ranald macdougall (25 risultati)

Condizione: New.

No Binding. Condizione: Good. A VG or better original release 11 x 14 lobby card. Poster.

Condizione: As New. Unread book in perfect condition.

No Binding. Condizione: Good. A VG or better complete lot of seven original release 11 x 14 lobby cards. Poster.

HARDCOVER. Condizione: Used; Very Good. Frist Edition. University of North Texas Press. Used; Very Good. University of Wisconsin Press 1980 Hardcover First Edition, first printing. Pages are clean and unmarked. Jacket has light wear and is now in a mylar protective cover. Book Condition: Very Good Jacket Condition: Very Good . 1980. Frist Edition. HARDCOVER.

No Binding. Condizione: Good. A VG or better complete set of eight original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: Good. A VG or better complete set of eight original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: Good. A VG or better complete set of eight original release 11 x 14 lobby cards. Poster.

Paperback. Condizione: Brand New. 1st edition. 264 pages. 8.75x6.00x0.75 inches. In Stock.

No Binding. Condizione: VG. A VG or better original release 14" x 36" folded insert. Size: 14" x 36". Poster.

Condizione: As New. Unread book in perfect condition.

No Binding. Condizione: Good. A VG or better complete lot of seven original release 11 x 14 lobby cards. Poster.

Condizione: New.

Collection of 3 vintage black-and-white still photographs (two studio stills, one reference still) from the 1963 film. This film featured Elizabeth Taylor and Richard Burton in their first pairing, beginning their tumultuous love-hate relationship. Based on the histories written by Plutarch, Suetonius, and Appian, and also based on the Carlo Maria Franzero book, and set in 48 B.C. in Egypt. Winner of several Academy Awards (Best Cinematography, Art Direction, Costume Design, Effects). Set in Egypt, shot on location in Spain, Italy, England, and the USA. 8 x 10 inches. Very Good plus, corner creases to all, studio stills toned, short closed tears, and a few tiny chips. The reference still has two larger tears at the right edge.

Draft script for the 1970 film. A sweet but simple blacksmith in a Western boomtown saves his earnings and sends them back East in what turns out to be a scam for a mail-order bride. The scam is revealed when the whole town turns out for the beauty's arrival by train, which never comes. Eventually the giant, downcast, decides to leave town and the townspeople convince the new saloon girl Sadie to play the part of the mail-order bride in order to retain the services of the blacksmith. This was to be the final film of Dan Blocker, who died prematurely from complications from gall bladder surgery. Set in American West. White titled wrappers, noted as production No. 26551, dated 2-7-69, with credit for director-writer-producer MacDougall. Title page integral with the front wrapper, as issued. 100 leaves, mimeograph duplication. Pages Fine, wrapper Fine, bound with two gold brads. Pitts 771.

Collection of six full-color vintage lobby cards from the 1960 film. From one perspective, a fairly one-dimensional representation-perhaps even a caricature-of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On the Road," was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15,000 by MGM for the rights to the book, and bought his first home with the proceeds, on Long Island. A film that rarely screened today, and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted, it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco, California. 17 x 13 inches. Very Good, with pin holes and a manuscript ink notation to the recto of one lobby card.

Script Format, reprint. Condizione: As New. 180 PGS / 1945 FINAL REVISED DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS.

Three vintage French lobby cards from the 1959 film. Based on the 1901 novel "The Purple Cloud" by M. P. Shiel and the 1951 short story "End of the World" by Ferdinand Reyher. Harry Belafonte is a mine inspector who becomes trapped in an underground collapse. Upon digging his way out he finds the world deserted, and sets out to find other survivors. Set in Pennsylvania and New York, shot on location in New York, New Jersey and California. 11.75 x 9.25 inches. Very Good plus, faint edgewear, two with pinholes in margins, one with single pinhole with light rust staining, top center of image.

Vintage reference photograph from the 1963 film, showing Elizabeth Taylor as the titular pharaoh, taking a bath. Newspaper clipping with date stamp, annotations in manuscript pencil, and provenance label on the verso. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious, bank-breaking venture, the most expensive production ever made at the time, and the first film to pair Taylor with Richard Burton, beginning their tumultuous love-hate relationship. Set in Egypt and Rome, and shot on location in Spain and Italy. 10 x 8 inches. Near Fine.

