Raffaello 1483 1520 (65 risultati)

Payne Dresden & Leipzig 1855 [Blatt vor allem an den Rändern teils stockfleckig.].

DVD BOX. Condizione: As New. First Thus. Series : Wielka kolekcja slawnych malarzy # 3 Raphael [Raffaello Sanzio da Urbino [1483-1520]. Book.

Pictorial wrappers. Small marginal nick to first leaf. Fine. On pp. 65-9, 70-84, 85-95, 96-104 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 44 (1975):3-4. Stockholm 1975. 4to. Pp. 65-122 + [iv] pp. Illustrated. "Didrik av Bern on the Nordic countries" and "Mucius Scaevola and Marcus Curtius on a stone relief from Norra Smedjegatan" both in Swedish with Summaries in German.…

Pictorial wrappers, fineal two leaves and rear wrapper dog-eared. On pp. 135-39, 140-44, 145-56, 157-69 in Konsthistorisk tidskrift / Art Review published by the Society of Art History, 56 (1987):4. Stockholm 1987. 4to. Pp. 135-82. Illustrated.

Stipple engraving, from Biographical Magazine, fine delicate portrait with biographical information in letterpress below.

Sewn as issued, printed wrappers, neat inscription by the author. Very fine. Stockholm, Almqvist & Wiksell, 1960. 8vo. 48 pp. + plates. "The ideas brought forward in this paper [.] may be regarded as an attempt to solve some of the problems connected with one of the most debated pictures in the history of art, Raphael's 'The School of Athens'." (Acta universitatis Stockholmiensis / Stockholm studies in History of Art, 4.).…

Dek. förlagsband i fint skick. Proveniens: Ulf Cederlöf (1948-2021), förste intendent för grafik och handteckningar på Nationalmuseum. Stockholm 1992. 4:o. 102 sid. inkl. utvikbar bildbilaga. Rikt illustrerad med 113 fotografier och reproduktioner av pennteckningar, laveringar och teckningar i kol och rödkrita, varav 25 i färg. Med en bibliografi över den viktigare Rafael-litteraturen. Utgiven i samband med en utställning 1992 på Nationalmuseum, Stockholm. Innehåll: "Introduktion", "Introduction to the exhibition", "Föregångare och samtida" (Umbrien och Toskana), "Rafael" (Umbrien: Oddi-altaret, omkr 1503-1505, Florens: Madonnabilder, Rom, de första stora uppdragen: Stanza della Segnatura och Agosto Chigis kapell 1508-1511, Rom: Stanza d'Eliodoro 1511-1514), "Medarbetare" (Rafaels verkstad: Loggiorna, omkring 1518-1519, Giovanni da Udine, Giulio Romano, Giovanni Francesco Penni, Polidoro da Caravaggio, Baldassare Preuzzi, Perino del Vaga). Med en avslutande Rafaelbibliografi (8 s). (Nationalmusei utställningskatalog, 549).…

Hardcover. Condizione: Gut. 8082 [L] Sprache: Deutsch Gewicht in Gramm: 300.

Pictorial wrappers, fine. Washington, National Gallery of Art, 1983. 4to. 208 pp. Richly illustrated, partly in colour (118 figs. in text, 19 plates). Catalogue of an exhibition held at the National Gallery of Art, Washington, D.C., January 9-May 8, 1983, in commemoration of the 500th anniversary of Raphael's birth. - - - Contents: "Raphaels Prestige" (Early American Artists and Collectors, Later American Collectors, Notes to Part I), "Raphael's Creativity as Shown by His Paintings in America" (Formation, Florence, Rome, Notes to Part II), "List of Objects in the Exhibition" (103 entries).…

