Puttfarken thomas (47 risultati)

Hardcover. Condizione: Acceptable. This hardcover edition of "Roger de Piles' Theory of Art" is an ex-library copy, featuring library stickers and stamps. The dust jacket is worn, displaying noticeable wear around the edges, yet remains intact. The binding is firm, ensuring the book's durability despite its previous usage. Overall, the condition is fair, suitable for reading and study. ###.…

Hardback. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Dust jacket is lightly age-toned at upper and lower panels, unclipped; green cloth boards, gilt titles, corners sharp; binding is tight; off-setting on front and rear endpapers, pages otherwise clean with black and white illustrations. ; 6.25 X 0.75 X 9.5 inches; 144 pages.…

Soft cover. Condizione: Good. Image shows actual book for sale. Book Condition: Good; firm binding; contents good; a little wear at head of spine. Soft Cover Hamburger Kunsthalle 1969 Art.

Soft cover. Condizione: Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good; minimal wear. Soft Cover Hamburger Kunsthalle 1969 Art.

Paperback. Condizione: Good. No jacket. Jardine Press, 2006. Paperback, ob8vo, 58pp, illust. A good copy. 095520352X/0.2uk.

paperback. Condizione: Wie neu. ****** mediafritze® | wir können günstig! | Schneller Versand! | Beste Qualität, -Hand geprüft! | Unsere Produkte haben keine Klebeetiketten! | Sie bekommen immer, was Sie auf unseren Fotos sehen! | Ihre Rechnung, mit aktuell gesetzlicher MwSt., wird Ihnen sofort nach erfolgreichem Checkout bereitgestellt! ****** mediafritze® | we can do cheap! | Fast shipping! | Best quality, hand checked! | Our products have no adhesive labels! | You always get what you see on our photos! | Your invoice, with current VAT, will be provided to you immediately after successful checkout! Sprache: Deutsch Gewicht in Gramm: 140.…

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover/Paperback. Condizione: Sehr gut. 83 Seiten mit 68 z.T. farbigen Tafeln Bucheinband minimal berieben. Sonst kaum Lese- und Lagerspuren. Ein sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 700.

Printed Black Boards. Condizione: Very Good. No Jacket. "In der Zeit vom 30. August bis zum 19. Oktober 1969 fand anlasslich der Jahrhundertfeier der Hamburger Kunsthalle eine einzigartige Austellung unter dem Titel "Meister Francke und die Kunst um 1400" statt. Mit dem Katalog uber diese grossartige Sammlung von Kunstwerken hoffen wir, Ihnen eine Freude zu bereiten." Contributors are Alfred Hentzen (Vorwort); Jurgen Bolland (Hamburg um 1400); Hans Werner Grohn (Meister Francke Urkunden und Meinungen); Otto Pacht (Meister Francke - Probleme); Peter Streider (Das Fragment der Mitteltafel des Thomas-Altars von Meister Francke); Paul Pieper (Meister Francke und die niederdeutsche Kunst); and L. M. J. Delaisse (Das Problem der regionalen Stile in nordlichen Europa um 1400). 82 pages of text with Verzeichnis der ausgestellten Werke, Ausgewahlte Literatur zu Meister Francke, and Nachweis der Bildvorlagen; plus 68 plates, many in color. Covers are slightly bumped at lower leading corners, and cover printing has faded, covers otherwise sound; rfEP has been clipped at upper leading corner; text is strong and clean, though browning at edges.…

Softcover/Großformat. Condizione: Gut. 83 Seiten, 68 Tafeln Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 680. …

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condizione: Very Good. Large oblong 4to. Publisher's original pictorial covers. 216pp. Unread condition. Roderic Barrett (illustratore).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Title: Roger De Piles' Theory of Art - Thomas Puttfarken (Yale University Press, 1986) Description: New Haven: Yale University Press, 1986. First edition hardback, octavo, 148 pp., black cloth boards with dust jacket. Scholarly study of the French critic Roger de Piles (1635-1709), focusing on his ideas on colour, composition, and painterly judgement, and on his role in the debate between drawing and colour in French art theory. Condition: Very good in very good dust jacket. Clean solid copy with light shelfwear only, boards sharp, jacket bright with minor edge rubbing, interior clean, binding tight.�.…

SOFTCOVER. Condizione: Fine. 1st Edition. Artists book. Square 4to in stiff glossy card covers, unpaginated, approx. 32pp on glossy art paper, colour plates, etc. . [CONDITION: A well preserved almost AS NEW unmarked copy (merest hint of tanning to covers). Uncommon ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Octavo, xii, 144 pages. In Fair plus condition with a Good plus dust jacket. Spine is cream with black print. Dust jacket has peripheral toning. Boards in green cloth. Text block has underlining and marginal notation in ink. Illustrated: b&w plates. NOTE: Shelved in Netdesk Column W. 1404519. FP New Rockville Stock. …

cloth, dust jacket. 4to. cloth, dust jacket. 332 pages. Theories of Visual Order in Painting 1400 - 1800. First edition. Fine in fine jacket. Fully illustrated in color.

