Pugin awn (46 risultati)

hardcover. Condizione: Very Good. Contrasts and True Principles of Pointed or Christian Architecture This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . …

Hardcover. Condizione: Very Good. Hardcover with jacket in very good condition. Facsimile of 1843 edition. Light edge-wear on jacket and hardcover. Pages are clean and contents are clear throughout. HCW. Used.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 52pp hardback, green cloth gilt in wrapper, facsimile reprint, distributed by Blackwells, ex-library with neat stamps, few signs of use, reprint of the Joihn Weale 1843 imprint.

Cloth. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Reprint. This 52 pp. unique book is a compilatiive look at Christian architecture circa 1843. Some drawings interspersed. This reprint edition is unmarked except for a prior owner's signature on the front fixed endpaper. The jacket shows corner and edgewear, an erasure mark at front cover top edge, and a 1" closed tear at the middle bottom edge of the jacket front. Photos upon request.…

Hardcover. Condizione: Very Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. xvii 153pp hardback, green cloth gilt in wrapper, facsimile with 43 illustrations, published originally in 1843, introduction by Michael Fisher.

Hardcover. Condizione: Fine. No Jacket. First Edition. Book is in excellent condition. 158 pp. indexed book elaborates on the title subject with text and 36 illustrations. Republished from the Dublin Review, it was first printed in 1843. Size: 8vo - over 7¾" - 9¾" tall. Hardback.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Reprint of 1843 original.

Condizione: Very Good. Unused. Minor shelf wear to outer edges and top of the spine, book content is in like new condition.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0718550021.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Victorian Library reprint of the 1841 (second edition) text. Clean and tightly bound with fine, unmarked contents. Extremely slight edge wear only, otherwise fine. The unclipped dust jacket has light dusting and edge wear, remains Very Good plus. International shipping may require added postage charges. …

Hardback. A.W.N. Pugin, St Barnabas Press, Oxford. Author: A.W.N. PuginBinding: HardbackPublished: St Barnabas Press, Oxford, 1969Condition:Book: GoodJacket: Worn/faded, no tearsPages: GoodMarkings: Previous ownerCondition remarks: General wear on cover, pages in very good conditionThe influential treatise An Apology For The Revival Of Christian Architecture In England presents a compelling case for the resurgence of Gothic principles in ecclesiastical design. This foundational text passionately argues for the moral and aesthetic superiority of medieval Christian architecture over contemporary styles. It meticulously details the historical decline of architectural standards and illustrates the spiritual significance inherent in traditional forms. Pugin's incisive critique and visionary proposals shaped the discourse on architectural reform throughout the Victorian era. A vital document for understanding 19th-century art history and the enduring legacy of Gothic Revivalism, it remains a cornerstone of architectural theory. Hardback.…

Switzerland: In the Footsteps of Augustus Welby Northmore Pugin. First edition 2023. 32 pages stapled booklet. Illustrated. Near fine. Ask to see our other Pugin titles.

Hardcover. Condizione: As New. No Jacket. Reproduction of Editions of 1841 (Second of Contrasts, First of True Principles). Quarto, cloth covers with gilt decoration, pps. v + 104 + 16 full page b/w plates + iv + 50. Many engravings in text. The Pugin Society Edition, with introductions by Timothy Brittain-Catlin.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 2nd Edition. Very good condition. Minor wear to book corners and edges. Previous owner has signed inside page. Dust jacket has wear to edges and spine. Marks on back cover. Interior and binding are still very good. Foundational polemical text of the 19th-century Gothic Revival movement in architecture. Pugin argues that a society's moral health dictates the quality of its architecture, using visual satire to contrast the supposed beauty of the medieval Catholic era with the degradation of industrial, 19th-century Britain. The text established the principle of architectural truth, promoting the idea that a building's design must honestly reflect its purpose and internal structure. This edition is a facsimile reproduction of Pugin's seminal work, including an introduction by the eminent American architectural historian Henry-Russell Hitchcock. Includes architectural plates of famous landscape and civic and social structures, ecclesiastical and religious comparisons of monuments, etc. The archaeological study of the Gothic of the Middle Ages by English scholars over the preceding 20 years provided the background for Pugin's familiarity with and enthusiasm for the noble edifices of the medieval, Catholic past which he believed his contemporaries should emulate.…

17pp (mainly a new introduction by Michael Fisher), iv, 153pp, many illustrations, a few being hors-texte. Cloth. 25x17. New in dust wrapper. Valuable reprint of this influential Pugin text.