Copertina morbida. Condizione: Ottimo. Nuova serie. 128 p., [64] p. di tav. : ill. ; 31 x 24 cm. Classici dell'arte. Raffaello Sanzio è stato un pittore e architetto tra i più celebri del Rinascimento italiano. Raffaello, ed è considerato uno dei più grandi artisti d'ogni tempo; la sua opera segnò un tracciato imprescindibile per tutti i pittori successivi e fu di vitale importanza per lo sviluppo del linguaggio artistico dei secoli a venire, dando vita tra l'altro ad una scuola che fece arte "alla maniera" sua e che va sotto il nome di manierismo. Modello fondamentale per tutte le accademie fino alla prima metà dell'Ottocento, la sua influenza è ravvisabile anche in pittori del XX secolo come Salvador Dalí. Presentazione di Michele Prisco. Apparati critici e filologici di Pierluigi De Vecchi. Brossura editoriale, copertina illustrata a colori, in cartoncino flessibile plastificato. Titolo impresso al piatto e al dorso. All'interno numerose illustrazioni in b/n e a colori.…

Stipple engraving, from Knight's "Portraits".

Condizione: Very Good. First English edition hard back binding in publisher's original characteristic (Bogue | Bohn) embossed dark green cloth covers, gilt title and author lettering to the spine. 12mo. 7½'' x 5¼''. Michel Angelo by R. Duppa and Raffaello by Quatreme de Quincy. Contains engraved frontispiece (vi), 474 pp. Light rubbing to the spine ends and in Very Good condition. Member of the P.B.F.A. ART [Italian].…

Original Aquatinta-Radierung. Blatt-Maße: ca. 26 x 34 cm. -- Mit Blindstempel des Verlags. -- gut erhalten. || Original aquatint etching. With publisher's blind stamp. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 1550. …

Kupferstich-Portrait von ca. 1770. -- Blatt-Maße: ca. 29,5 x 20 cm; Portrait-Maße: ca. 17 x 12 cm. - gut erhalten. || Copper engraved portrait from around 1770. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Italienisch Gewicht in Gramm: 10. …

LARGE FOLIO, paper size approximately 28x22 inches- Extremely rare set of fifteen of sixteen engraved prints in the actual size of the heads in Raphael's cartoons for the Sistine Chapel tapestry series "The Acts of the Apostles". The prints were engraved by Antoine Cardon after drawings made by Nicolas Joseph Ruyssen. Being the calligraphic title page, engraved portrait of Raphael and 14 of 15 large engraved plates from the details of paintings of the Acts of the Apostles, some bound in the original boards and 5 loose- PLUS 11 duplicates. Engravings on wove paper some watermarked 'J Whatman 1794'. Some fraying to the loose plates and occasional spotting. Some of the original flimsies adhering to the versos not affecting the image. A very detailed catalogue description of this scarce work by the rare bookseller Robin Halwas can be found online. His descriptive list of plates is below - plate 10 in the list is missing. List of prints- [1] foreground figure (male), from the Death of Ananias, dated 15 October 1798 (matrice- plate mark 580 × 445 mm) [2] foreground figure (female), from the Death of Ananias, dated 15 October 1798 (matrice 565 × 435 mm) [3] an Apostle, from the Charge to Peter, dated 15 October 1798 (matrice 575 × 445 mm) [4] Peter, from the Miraculous Draught of Fishes, dated 1 January 1800 (matrice 575 × 470 mm) [5] figure (male), from the Death of Ananias, dated October 1801 (matrice 560 × 435 mm) [6] an Athenian, from Paul preaching at Athens, dated 15 October 1798 (matrice 570 × 440 mm) [7] subsidiary head (female), from the Healing of the Lame Man, dated 1 January 1800 (matrice 595 × 485 mm) [8] a child, from the Healing of the Lame Man, dated 1 January 1800 (matrice 600 × 490 mm) [9] John, from The Charge to Peter, dated 1 January 1800 (matrice 575 × 470 mm) [10] two children, from the Sacrifice at Lystra, dated 15 October 1798 (matrice 490 × 590 mm) [11] two Apostles, from the Charge to Peter, dated October 15, 1798 (matrice 510 × 595 mm) [12] two background figures (female and male), from the Healing of the Lame Man, dated 1 January 1800 (matrice 620 × 500 mm) [13] subsidiary figure (female), from the Healing of the Lame Man, dated 1 January 1800 (matrice 620 × 490 mm) [14] two background figures (male), from the Healing of the Lame Man, dated 10 August 1801 (matrice 690 × 515 mm) [15] three background figures, from the Sacrifice at Lystra, dated 10 August 1801 (matrice 530 × 630 mm) A VERY POWERFUL COLLECTION OF ENGRAVINGS AFTER RAPHAEL- 15 plus 11 duplicates.…

