promotional material (11 risultati)

[4], 35, [1, blank] pp. 5-7/8" x 4-1/4" "Salad" section (pp. 1 - 27) apparently reprinted from "Salad Dressings," published in 1925; pp. 28 - 35 provide new material on frying and baking. As per OCLC and independent comparison of pp 26 - 27 in both booklets. Minor wear and soil to edges; binding staples oxidized with light surrounding staining. Interior clean and crisp. VG. Stapled pictorial wrappers printed in red, green and yellow. Now housed in an archival mylar sleeve.

Small broadsheet printed on both sides. Chromolithograph floral illustration to recto. 7" x 5-3/8" Chromolithograph 1876 trade card by L. Prang & Co. featuring a floral arrangement surrounding an 1877 calendar, with a priced list of 12 collections of small plants for sale for $1.00 and other advertising to the verso. These collections include: "5 Roses, 7 Plants, and 6 Packets fine Flower Seeds"; "10 House, Window and Parlor Plants"; "10 Fuschias, distinct, choice kinds"; "10 Greenhouse Ornamental Foliaged Plants"; as well as various collections of geraniums, ferns, verbenas, etc. Greives & Co. had a florist shop in New York, and grew its plants at the Greenbrook and Paterson City Nurseries, in Preakness and Paterson, NJ. In addition to the fairly common varieties listed above, the company also offers "Elegant Ornamental Plants, such as Variegated Aloes and Yuccas, Noble Palms and Musas, Beautiful Camellias and Lapagerias . . . [and] Rare and Choice Orchids, Macantas, Ixoras, Crotons" and more. Vertical fold line, very moderate wear. VG+. Stiff cardstock printed in color to the recto, brown text printed to verso. Now housed in a clear archival mylar sleeve.

1st printing, ca 1889 [per OCLC entry]. Unpaginated pamphlet, though 6 pages. Chromolithograph floral illustration to front cover, chromolithograph plates of Mayflower & Golden-Rod. 7-3/8" x 5-1/2" A promotional piece advocating for a National Flower be adopted by the nation, and championing the Mayflower & Golden-Rod for that honor. A rare piece of Americana, at the time of cataloguing, OCLC records only 3 holding institutions. Minor wear & soiling to covers. Colors vibrant. A couple internal leaves detached. Withal, a VG copy. Stiff cardstock printed in color. Now housed in a clear archival mylar sleeve.

Dust Jacket Included. Handsomely bound in finely woven blue-gray cloth with Stein's circular quote "A rose is a rose" stamped on the front boards in silver; with bright silver lettering stamped on the spine which is very clean and bright. Top edges stained gray; fore-edges untrimmed. Very clean and tight throughout with a discrete name in ink and "Christmas, 1933" on the front endpaper. Illustrated with 16 photographs (all present), including the frontispiece by Man Ray. With a touch of wear to the extremities; bottom corner of the front boards lightly bumped . Note: with 2 dust jackets: #1) A very good plus original dust jacket with a black and white photograph of Alice Toklas entering Gertrudes study on the front panel. With comments by Van Vechten, Lee Simonson, and a Lady from Boston cited on the rear panel. All corners clipped as usual. An attractive copy. Dust jacket #2) This jacket has the original price of $3.50 near the bottom of the front flap. A good minus original dust jacket with a black and white photograph of Alice Toklas entering Gertrudes study on the front panel. Separated along the rear fold and missing 1.5" x 1.5" piece at the bottom of the spine. Chipping and wear along the front fold edges and along the bottom of the front panel. With comments by Van Vechten, Lee Simonson, and a Lady from Boston cited on the rear panel. All corners clipped as usual. However, the original price of $3.50 is printed beneath the "Ilustrated from photographs" slug at the bottom of the front panel. In addition there is a Review Slip from the Random House publication of Everybody's Autobiography, the sequel to The Autobiography of Alice B. Toklas. The review slip is dated December 2nd (1937) "price $3.00": "This is, in effect, a continjuation of The Autobiography of Alice B. Toklas. Since the book appeared Miss Stein has had five years of exciting expriences in France, England and America." Along with the review slip is a glossy black and white photo of Gertrude & Alice alighting from an airplane (United Air). Perhaps a unique grouping. Gertrude Stein (1874 1946) was an American novelist, poet, playwright, and art collector. Born in the Allegheny West neighborhood of Pittsburgh, and raised in Oakland, California, Stein moved toParis in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis,Ezra Pound, Sherwood Anderson and Henri Matisse, would meet. In 1933, Stein published a quasi-memoir of her Paris years, The Autobiography of Alice B. Toklas, written in the voice of Alice B. Toklas, her life partner. The book became a literary bestseller and vaulted Stein from the relative obscurity of the cult-literature scene into the limelight of mainstream attention.[2] Two quotes from her works have become widely known: "Rose is a rose is a rose is a rose,"[3] and "there is no there there", with the latter often taken to be a reference to her childhood home of Oakland. Her books include Q.E.D. (1903), about a lesbian romantic affair involving several of Stein's friends, Fernhurst, a fictional story about a love triangle,Three Lives (190506), and The Making of Americans (19021911). In Tender Buttons (1914), Stein commented on lesbian sexuality.[4] Her activities during World War II have been the subject of analysis and commentary. As a Jew living in Nazi-occupied France, Stein may have only been able to sustain her lifestyle as an art collector, and indeed to ensure her physical safety, through the protection of the powerful Vichy government official and Nazi collaborator Bernard Faÿ. After the war ended, Stein expressed admiration for another Nazi collaborator, Vichy leader Marshal Pà tain. Some have argued that certain accounts of Stein's wartime activities have amounted to a "witch hunt". (Wikipedia) First edition with 1933 copyright date and the statement "First Edition" on the. Hardcov.

