rackham arthur illustrators (10 risultati)

Original Wraps. Condizione: Good+. Original magazine in good plus condition: mild wear and soiling to cover; straight and tight; interior is very nice. Color frontispiece is by Arthur Rackham; it is titled "Children in Kensington Gardens, London." Article topics include : Arthur Rackham; golf; mauled by an elephant; " MelilotteP--a fairy operetta in one act (by David Stevens). Size: 4to - over 9¾ - 12" tall. Magazine.

Hardcover. Condizione: New. No Jacket. 1st Edition. Published In 2018 : 1st. Edition : 1st. Printing : Full Printing Numbers Listed , 1 - 10 : Flame Tree Publishing : No D / J Supplied With This Edition : Gilt Titles & Embellishments To Both Covers : Overall , A Very Nice Book :

Hardcover. Condizione: Good. First Thus. 2 volumes, complete as issued. Illustrated by Arthur Rackham and several others with gravure plates. A good set in the original white pictorial cloth design by Margaret Armstrong, stamped in gilt, yellow, and light green, beveled boards, top edges gilt (minor wear; front inner hinges a bit tender). Bookplates of Edward Augustine Taft, with ink gift inscription to him by his grandmother. An early appearance by Rackham.

(1923). Second edition. Illustrated with two full-color plates by Rackham in his best manner and numerous b&w drawings by Lauren Ford. Very good plus: scattered mild foxing to the endsheets, light flecking and some very mild wear and age-darkening to covers; interior bright and clean; in blue cloth lettered and decorated in darker blue; lacking dust jacket. A dreamy, poetic boy named Rex, who loves his dog Kit better than his father (but that's a secret!) stands on his balcony in the moonlight and imagines a golden-haired vision of a girl and lo! Imagina appears.

[Literary Magazine] ORIGINAL MAGAZINE SPECIAL. Folio (34 x 23cm), pp.xvi; 133-196; 217; xvii-xxxv. Not including the special portfolio of colour plates by Dulac, and also lacking the frontispiece portrait of Kipling. With numerous in-text black and white illustrations, and occasional colour plates by various artists. Publisher's brown soft cloth-covered covers, titled and decorated in red, with a black and white photograph of Rudyard Kipling to upper, priced at 2s. Moderate wear to covers, including some chips and tears to spine. Frontispiece carefully removed, otherwise plates appear intact. Internally clean. Good. A bumper selection of bookish articles focusing on subjects including Rudyard Kipling, George Meredith, Mrs Gaskell, The Loeb Library, Lord Byron, William Morris, and Thomas Hardy.

[Literary Magazine] ORIGINAL MAGAZINE SPECIAL. Folio (34 x 23cm), pp.xx; 65-108; 149; xxi-xxix. Not including the special portfolio of colour plates by Bernard Partridge. With numerous in-text black and white illustrations, and occasional colour plates by various artists, including a frontispiece by Rackham. Publisher's brown soft cloth-covered covers, titled and decorated in blue, with a colour illustration to upper, priced at 2/6. Internally clean, with some light general wear to covers. Very good. A selection of bookish articles, somewhat diminished due to the Great War, focusing on subjects including the War, Gabriel D'Annunzio, Maxim Gorky, Robert Louis Stevenson, and Samuel Taylor Coleridge.

Hardcover. Condizione: Very Good. Hodder & Stoughton 1914. Binding firm. Pages clean and bright, no markings. Fine illustrations. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Condizione: Fine. No Jacket. 1st Edition. Two volumes: 6 1/4 in. x 9 in. x 1 1/4 in. (thick), Volume 1: frontispiece by C. S. Reinhart; titlepage printed in brown and green, with designer's initials: MA [=Margaret Armstrong; 1867-1944](as are the page borders & cloth binding design); contents; list of illustrations. vi, [1]-326; Volume 2: frontispiece by C. H. Schmolze; title-page; contents, list of illustrations. vi, [1]-327. The first volume contains 4 Rackham illustrations: pp. 30; 80; 140; 200, and the second has one illustration at p. 46. (these are black & white reproductions of paintings). A total of 28 inserted plates, with title-printed tissue guards; by Rackham & other illustrators, including: F. S. Church (1 plate); C. S. Reinhart; C. H. Schmolze; Julian Rix; William Hyde; Henry Sandham; Harrison Miller, and one reproduction of a photograph (Vol. 2; p. 116: Chapel at Honfleur), and other, smaller illustrations used as openings, head or tail-pieces. White cloth with gilt titling and Margaret Armstrong design with details in light green on the spines and front covers, bevelled edges; white silk bookmarkers bound in, top-edges gilt. The spines show very light tanning, light rubbing, dusting to cover edges, back covers; many of the page fore-edges are unopened. Text and plates are generally clean. Latimore & Haskell (Rackham Bibliography, 1936; p. 7), describes the blue cloth binding: Volume I has 326 numbered pages, and four illustrations by Arthur Rackham; Volume II has 327 numbered pages, and one illustration by Rackham. The illustrations are in half-tone and are full-page. Weight: 5 lbs. Postage may be extra on this set.