Folio 20x14 inches, half period calf over boards, spine repaired. Folding engraved double page title page with surrounding cartouches of the Vatican- illustrated with 52 fine copper engraved plates, many with decorative engraved borders. Plates after Raphael engraved by L. Cunego, G. Petrini, G. Carattoni, G. Morghen, A. Mochetti, G. Bossi, F. Cecchini, et al. Some spotting to the title and minor marginal spotting but generally a clean copy, with good impressions, on thick 18th century laid paper. Engravings of Raphael's fabulous Biblical paintings. (Bibliography - Brunet 1110). Armorial bookplate of Thomas Broadwood with this initials and crest at the top of the title. Raffaello Sanzio da Urbino (14831520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. He was known to have been a big influence on the work of WILLIAM BLAKE (1757-1827) - which can be clearly seen in these fine engravings. …

Condizione: gut. 14 x 22 cm (Blatt). Aus dem Nachlaà von Constantin von Wurzbach. Zustand gut. Falscher Sammlervermerk auf Rückseite (St. Stephan). In italienischer Sprache. pages.

[2], 300 S. Privater Halbleinenband. Seitlicher Schnitt leicht feuchtigkeitsrandig, Schnitt u. Vorsätze teils gebräunt u. angestaubt bzw. einige Ränder fingerspurig. - Versandkosten innerhalb Deutschlands EUR 5,00 (versicherter Versand).

Condizione: ACEPTABLE. Grabado al aguafuerte representando un boceto de Rafael de un joven en actitud de oración. Llevado a cabo por William Long (1771-),artista británico de principios del siglo XIX que fue asistente de William Ottley, grabando muchas de las mejores planchas para las publicaciones de arte italiano de Ottley, incluidoel conjunto de la Escuela Italiana de Diseño. [Pub. . 1818, by W.Y. Ottley .] ; [W. Long fecit. aquaforte. W. O. direxit. .] . Formato (cm): 30,5x22.…

69x50 cm. (incl. 2.5 cm marge blanche) rousseurs surtout aux bords, et au verso, 1 feuille gravée. (ROLLE). Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Condizione: ACEPTABLE. Dibujo preparatorio de Rafael Sanzio (1483-1520). W.Y. Ottley sc. Encolado sobre cartulina. Formato (cm): 32x47.

Condizione: Very Good. The tondo (circular painting) was popular in Renaissance Florence for private apartments. , Image Size : , Platemark Size : , Paper Size : 353x356 (mm), 13.90x14.02 (Inches), Hand Colored, Engraving.

Kupferstich von Paulus Pontius nach Joannes Meyssens. Bildgrösse: 22 x 17 cm. Blattgrösse: 25 x 18 cm. Pontius, Paulus (1603-1658): Flämischer Kupferstecher. Meyssens, Joannes (1612-1670): Fläm. Maler, Kupferstecher u. Verleger. - Bis knapp zum Bildrand beschnitten. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.…

Condizione: ACEPTABLE. Grabado en representación de la escena de la Expulsión de Heliodoro perteneciente a los Frescos de Rafael para la Stanza de Heliodoro en el Vaticano. El fresco original se realizó entre los años 1511 y 1512 y tiene una anchura en la base de 750 cm. Da su nombre a la Sala de Heliodoro (Stanza di Eliodoro), una de las habitaciones que hoy en día son conocidas como las estancias de Rafael, ubicadas en el Palacio Apostólico de la Ciudad del Vaticano y que forman parte de los Museos Vaticanos. Representa un milagro narrado en el Segundo libro de los Macabeos, Capítulo 3: 24-34 [Raffaelle dipinse, Vinc. Pasqualoni disegno, Oswaldo Ufer incise.] . Formato (cm): 43,5x55.…

