Pusenkoff george (30 risultati)

Hardcover. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

hardcover. Condizione: Acceptable. Tail of spine torn This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Oversized.

131 S. mit farbigen Tafeln. Sehr gutes Exemplar. In deutsch, russischer Sprache. Sprache: Deutsch Gewicht in Gramm: 2100 4°. Orig.-Leinen mit illustriertem Orig.-Umschlag.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Bon. 29 x 24 cm; 120p.

Hardcover. Condizione: Used: Very Good. Condizione sovraccoperta: Very Good. clean, tight, crisp, NEW; Mannheimer Kunstverein; text is in German, English and Russian, all three; 3.3 lbs.

Hardcover. Condizione: Used: Very Good. Condizione sovraccoperta: Very Good. clean, tight, crisp, NEW; Mannheimer Kunstverein; text is in German, English and Russian, all three; 3.3 lbs.

Hardcover. Condizione: New. Condizione sovraccoperta: Very Good. clean, tight, crisp, NEW; Mannheimer Kunstverein; text is in German, English and Russian, all three.

hardcover. Condizione: fine. first edition. In-8° , relié , 87 pages , nombreuses illustrations.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. A bright, clean copy. Author signature and drawing on front end page. ; Color Illustrations; 4to; 128 pages; Signed by Author.

Hardcover. Condizione: Fine. 1st Edition. FIRST PRINTING.ENGLISH TEXT.NEAR FINE HARDBACK.GREAT PHOTOS.A HEAVY BOOK REQUIRING EXTRA POSTAGE FOR NON UK ADDRESS.49 Language: eng.

Originalschutzumschlag. Großformat. Farbige Abbildungen. In tadellosem Zustand. (Kunst). Hardcover / Original Pappband. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

hardcover. Condizione: very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good hardcover. Clean pages.

Hardcover. Condizione: Good. No Jacket. First Edition. Heidelberg, Kehrer Verlag, [2002]. In German and English. Oblong 4to. 87, [1] pp., ill. The first catalogue devoted to this conceptual-photographic project. In 1974, Leonardo da Vinci's Mona Lisa was exhibited in Moscow for 45 days, in what became one of the most remarkable cultural events of the Soviet era. The painting had travelled to Moscow after its exhibition in Japan, and its appearance in the Soviet Union was made possible through a remarkable diplomatic arrangement. The exhibition attracted enormous public attention: visitors reportedly waited in line for 7-10 hours to enter the Pushkin Museum, while attendance figures range from more than 310,000 to as many as 1.5 million visitors, depending on the source. It was the last time the Mona Lisa left the Louvre for a public exhibition. George Pusenkoff (b. 1953) emerged from the milieu of Moscow's nonconformist art scene of the 1970s and 1980s, receiving important impulses from the avant-garde surrounding Ilya Kabakov and Erik Bulatov. In 1990, on the invitation of gallerist Hans Mayer, he relocated to Cologne, where he has lived and worked ever since, developing a signature idiom that merges digital image-making with icons of art history. George Pusenkoff's Mona Lisa Goes Russia is deeply connected to the memory of that extraordinary exhibition. Beginning in 1997-98, the Russian-German artist travelled across Russia with his own painted version of the Mona Lisa, created in the tradition of Pop Art, particularly that of Andy Warhol. The artist photographed it in a wide variety of urban and rural settings - from Red Square and museums to provincial villages, private interiors and everyday scenes. As Hans Gercke writes in this 2002 exhibition catalogue accompanying the project, "it is not the art believers who make pilgrimages to the Mona Lisa, but rather she herself makes her own missionary pilgrimage across the country." Pusenkoff's Mona Lisa was deliberately created through digital manipulation: the artist based the image on a reproduction found on the Internet, transforming the canonical masterpiece into a black-and-yellow, computer-age icon. The resulting photographs explore not only the creation, reproduction and perception of images, but also questions of intercultural communication and the dialogue between old and new, East and West, the Russian icon and the Western "icon", the digital and the real. By placing Leonardo's most famous image against the rapidly changing landscape of post-Soviet Russia, Pusenkoff creates a surreal and often ironic portrait of a country caught between the remnants of the Soviet past and the uncertain possibilities of a new era. The Mona Lisa becomes both an outsider and a witness, carrying the cultural weight of European art into unfamiliar surroundings while absorbing new meanings from the places she encounters. The project had a sequel: on April 15, 2005 (Leonardo's birthday), the painting was delivered to the International Space Station by Italian astronaut Roberto Vittori and returned to Earth on April 24, 2005. The project was subsequently presented as part of the 51st Venice Biennale under the title Mona Lisa Goes Space. Binding & condition: Original pictorial boards. Good: light rubbing to corners and spine edges; bookseller's label to rear board.…

Condizione: Sehr gut. 66 Seiten. Mit zahlreichen Illustrationen. Englisch-russisch-deutscher Paralleltext. - Sehr gut erhaltenes Exemplar. Sprache: Deutsch Gewicht in Gramm: 700 4° (25-35 cm). Orig.-Pappband mit Orig.-Schutzumschlag. [Hardcover / fest gebunden].

