un temps ce ne furent plus que diables et diableries, diables souvent érotiques, diableries plus ou moins légères. Les Diables, Petits sujets de diables, Bizarreries diaboliques, Encore des Diableries; c?est sous ces titres que se répandaient partout les albums à couverture brune de Le Poitevin qu?imitèrent bientôt de Bayalos avec ses Diablotins et Michel Delaporte avec ses Récréations diabolico-fantasmagoriques. Diables blancs et diables noirs suivis de diables rouges et de diables verts. Le diable se glissait partout, commettant mille incongruités, relevait les robes des femmes, les déshabillait comme par enchantement, les mettait en cage, les tirait par les cheveux, ayant toujours à son service un nombre incalculable de petits diablotins courant à tort et à travers les feuilles. Il y eut une telle invasion des sujets de messire Satan que ce ne fut plus, comme dans la chanson, « Vive la lithographie, » mais « au diable, les polissonnes" (Grand-Carteret, Les Moeurs et la caricature en France, p. 174). ?Quite different is Eugène Le Poitevin, the marine painter, who popularized a very different genre, yet one whose impact was no less great. Proceeding in a straight line from Mephistopheles in Faust and from the Romantic school?s taste for the bizarre, this artist?s devilries cast a picturesque and amusing note amid the colourless prints of the conscientious lithographer. For a time there was nothing but devils and devilments?devils often erotic, devilries more or less light-hearted. The Devils, Little Subjects of Devils, Diabolical Oddities, More Devilries?such were the titles under which Le Poitevin?s brown-covered albums spread everywhere, soon imitated by de Bayalos with his Diablotins and Michel Delaporte with his Diabolico-Fantasmagorical Recreations. White devils and black devils were followed by red devils and green devils. The devil slipped in everywhere, committing a thousand improprieties: lifting women?s skirts, undressing them as if by magic, putting them in cages, pulling them by the hair?always attended by an incalculable number of little imps scurrying madly across the sheets. There was such an invasion of subjects devoted to Messire Satan that it was no longer, as in the song, ?Long live lithography,? but rather, ?To the devil with the naughty girls.?? Le Poitevin (1806-1870) was a French painter and lithographer. As a painter, he specialized in marine art , as a lithographer he is best-known today for Devilries. He was a contributor to The Journal of Painters and Charles Philpon's La Caricature. He studied at the Ecole des Beaux-Arts in Paris, a pupil of Louis Hersent and Xavier Leprince. Very popular in his time, he exhibited at the Salon from 1831 until his death in 1870.