[Cinema promotion] RI Locandina. Artwork by Renato Fratini, conceived by Eric Pulford. Colour illustration. Approx. 28 x 13 inches. Excellent colours. Single fold, condition A. This re-release [Post Transamerica logo] shows Sean Connery in the classic 'pistol' pose, which would become synonymous with the franchise. From the James Bond collection of Ian Fleming bibliographer Jon Gilbert, with accompanying provenance.

[Cinema promotion] Italian Photobustas. Five posters, featuring a range of scenes from the movie adaptation of Ian Fleming's short story, produced by Albert R. Broccoli's EON Productions, starring Timothy Dalton as James Bond 007. Stated 'Prima Edizione Italiana 1987' and showing the Italian film title, translated as '007 Danger Zone'. Each 18 x 25.5 inches. Faint vertical fold, some light handling. Very good.

[Cinema promotion] RI Locandina, 'Oscar' style. Artwork by Renato Fratini, conceived by Eric Pulford. Colour illustration. Approx. 28 x 13 inches. Excellent colours. Rolled, condition A. This version of the RI Locandina displays participating cinemas at the foot and a bold blue 'Premi Oscar' (Oscar Award) notice to the right margin. The word 'Presents' (top right) is now misaligned. From the James Bond collection of Ian Fleming bibliographer Jon Gilbert, with accompanying provenance. Ex-Otto Penzler, Mysterious Bookshop, New York.

[Cinema promotion] JUMBO LOBBY CARDS. Nine original UK jumbo-sized lobby cards for the movie adaptation of Ian Fleming's short story produced by Albert R. Broccoli's EON Productions, starring Timothy Dalton as James Bond 007. Colour lithographic images on card stock (9). Faint vertical fold, some light handling. Near fine. An unusual format- regular lobby cards are 10 x 8 inches, yet these are larger poster-sized prints.

[Cinema promotion] Italian photobustas. Four posters, featuring collages of hand-tinted stills, some rarely seen. Stated 'Anno Di Edizione MCMlXIV', with with United Artists Europa logo. Each 18 x 26 inches. With perforated code number. Single fold, some minor age-related wear. Very good. From the James Bond collection of Ian Fleming bibliographer Jon Gilbert, with accompanying provenance. Not in Nourmand or Glassner & Dougall.

[Cinema promotion] Italian RI Photobustas. Six posters, featuring collages of hand-tinted stills, 'for additional, eye-catching impact' [Gassner & Dougall]. Each 18 x 25.5 inches. Some minor handling and small edge tears, perforated code numbers as issued, not folded (6). Issued for the 70s re-release, with the Transamerica logo. From the James Bond collection of Ian Fleming bibliographer Jon Gilbert, with accompanying provenance. Gassner & Dougall, pp.23. Ex-Ewbanks, Entertainment Memorabilia, 2021.

[Cinema promotion] Seven posters, featuring collages of hand-tinted stills, some rarely seen. Each 18 x 26 inches. Stated 'Prima Edizione Italiana 1964', some with later U.A./M.G.M. snipes. Folded, some with rubs at fold, two with perforated code numbers. (7). This set features some curious hand-tinting colour choices; clearly the colourist has not seen a print of the film. From the comprehensive James Bond collection of Ian Fleming bibliographer Jon Gilbert, with accompanying provenance. Not in Nourmand or Glassner & Dougall.