68 sehr gute Bildtafeln, 83 Textseiten, Zustand: sehr gutes Exemplar, minimale Gebrauchsspuren. Beilage: Anleitung für den Betrachter der Ausstellung. Sprache: Deutsch Gewicht in Gramm: 1100 29,0 x 23,0 cm, Broschiert, Softcover/Paperback.

Hardcover. Condizione: Fine. Fine Dust Jacket. First Edition. 4to. 288 pages. We specialize in fine books in collectible condition. Orders are professionally packaged and shipped promptly. M11.

Erstausgabe, 4°, 83 S. mit s/w-Abbildungen und 68 Tafelseiten mit s/w- und Farbabbildungen, original Kartonage (Paperback) mit am Buchrücken montiertem original Schutzumschlag, Schutzumschlag minimal berieben, Schutzumschlag oben rechts am Vorderdeckel mit kleiner Notiz, Schutzumschlag am Rückdeckel mit Fleck, sonst schönes, sauberes Exemplar mit dem Corrigendum-Zettel. Katalog der Ausstellung zur Jahrhundert-Feier der Hamburger Kunsthalle. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.…

hardcover. Condizione: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. xii, 144 pp; 24 illus. Original cloth. Near Fine, in near fine dust jacket.

Hardback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Contents: 1: Rudimenta -- Easel painting and pictorial order -- 2: Why the Renaissance did not talk about pictorial composition -- Alberti and the composition of bodies -- Perspective and composition I -- Figure and ground -- Scale and presence -- In search of the whole and its harmonies -- 3: The discovery of pictorial composition in France -- Borghini, van Mander and Junius: northern approaches to pictorial composition -- Poussin's thoughts on invention and disposition -- The beginnings of the French theory of painting: public discourse and the image in the mind -- Perspective and composition II -- Du Fresnoy and de Pile's De arte graphica: a primer in pictorial composition -- The rule of the Tableau and its losses. viii, 332 pages : illustrations (some color) ; 27 cm. First edition, first printing. Dark green boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, gift inscription on half-title page from author 'For Jane and David, with much love, Thomas and Elly 17 June 2000', tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Signed by Author(s).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First printing. 4to. 332 pp. Fine in Fine dust jacket.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Contents: 1: Rudimenta -- Easel painting and pictorial order -- 2: Why the Renaissance did not talk about pictorial composition -- Alberti and the composition of bodies -- Perspective and composition I -- Figure and ground -- Scale and presence -- In search of the whole and its harmonies -- 3: The discovery of pictorial composition in France -- Borghini, van Mander and Junius: northern approaches to pictorial composition -- Poussin's thoughts on invention and disposition -- The beginnings of the French theory of painting: public discourse and the image in the mind -- Perspective and composition II -- Du Fresnoy and de Pile's De arte graphica: a primer in pictorial composition -- The rule of the Tableau and its losses. viii, 332 pages : illustrations (some color) ; 27 cm. First edition, first printing. Dark green boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Condizione: New.

Hardcover. Condizione: Very Good. 1st Edition.

Heft 21*20. Condizione: Gut. 36 Seiten gebracht gut, 200316771 Sprache: Englisch Gewicht in Gramm: 150.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 326 pp., 27 x 21 cm. color illustrations. Brand new copy. No bumps or marks.In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a painting's overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a "discovery" of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figure in earlier accounts of the art. In Italy artists and patrons focused on large-scale wall paintings or altarpieces and on the presentation of life-size saints or protagonists whose physical proportions and interactions in narratives were considered more important than notions of overall effect or pictorial format. The second part of the book discusses the discovery of composition and its consequences for both the theory and practice of painting, understood as the production of tableaux, or easel pictures. Puttfarken considers the effects on paintings of size, location, perspective, and relief, the relationship between ground and figures and between image and frame, and the different traditions defining Italian and Northern art. For readers with an interest in the theory and history of European art, this book is full of rich insights and fresh analyses.…