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Book.

1.Auflage. 27 x 21 cm. 66 S. 2 Blatt. OPappband mit OUmschlag. Gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Texte in Deutsch, Russisch und Englisch. Sprache: Deutsch, Englisch und Russisch.

1. Aufl. 2-zeilige handschriftliche Widmung des Künstlers auf vorderem Vorsatz, zahlreiche farbige Abbildungen, 120 S. Der Katalog erschien anläßlich der gleichnamigen Ausstellung im Märkischen Museum Witten (23.3. - 12.5. 2002) und im Museum Korbach (25.8. - 06.10.2002) Die Widmung: "An meinen Freund Wout NieErasedrhoff von George mit Liebe Köln 31.05.2002". Sprache: Deutsch Gewicht in Gramm: 550 4°, OPappband mit OSchutzumschlag, sehr gut.…

Wien, Galerie Ernst Hilger 1999. Ca. 50 Seiten m. farbigen Abbildungen. Farb. ill. Orig. Hardcover, Gr.8°. Deckel berieben, sonst sehr gut erhalten.

Bielefeld, Kerber, 2007. 262 pp. Cloth + dustjacket. Illustrations. *good condition* Oblong format. German English text.

Hardcover. Condizione: New. This oversized monograph documents the Russian-born, Moscow- and Cologne-based artist George Pusenkoff's extensive body of work around the "Mona Lisa." He created a portable, digitized reprise of the famous work and photographed it throughout Russia, on the International Space Station and in a giant installation at the 2005 Venice Biennale.…

Condizione: BUONO USATO. Da revisionare INTERLINGUE Catalogo della mostra svoltasi dal 15 febbraio al 15 marzo 1998 presso il Museum Ludwig in St.Petersburg, in tedesco, inglese e russo, rilegatura in tutta tela editoriale, bianca con titoli neri al solo dorso, sovraccoperta illustrata e con minimi segni di usura, pagine riccamente illustrate e leggermente ingiallite ai bordi. Numero pagine 131.…

Pappband mit Titelaufdruck und Schutzumschlag, viele Farbbilder, Kurzbiografie, Ausstellungsverzeichnis, Bibliografie; 120 Seiten, 29x24 cm, 980 gr. Sprache: deutsch. Vom Künstler auf dem Vortitelblatt signiert und datiert. Gut erhalten.

262 S., 1 Bl. mit zahlreichen Abbildungen. Erste Auflage, auf dem vorderen fliegenden Vorsatz von Pusenkoff mit einer handschriftlichen Widmung versehen (sehr gutes Exemplar). Sprache: Deutsch Gewicht in Gramm: 2500 Qu.4° (30,5 x 34 cm) Orig.-Leinen mit Orig.-Umschlag.

Condizione: Used: Like New. In-4 cartonné, jaquette illustrée, nombreuses illustrations, comme neuf, SIGNED BY THE ARTIST.

Condizione: New.

Anläßlich der Ausstellung I im Jüdischen Museum Westfalen, 3-sprachig, Deutsch, Englisch, Französisch, ca. 30,5 x 24 cm Buch im sehr guten Zustand. Neuwertig O-PpBd. 62 Seiten.

4°, 62 Seiten. mit zahlreichen ganzseitigen Abbildungen. Farbig illustrierter Orig.Pappband. Vom Künstler signiert und datiert. Text in deutsch, englisch und französisch. Mit Kurzbiographie Ausstellungsverzeichnis und Bibliographie.

OPb., guter Zustand. 120 S., überwiegend Abb., Ausstellungsverzeichnis, Literaturverzeichnis. Publikation anläßlich der Ausstellung: George Pusenkoff. Painted and Erased, Märkisches Museum Witten, 23.3. - 12.5.2002 ; Museum Korbach, 25.08. - 06.10.2002. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Deutsch Gewicht in Gramm: 1001.…

4°, 40 ungez. S. und in der Mitte eingeheftet ein mehrfach gefaltetes Bildreporello, Orig.-Karton mit farbigem Umschlag. Erste Ausgabe.- Text Russisch - Englisch.- Gutes Exemplar.

Kein Einband. Condizione: Gut bis sehr gut. Kein Schutzumschlag. Auflage 150 Exemplare, 1998 handsigniert, numeriert. Format der Darstellung: 57,5x72cm, auf Büttenpapier 47x52cm. # Zeitraum: 1990-1999 Deutschland Portrait Digital Pixel. vom Autor oder Künstler signiert.