Quarto, blue faux leather boards, gilt lettering to spine, gilt 'VL' initials to front board, top page edges stained pink- faded, (18) + viii + 104pp + illus to rear, VG+ (light bruising to extrems, sl chafing & staining to boards, sl soiling to page edges, prev. owner's name in ink to ffep) in d/w, VG- (heavy scuffing & chipping to spine- minor loss to extrems, moderate soiling, light to moderate creasing & chipping to edges). …

30,5 x 23 cm. 415 pp. Illustrated. Softcover. Condition Fine.

Hardcover. Condizione: Very Good. 350 pages. The Glossary is Pugin?s largest and most magnificent book. He intended that his two Dublin Review articles of 1842 would be accompanied by a third dealing with ornament and decoration. However, this developed into a grand survey church ornaments, vessels and vestments which are dealt with alphabetically, including long-forgotten ones he hoped to revive. This masterly survey reveals the extrao rdinary breadth and depth of Pugin?s researches. Its chief glory lies in 73 su perb chromolithographs showing ?correctly? vested clergy and a wide range of patterns for embroidery, monograms and emblems. ?Never ? in modern days at least ? were illuminations more exquisite, concluded The Ecclesiologist (1844) . Even today, Pugin?s Glossary remains a locus classicus for the church furnis hing. The edition reproduced is that of 1846, revised and enlarged by the Rev. B ernard Smith. To it has been added an insightful introduction by Michael Fisher, author of the acclaimed ?Gothic Forever?: A.W.N. Pugin, Lord Shrewsbury and the Rebuilding of Catholic England.…

Cloth. Condizione: Very Good. Book measures 26x21.cm. vii,[2]v,[1],104pp, plates, 67pp, 10 plates, text illustrations.Bound in original publishers green cloth, gilt crest, bands and lettering. Cloth lightly rubbed, marked. Binding in very good clean condition. Internally, pages and plates clean throughout. A nice clean copy. Size: Large 8 Vo.…

hardcover. Condizione: Fine. **HARDBACK** In unclipped dustjacket No stamps or inscriptions; 2001 Oxford.

Hardcover. Condizione: Near Fine. Book is in near fine condition. Large impressive hardback volume with colour illustrations throughout.

Binding sound, text unmarked. Condizione: Fine. Condizione sovraccoperta: Fine. Dustwrapper unfaded and unclipped. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. Binding sound, text unmarked. Size: xxi, 428pp., 4 plates, 17 figures, 25 x 16 cm. No ownership marks. …

Binding sound, text unmarked. Condizione: Fine. Condizione sovraccoperta: Fine. Dustwrapper unfaded and unclipped. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. No ownership marks. Binding sound, text unmarked. Size: xvii, 711pp., illustrated, 24 x 16. No ownership marks. …

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Hardcover. Condizione: New. The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, textiles, stained glass, metalwork, and ceramics, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. This volume, the fourth of five, contains letters from 1849 and 1850. Happily married, Pugin was more settled in his home at The Grange in Ramsgate in these years than he had ever been before. He completed his long-contemplated book on Floriated Ornament. At first he appears principally as a designer of stained glass, often working for other architects: pre-eminent, he supplies Charles Barry, William Butterfield, R. C. Carpenter, G. G. Scott, for instance. The letters display his knowledge of surviving medieval glass, biblical and historical sources, hagiography, heraldry, iconography, besides revealing his attention to details of composition, texture, colour, the representation of figures, the effects of lighting. Next door to his house, he continued to build the church of St Augustine, which was ready for opening in August 1850. Later that year, two public events quickened the pace of Pugin's life: the Roman Catholic hierarchy was restored in England, and the Great Exhibition was announced for 1851. Personally insulted because of his religion, Pugin defended his embattled faith in the ensuing uproar; at the same time he began to make a multitude of designs for his colleagues to execute: together they produced what came to be called the Medieval Court, the outstanding display in the exhibition and a masterpiece of lasting influence.…