preface ashton (27 risultati)

Paperback. Condizione: Good. 1962 ed. Unmarked text, yellowed pages. Cover and edge-wear. Lh.

Paperback. Condizione: Good. Harper Torchbooks, revised edition, 1962 paperback copy. Shelfwear, a handful of markings. NOT ex-lib. Ships same or next business day from Dinkytown in Minneapolis, Minnesota.

Paperback. Revis edition. Good/Wraps (34998) . Trade paperback, good condition, w. ltly rubbed wraps, sme lt marks. V. ltly bumped sp ends, corners. Ltly tanned p. edges, ltly tanned ins wraps, pp. Clean, tight, unmarked. 528.

Trade Paperback. Condizione: Very Good. Harold Bruder (Cover Design) (illustratore). 1st Harper Torchbooks Ed Published: 1962. 528 pp. Over-sized and/or over weight book; extra postage required. Please note that large and/or heavy items may incur an additional shipping charge. Solidly bound copy with moderate external wear, crisp pages and clean text.

Paperback. Condizione: Very Good. Very good condition- sturdy & clean- looks nearly like new- an excellent copy.

Soft cover. Condizione: Fine. Edition of 400 copies. 8 x 6 inches. [16] pp. b/w frontis. Staplebound printed wraps. Fine.

Hardcover. Condizione: Very Good. No Jacket. 3rd Edition. Octavo in dark green cloth binding with gilt lettering and decorations; top edge gilt. B&W illustrations, facsimiles. Condition: some minor insect spotting to front and rear covers; upper corners bumped; endpapers toned; else very good. Pages: lxiii, 386.

Condizione: New. Brand New.

Hardcover. Condizione: Fine. Facsimile Reprint. ** FINE CONDITIONED HARDCOVER ** VOLUME I ONLY ** No dustjacket. Quality 1969 facsimile printing from Haskell House Publishers Ltd., with 376 total pages (xxiv + 352), frontispiece portrait of Wagner, octavo (8vo). A superb reproduction of the Scribners 1897 New Revised Edition. Very nearly a flawless copy: Previous owner's name and date written across the title page, otherwise might be As New. Very well made book, bound in heavy-duty cloth-covered boards with bright embossed gilt lettering on the spine. The book is exceedingly clean and stain-free, square and straight, quite firm and tight in its binding, no are pages are loose, missing, torn, folded, or wrinkled. Hinges are sound and undamaged, corners are sharp and unbumped. Internally, pages in As New condition, all pages clean and stain-free, bright and white, and all text remains crisp, sharp, and legible. Aside from the owner's name, there is no writing, underlining, highlighting, or other such markings in the book. Buy with confidence, five-star seller, professional booksellers for 35 years, selling books online since 1995. DB29.

Paperback. 35p., color illustrations, wraps. Catalog of works by Carl Fredrik Reutersward, working under the alias of Arnold Forel Pratt-Muller, who is supposed to be a wealthy philanthropist. The catalog and works play off the concept of art as a financial instrument and vehicle for investment and speculation.

Paperback. Condizione: Near Fine condition. 1937 printing of the 1929 original. London: Board of Education [His Majesty's Stationery Office] , 1937. 5" wide by 7" tall. Light wear to spine. Bright, clean, unmarked copy. No creases. Not price clipped (Ninepence Net). No store stamp, owner's name or bookplate. No remainder mark. No underlining. No highlighting. No margin notes. Includes 10-page introduction. Bibliography. Brief commentary on each of the 17 plates, which picture 16th-18th century covers, carpets, and nakshe (women's trousering). Based on the collection at the Victoria and Albert Museum . 1937 printing of the 1929 original. Softcover. Near Fine condition. 19 pages of text + 17 full-page photographs.

Hardcover. Condizione: Very Good. Lightly read. No markings in book. Binding is tight. No DJ nor slipcase. Lightly sunned spine.

Soft cover. Condizione: As New. 1st Edition. 1-2000 unnumbered copies. 8vo. Unpaginated [46 pp.]. Illustrated with 13 full-page color reproductions. Original stiff glossy pictorial French-style wrappers. This is a tight, fine book.

Corris, Michael. AD REINHARDT. Preface by Dore Ashton; 240 pp., no illustrations. 8vo, boards. London, Reaktion Books, 2008.

2 VOLULME SET, super octavo, blue buckram boards, gilt lettering to spines & front boards, gilt rule & motif to front boards, teg, printed eps, frontispieces with tissue guards, xviii + 812pp total, VG (moderate creasing & heavy chipping to spine extrems, heavy fading to spines, moderate bruising to board corners, moderate discolouration & staining to boards of vol 2, moderate tanning & foxing to page edges & eps, owner's name in ink & 8cm loss to top corners of feps).

Hardcover. Condizione: Very Good. 1st Edition. 40 [8] pages : illustrations, map ; 28 cm.

