raimbach abraham (21 risultati)

Condizione: New. In.

Condizione: New. The posthumously published memoirs of one of the nineteenth century's most celebrated engravers, including his observations on Paris and Belgium. Editor(s): Raimbach, Michael Thomson Scott. Series: Cambridge Library Collection - History of Printing, Publishing and Libraries. Num Pages: 216 pages, 1 b/w illus. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 13. Weight in Grams: 280. . 2011. Paperback. . . . .

Condizione: New. pp. 216.

Condizione: New. The posthumously published memoirs of one of the nineteenth century's most celebrated engravers, including his observations on Paris and Belgium. Editor(s): Raimbach, Michael Thomson Scott. Series: Cambridge Library Collection - History of Printing, Publishing and Libraries. Num Pages: 216 pages, 1 b/w illus. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 13. Weight in Grams: 280. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: Very Good. No Jacket. Robert Smirke, Abraham Raimbach (illustratore). Quarto. Pp. [iv]197. With four full-page and one half-page engravings, by Abraham Raimbach after Robert Smirke. In a handsome full-red morocco binding by Bayntun of Bath, spine gilt in six compartments, gilt classical rolls to boards, inner dentelles. Marbled endpapers. A.e.g. Lightly foxed throughout, with a dark spot to p. 167. Rebacked with original spine laid on. Rear hinge worn and tender.

Hardcover. Condizione: Very Good. R. Smirke; A. Raimbach (illustratore). Large-paper copy. 4 plates engraved by A. Raimbach after Smirke, vignette headpieces [with] 4 plates, each in two states on India paper. Large 4to. Bound as one volume, contemporary red half morocco, gilt lettered and decorated to compartments, a little rubbed and marked to extremities, t.e.g., some foxing, heavier to some leaves than others, and mild offset, one or two slightly ragged edges or small creases, but in all a very pleasing example of this nice typographical, large-paper edition. Scarce, especially together with the extra suites of illustrations and their descriptions issued in the same year. The 'Advertisment' is attributed to Sir Walter Scott. The Letter Press by James Ballantyne of Edinburgh. iii, 197; [3 plus plates]pp.

Leatherbound. Condizione: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 228. A perfect gift for your loved ones. Reprinted from 1843 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 228.

Condizione: New. Print on Demand pp. 228.

Condizione: Buono (Good). Da soggetto di David Wilke. acquaforte cm. 42 x 60 Buono (Good) Buon es., applicata su cartoncino, leggera brunitura sul margine basso. Book.

Condizione: Good. Large folio. New lambskin and marbled boards by the Russian-American binder Sasha Mosalov. Most of original spine preserved. 10, [2], 10, [2], [104] pages, 52 unnumbered leaves of plates : illustrations ; 50 cm. 13.5 x 20 inches.OCLC Number: 54231279Artists include Edward Forster; Anker Smith; Samuel Middiman; Luigi Schiavonetti; James Fittler; James Heath; Abraham Raimbach; George Noble; Nicolo Schiavonetti; J Taylor; William Skelton; Anthony Cardon; Edward Smith; William Sharp; James Mitan; John Burnet; Francis Engleheart; Charles Heath; William Bromley; Anthony Van Dyck; Peter Paul Rubens; Joshua Reynolds, Sir; Claude Lorrain; Richard Wilson.

London, 6 March 1828. Abraham Raimbach (1776-1843), line engraver, undertook the production of large prints of pictures by Sir David Wilkie (1785-1841), such as Distraining For Rent.

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr. Heath a print you wanted & I ventur'd to promise him in exchange one of Mr. Raimbachs'. He is enclosing a note (not present), 'by which you will perceive the terms on which Mr. Heath wishes to treat'. He is sending Balmanno Heath's print, 'but whether you can in return for some invaluables (which it is in his power to procure) give him the extent of his wishes I know not'. Mitan's only aim in the matter is 'the mutual accomodation of both', and it will be 'equally agreeable' to Mitan if Balmanno deals with Heath himself.

Paperback. Condizione: Brand New. 1st edition. 216 pages. 8.43x5.51x0.63 inches. In Stock. This item is printed on demand.

Paperback. Condizione: new. Paperback. Born in London, Abraham Raimbach (17761843) was one of the most celebrated engravers of his time. Published in 1843, these memoirs recount his career and give expanded first-hand observations on contemporary artists and public figures. Included is an extensive account of his two months in Paris in 1802, including impressions of its people and food (on frog's legs: 'I did not much like the flavour'), together with details of the numerous works of art he viewed. He muses on the possible reasons for the higher social standing afforded to artists in France than in Britain, and seems concerned, as travellers are today, about how far his money will stretch whilst in France. Also included is a short biography of Raimbach's principal collaborator, the painter Sir David Wilkie, written by Raimbach's son. This memoir will be of interest to social and art historians of the early nineteenth century. This memoir by one of the nineteenth century's most celebrated engravers, with observations of fellow artists and public figures of the time, and with an extensive description of his impressions of the Paris of 1802, will be of interest to social and art historians of the early nineteenth century. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: New. Print on Demand pp. 216 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1819. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 238, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 238 238.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1808. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 371, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 371 371.

Paperback. Condizione: new. Paperback. Born in London, Abraham Raimbach (17761843) was one of the most celebrated engravers of his time. Published in 1843, these memoirs recount his career and give expanded first-hand observations on contemporary artists and public figures. Included is an extensive account of his two months in Paris in 1802, including impressions of its people and food (on frog's legs: 'I did not much like the flavour'), together with details of the numerous works of art he viewed. He muses on the possible reasons for the higher social standing afforded to artists in France than in Britain, and seems concerned, as travellers are today, about how far his money will stretch whilst in France. Also included is a short biography of Raimbach's principal collaborator, the painter Sir David Wilkie, written by Raimbach's son. This memoir will be of interest to social and art historians of the early nineteenth century. This memoir by one of the nineteenth century's most celebrated engravers, with observations of fellow artists and public figures of the time, and with an extensive description of his impressions of the Paris of 1802, will be of interest to social and art historians of the early nineteenth century. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condizione: new. Paperback. Born in London, Abraham Raimbach (17761843) was one of the most celebrated engravers of his time. Published in 1843, these memoirs recount his career and give expanded first-hand observations on contemporary artists and public figures. Included is an extensive account of his two months in Paris in 1802, including impressions of its people and food (on frog's legs: 'I did not much like the flavour'), together with details of the numerous works of art he viewed. He muses on the possible reasons for the higher social standing afforded to artists in France than in Britain, and seems concerned, as travellers are today, about how far his money will stretch whilst in France. Also included is a short biography of Raimbach's principal collaborator, the painter Sir David Wilkie, written by Raimbach's son. This memoir will be of interest to social and art historians of the early nineteenth century. This memoir by one of the nineteenth century's most celebrated engravers, with observations of fellow artists and public figures of the time, and with an extensive description of his impressions of the Paris of 1802, will be of interest to social and art historians of the early nineteenth century. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This memoir by one of the nineteenth century s most celebrated engravers, with observations of fellow artists and public figures of the time, and with an extensive description of his impressions of the Paris of 1802, will be of interest to social and art hi.