First edition. Publisher's quarter decorated cloth over full-color glazed pictorial boards, corners a little worn.Small quarto (9 5/8 x 7 1/8 in; 245 x 180 mm). A few illustrations hand-colored by a child. Closed tear to bottom edge of page. 17. Early ink presentation dated "Christmas 1905" on front paste-down. Illustrated throughout in black and white and color, with fifteen drawings by Louis Wain, and an unrecorded text drawing by Arthur Rackham (so initialed) on page 40. Unrecorded and scarce, with no copies noted in the Wain or Rackham bibliographies. Anytime an unrecorded book illustration by Arthur Rackham comes to light, it's an item for collectors to note. Buried within this book, unheralded, on page forty, is a black and white text illustration of four chickens in various states of distress as they observe, in high dudgeon and with no little annoyance, a cat within their food bucket chowing down the chicken feed. And at the lower left of the bucket, as small as can be, are Rackham's initials as typically drawn. Latimore and Haskell, and Riall make no mention of this illustration in their Rackham bibliographies, and the Arthur Rackham Society expressed no knowledge of it when we inquired. A true scarcity -- a previously unknown Rackham during his transitional period, when his fairies and goblins were emerging but had not yet fully vanquished the simple, pay-the-bills work of his early years. Arthur Rackham (1867-1939) is perhaps the most acclaimed and influential illustrator of the Golden Age of Illustration. A prolific artist even from his youth, Rackham got his start as an illustrator working for the Westminster Budget Newspaper (1892). Over the next few years, he took on more and more commissions for children's books, hitting his career high in the first three decades of the twentieth century. Rackham turned his imaginative pen to every classic-from Shakespeare to Dickens to Poe. Cf. Dale 34 and 35.

First edition. Finely bound ca. 1914 by Sangorski & Sutcliffe (stamp-signed on rear turn-in) in full dark blue morocco, covers decoratively paneled in gilt with inlaid red morocco floral corner-pieces and in the center in gilt, the Royal stamp of Princess Mary. Spine with five raised bands, paneled and lettered in gilt in compartments, all edges gilt, cream watered silk liners and endleaves.Quarto (9 7/8 x 7 5/16 inches; 251 x 186 mm). vi, 140 pp. Fourteen color plates tipped-in to captioned tan stock with brown line frame, many black and white text drawings. Four figure ink number (upside down) on verso of rear blank leaf. An exceptional copy. A relatively common book, but scarce in fine condition. This may well be a special presentation binding that was done at the time of publication. "This was the first of a group of wartime books sponsored by prominent people and sold to raise money for worthy causes. The most popular, it sold 604,884 copies during the two years, 1914-1916, that is was in print. The Times in an article November 21, 1914 sought to promote the cause, "The Queen's Fund," by directing the public to the display of the original drawings at the Leicester Galleries" (Hughey). The fourteen tipped-in color plates include: "So nobody can quite explain Exactly where the rainbows end" (Arthur Rackham) "True Spartan Hearts" (Edmund Dulac) "The Ant Lion" (E.J. Detmold) "A Holiday in Bed" (W. Russell Flint) There are also many black & white drawings by C.E. Brock; E.J. Detmold; Arthur Rackham; Byam Shaw; H. M. Brock; Lewis Baumer and Edmund J. Sullivan. Arthur Rackham (1867-1939) is perhaps the most acclaimed and influential illustrators of the Golden Age of Illustration. A prolific artist even from his youth, Rackham got his start as an illustrator working for the Westminster Budget Newspaper (1892). Over the next few years, he took on more and more commissions for children's books, hitting his career high in the first three decades of the twentieth century. Rackham turned his imaginative pen to every classic-from Shakespeare to Dickens to Poe. Latimore and Haskell 93. Riall 120. Hughey 34.