Soft cover. Condizione: Very Good. New and Revised Edition. 1970 paperback reprint of the revised edition. 20.5x13cm. 528 pages with index. Flat spine has a light crease. Clean and tight book. No inscriptions. Dispatched Royal Mail First Class with tracking next working day or sooner securely boxed in cardboard. ref XE-EL.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2005. 1 Volume/1. -- Comme Neuf, non coupé. -- Broché cousu. Couvertures à rabats. Format 18,8 x 12,2 cm ( 62 gr ). ------ 47 pages , in-fine. ********************** Dans l'analyse du caractère de Rothko que fait Motherwell, il a souvent exagéré les racines juives de Rothko et tenu pour preuve de la dimension yiddish de Rothko son intérêt pour la parabole d'Abraham et Isaac. Quand il se donne le rôle de Stéphen et donne à Rothko celui de Bloom, d'après Ulysse de Joyce, quand il oppose le juif et le celte, le penchant de Motherwell pour le romanesque est évident. Il était, je pense, philosémite et essayait de faire jouer à Rothko un rôle de l'Ancien Testament que Rothko lui-même n'aurait jamais approuvé. En réalité, Rothko ne ponctuait jamais chacune de ces phrases du vieux «oy» yiddish et n'avait rien du n rabbin. Ceux qui persistait en à le voir ainsi n'étaient généralement pas juifs. D'après ma propre expérience, qu'au été bientôt. D'après ma propre expérience, Rothko était bien plutôt un produit des romanciers russes qu'il avait lus dans sa jeunesse. (extrait de la préface de Dore Ashton). ************************ ref att 888.

Hardcover. Condizione: Fine. No Jacket. London: The Nonesuch Press, (1943). Hardcover in Fine condition. Slipcase Edition. A clean, tight copy. Comes Shipped in well-padded box. Smoke-free shop.

SOFTCOVER. Condizione: Fine. 1st Edition. Landscape 4to in illustrated stiff card covers, unpaginated, approx. 16pp on stiff paper, plates in colour and (mainly) b/w, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Gilt decorated cloth, frontis + lxiv + 386pp illus.cover tip bruised, clean & bright.

HARDCOVER. Condizione: Fine. 1st Edition. Large 4to. in colour printed thick boards, 118pp on thick art paper, colour printed folding frontispiece and endpiece, colour plates, illustrations in text, large folding sheet in pocket at rear (a fake Herald Tribune with centrefold in French on Reutersward's 'Kilroy' series). Text in French . [CONDITION: An extremely well preserved almost AS NEW unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Condizione: Very Good. 8vo; Book has no names, pages unmarked, text portion is 112 pages, followed 64 pages of woodcuts, bound in vellum with copper clasps, cover illustrated in black on white, stain on the back about 2 x 1 inch, white vellum is uniformly soiled, chip out of the spine at the bottom of 1/2 x 1/2 inch, bottom rear gutter has a 2 inch crack, copper clasps are intact and functional, hand laid paper with uncut edges, some some folds not cut. No. 216 of the edition.

LIMITED, NUMBERED & SIGNED, FIRST EDITION, lg quarto, beige cloth boards, white lettering to brown leather title plates to spine & front board, deckled page edges at base of page block, illus eps & prelims, frontispiece, 63pp, illus, VG (light to moderate tanning & foxing to spine, light tanning & foxing to page edges & eps, minor adhesive staining to some pages) in slipcase, VG- (moderate to heavy scuffing, bruising & soiling).

First Edition. Laid in materials: three invitation cards, including one for this gallery exhibit, John Levee's exhibit on gouaches, and Lee Boltin's Pre-Columbian Objects exhibit; four André Emmerich Gallery pamphlets including the Pre-Columbian Sculpture exhibit, Adolph Gottlieb's artwork, John Levee's art exhibit on gouaches, and the artwork of Theodoros Stamos; one signed postcard to Dr. E.M. Mendelson from André Emmerich inviting him to see the new gallery; one illustrated gallery poster on Pre-Columbian Art / Mexico Central America Peru 1000BC - AD 1500 / Stone Pottery Textiles Jade and Gold; one pamphlet on A Seminar on the Art of the Ancient Cultures of the Americas. Quarto (27.5cm); orange paper-covered boards stamped in black in spine and covers; [6],7-40,[8]pp; black-and-white photographic (halftone) illustrations throughout. Lightly spine-faded, with light shelf-wear and soil, and modest rubbing to board edges; Very Good. This is Volume II in a continuing series of publications, with this text published in conjunction with its art exhibition of the same title in May 1967, and prefaced by the gallerist. [87782].

Original-Broschur, kl-4°, 24 Blatt. Umschlag minimal vergilbt, sonst guter Zustand.

Hardback. Condizione: Very Good. None Stated (illustratore). A charming reproduction of the 1483 Veldener woodcuts illustrating the Legendary History of the Cross, with brass clasps. In the publisher's original pictorial paper vellum binding with brass clasps.A late-Victorian reproduction from the 1483 Dutch edition printed by Johann Veldener that illustrated the medieval Legendary History of the Cross with 64 woodcuts. Collated, complete.A popular devotional narrative centred on the discovery and exaltation of the True Cross, drawing on apocryphal and hagiographic sources. The volume presents each woodcut with accompanying text, retaining the narrative sequence of the incunabula edition.With an introduction by John Ashton on the bibliographical history of Veldener"s edition and a preface by Sabine Baring-Gould.With the bookplate of James S. Dearden of Rampside to front paste down (1874-1965), noted antiquary and Honorary Librarian of the Brontë Society. In the publisher's original pictorial paper vellum binding with brass clasps.Externally, smart. Slight discolouration and soiling to extremities and spine. Slight rubbing and bumping to extremities. Slight tarnishing to brass clasps. One or two minor handling marks. Offsetting to endpapers. Bookplate of James. S. Dearden to front paste down. Internally, firmly bound. Pages generally bright and clean with one or two spots. Slight cockling to leaves. Very Good. book.