Condizione: ACEPTABLE. Aeneas Silvius a Basiliensi Concilio in Ulteriorem Britanniam Orator ac Scotiam ad Regem Calexium Missus a Tempestate in Novergiam Pulsus, et per Britanniam Regios Speculatores Eludens Basileam Revertitur. . Grabado realizado porFaucci, Raimondo (1760-1800) en base a la pintura de Raffaello. [Raphal Urbin. Inv.] ; [Pinturich. Pinxit.] ; [Raym. Faucci del. et sculp.] . Formato (cm): 56x33.…

Condizione: ACEPTABLE. Grabado de Angelus Campanella en base a la pintura de Rafael. ["Stephanus Piale et Ioseph Spagna D.D.D."] . Formato (cm): 45x31,5.

Condizione: ACEPTABLE. Grabado en representación de la escena de la Expulsión de Heliodoro perteneciente a los Frescos de Rafael para la Stanza de Heliodoro en el Vaticano. El fresco original se realizó entre los años 1511 y 1512 y tiene una anchura en la base de 750 cm. Da su nombre a la Sala de Heliodoro (Stanza di Eliodoro), una de las habitaciones que hoy en día son conocidas como las estancias de Rafael, ubicadas en el Palacio Apostólico de la Ciudad del Vaticano y que forman parte de los Museos Vaticanos. Representa un milagro narrado en el Segundo libro de los Macabeos, Capítulo 3: 24-34 [Raffaelle dipinse, Vinc. Pasqualoni disegno, Oswaldo Ufer incise.] . Formato (cm): 45,5x70,5.…

Condizione: ACEPTABLE. Grabado de Angelus Campanella en base a la pintura de Rafael con la escena de la Matanza de los Inocentes de Herodes. [Stephanus Piale et Ioseph Spagna D.D.D.] . Formato (cm): 45x31,5.

Condizione: ACEPTABLE. [Un] Grabado a la aguatinta basado enla pintura de Rafael. Raffaello Sanzio (Urbino, 1483 - Roma, 1520),? también conocido como Rafael de Urbino o simplemente Rafael, fue un pintor y arquitecto italiano del Renacimiento.fue considerado unniño prodigiopor su precoz habilidad y al quedar huérfano se formó en los talleres de varios artistas de prestigio. A los 25 años obtuvo su primer encargo oficial, la decoración de las Estancias Vaticanas, donde pintó algunos frescos comoLa escuela de Atenas, considerada una de sus obras cumbre.Junto conMiguel ÁngelyLeonardo da Vinciforma el trío de los grandes maestros del período. Este grabado fue realizado porPierre-Charles Coqueret (1761-1832), grabador especialista en aguatinta, y por el artista Vanderwal que reprodujo la obra de Raffaello. ["Têtes de deux Apôtres / d'arpès le Tableau de la Tranfiguration, par Raphael d'Urbin, qui se Trouve dans la Galerie du Muséum."] ; ["Dessinéau Muséum de Paris, par Vanderwal."] ; ["Gravé par Coqueret."] ; ["Dediées au Citoyen (?) Mninistre de l'Intérieur."] ; ["Déposé à la Biliothèque Nationale, An 10."] ; ["A Paris, Chez l'Auteur [.] de Sorbonne."] ; ["Imprimé par Aumont, Rue du Cinetiere St. André des Arcs, Nº 13."] . Sin márgenes y restaurado. / No marginsand small tears, stains and old restorations. Formato (cm): 45x57.…

Copper engraving, on two joined sheets, by Ottaviani after drawings by Savorelli and Camporesi, printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Moses coming down from Mount Sinai, holding the tablets bearing the ten words of the Covenant, his face "horned from the conversation of the Lord". Aaron and the children of Israel seeing the face of Moses "horned" are afraid to come near. A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli, a Roman painter and draughtsman best known for his Raphael drawings, and Pietro Camporesi, a Roman architect, who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes, these beautiful plates were probably planned as early as 1760, but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work, but also for the quality of the hand-colouring - the work on this image is, in our opinion, some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring, but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II, Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace, he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults, doors and auxiliary pillars, which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament, while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage, fruit, and chimerical beasts. Cf. Brunet IV, 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" (1985) Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" (Coburg 1984) 104 & no. 245.…