Vintage Italian Locandina poster for the 1960 US film. From one perspective, a fairly one-dimensional representation-perhaps even a caricature-of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On the Road," was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15,000 by MGM for the rights to the book, and bought his first home with the proceeds, on Long Island. A film that rarely screened today, and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted, it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco, California. 13 x 27 inches, folded. Near Fine with light wrinkling.

Original shooting script for the film Jigsaw written by Ranald MacDougall, co-starring Bradford Dillman, alongside Harry Guardino, Hope Lange, Pat Hingle, Diana Hyland, Victor Jory, Susan Saint James, Michael J. Pollard, and James Doohan. This was DillmanÕs working script with his extensive notations throughout and a page of his handwritten notes. With DillmanÕs estate stamp which reads, ÒFrom the Library of Bradford DillmanÓ. Bradbound, 125 pages, dated February 1, 1967, with a U.S. release date of June 5, 1968. With a page of revisions and a 9 page appendix by Ranald MacDougall dated March 9, 1967 on the cover, staplebound. Near fine copy with a hint of handling. The film tells the story of a man who inadvertently ingests some sugar laced with LSD who wakes up with amnesia and finds himself involved in a murder plot. Bradford Dillman (1930-2018) was one of HollywoodÕs best regarded actors among his peers and the public. He was trained at the Actors Studio under Lee Strasberg and knew James Dean in early television. Dillman rose to sudden fame with his appearance in Richard FleisherÕs film Compulsion (1959) with Dean Stockwell and Orson Welles, and continued in movies throughout his career in such films as The Way We Were, The Iceman Cometh, The Enforcer, Sudden Impact, Crack in the Mirror, Escape From the Planet of the Apes, Francis of Assisi, Piranha, The Swarm, etc. A great success in television, Dillman appeared in a remarkable number of shows and made for TV movies in a variety of genres, including, Mission Impossible, The Man from U.N.C.L.E., Columbo, Wagon Train, Ironside, Dynasty, The Wild Wild West, Thriller, Wonder Woman, Cannon, Barnaby Jones, and many others.

Vintage press kit for the 1959 film, here called an "editor's portfolio." Full-color illustrated pocketed folder, containing 16 black and white photographs, and 5 gatherings of promotional reading material. Based on M.P. Shiel's 1901 novel "The Purple Cloud." A miner trapped in a cave for several days resurfaces, only to realize humankind has been virtually wiped out in a nuclear holocaust. He travels to New York, where he bands together with a young woman survivor, but their fragile existence is soon disrupted by the arrival of another survivor. Shot on location in New York and New Jersey. Folder, photographs, and promotional material Near Fine.

Vintage reference photograph of director Michael Curtiz wielding a megaphone on location for an suburban exterior shot for the 1945 film. With a printed mimeo snipe on the verso providing detail regarding same. Based on James M. Cain's 1941 novel, which follows a newly divorced woman as she begins a career as a baker to provide for her family, to the shame of her spoiled, ungrateful firstborn daughter. A career-reviving role for Joan Crawford, who won an Academy Award for her performance, following her 1943 departure from Metro-Goldwyn-Mayer. Shot on location in Glendale, Los Angeles, and Malibu, California. 7.25 x 9.25 inches. Very Good, with light dryness and cracking to the finish, and light wear to the bottom corners. National Film Registry. Criterion Collection 860. Selby US Canon. Grant US. Spicer US. Silver and Ward Classic Noir.

Vintage reference photograph from the 1963 film, showing director Joseph L. Mankiewicz sitting on the set, surrounded by crew members. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious, bank-breaking venture, the most expensive production ever made at the time, and the first film to pair Elizabeth Taylor with Richard Burton, beginning their tumultuous love-hate relationship. Set in Egypt and Rome, and shot on location in Spain and Italy. 10 x 8 inches. Very Good plus, lightly creased at the corners.

Vintage reference photograph of actress Constance Bennett getting her makeup touched up on the set of the 1947 film. Printed mimeo snipe affixed to the verso, along with the stamp of Warner Brothers photographer Pat Clark. Based on the 1946 novel by Charlotte Armstrong. A wealthy true crime radio host investigates the murder of his secretary and the disappearance of his young niece. Set in New York. 8 x 10 inches. Near Fine. Grant US. Selby US. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.