ray enright (34 risultati)

Condizione: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condizione: Good. No Jacket. Solid binding. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Soft Cover. Condizione: Very Good -. First Edition Thus. Originally written in 1931, this book unique documents the bloodiest era in Chicago's history. 94 pages. Fascinating B&W photos throughout. Bump and lower corner tip withsmall crease; small abrasion at upper front corner. Overall, very nice copy.

No Binding. Condizione: Very Good. 1st Edition. 314-8. A VG or better original release 8 x 10 still. Scarce. Photographic Image.

No Binding. Condizione: Very Good. 1st Edition. 341-1. A VG or better original release 8 x 10 still. Scarce. Photographic Image.

No Binding. Condizione: VGF. SL-10. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condizione: VGF. 206-14. A VG or better original 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condizione: VG. PP-10. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condizione: VG. A VG lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VG. A VG lobby card. Size: 11" X 14". Poster.

No Binding. Condizione: VGF. A VGF or better lot of twelve original release 8 x 10 stills. 1940's re-release. Size: 8" x 10". Poster.

Vintage studio still photograph from the 1962 re-release of the 1946 film. With one provenance stamp on the verso. Two screentwriters go their separate ways when one of them starts working for his soon-to-be-father-in-law. Set in Chicago. 10 x 8 inches. Near Fine.

Vintage pressbook for the 1948 film. Sequel to "Badman's Territory" (1946). While fighting outlaws, an Oklahoma town marshal falls into forbidden love with a beautiful desperado. Eight pages. 11 x 17 inches. Very Good plus overall. Pitts 3383.

DVD. Condizione: Very Good. Region: 4 - Australia & South America, Rating: NRJohn Wayne and Marlene Dietrich Star in this all-star adventure classic about gold and greed in an Alaskan boom town during the height of the gold rush in th e 1890's. Wayne (Ray Glennister) is a virtuous ship captain who's been tricked o.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First edition. Edited by Martha Foley. Slight bumps at edges of the boards, near fine in near very good price-clipped dust jacket with some overall rubbing and small chips and tears at the extremities. Quotes William Faulkner's Nobel Prize acceptance speech at length in the Foreword, and contains stories by Roger Angell, Nathan Asch, Peggy Bennett, Mary Bolté, Hortense Calisher, Leonard Casper, R.V. Cassill, John Cheever, Harris Downey, Elizabeth Enright, J. Carol Goodman, Ethel Edison Gordon, William Goyen, Shirley Jackson, Josephine W. Johnson, Ilona Karmel, Oliver La Farge, George Lanning, Ethel G. Lewis, Dorothy Livesay, Robie Macauley, Bernard Malamud, Esther Patt, J.F. Powers, Paul Rader, Jean Stafford, Ray B. West, Jr., and Tennessee Williams.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Good. Book club edition. Edited by Martha Foley. Octavo. xv, 368pp. Pages lightly age-toned, near fine in a good only price-clipped dust jacket with chipping and tears along the extremities. Bernard Malamud's first book appearance with "The Prison". Quotes William Faulkner's Nobel Prize acceptance speech at length in the Foreword, and contains stories by Roger Angell, Nathan Asch, Peggy Bennett, Mary Bolté, Hortense Calisher, Leonard Casper, R.V. Cassill, John Cheever, Harris Downey, Elizabeth Enright, J. Carol Goodman, Ethel Edison Gordon, William Goyen, Shirley Jackson, Josephine W. Johnson, Ilona Karmel, Oliver La Farge, George Lanning, Ethel G. Lewis, Dorothy Livesay, Robie Macauley, Bernard Malamud, Esther Patt, J.F. Powers, Paul Rader, Jean Stafford, Ray B. West, Jr., and Tennessee Williams.

Two vintage photographs from the 1940 film, including one vintage studio still photograph and one vintage reference photograph. One with the stamp and sticker of Culver Service Photos and Research to the verso, one with a seller stamp and sticker to the verso. The sequel to "Brother Rat" (1938), following three cadets as they graduate from Virginia Military Institute and face adult life after school. Set at the Virginia Military Institute in Lexington, Virginia, and shot there on location. One photograph 8 x 10 inches, one photograph 10 x 8 inches. Very Good plus, with light edgewear and toning.

Faltblatt, gelocht. Condizione: Gut. 4 S., 18*26,5 cm. Papierbedingt gebräunt, sonst sauber. - Regie: Ray Enright, Darsteller: Errol Flynn, Alexis Smith, S. Z. Sakall, Douglas Kennedy, James Brown, Ian MacDonald, Charles Irwin, Paul E. Burns, Lester Matthews. Sprache: Deutsch Gewicht in Gramm: 550.

Vintage reference photograph from the 1942 film, showing actor John Wayne. Printed mimeo snipe and date stamp on the verso. Based on the 1906 novel by Rex Beach. Gold prospectors in the Klondike face the loss of their lucrative mine at the hands of three corrupt politicians. The fourth of five adaptations of Beach's novel. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Set in Nome, Alaska. 8 x 10 inches. Good, moderately creased and wavy. Pitts 4070.

Seven vintage studio still photographs from the 1940 film, including six studio still photographs and one reference photograph. Two with annotations in manuscript ink on the verso, and reference photograph with the stamps of photographer M. Marigold and Dell Publishing Company on the verso. Based on George S. Kaufman's 1925 play "The Butter and Egg Man." A Texan woman living in New York sends letters back home claiming she's made it big as an actress, when in reality she's broke and unemployed. Set in New York and Texas. Six photographs 10 x 8 inches, one photograph 9.5 x 8 inches. Two photographs Very Good plus, with light toning, creasing, and edgewear, five photographs Very Good, with some edgewear, pinholes, and light soil to the verso, and one with a two inch tear to the right edge.

Collection including one vintage studio still photograph and two vintage reference photographs of Marguerite Chapman from the 1950 film. Jesee James arrives in Lawrence, Kansas where he is about to be lynched for being part of Quantrill's Raiders, though he is not. A Union officer intervenes on his behalf and he is saved, only to join up with Quantrill's Raiders. He begins to question where his loyalty lies upon seeing the atrocities purported by the Raiders. Set in Kansas, shot on location in California and Utah. 8 x 10 inches. About Fine.

Vintage borderless reference photograph from the 1942 film, showing actor John Wayne. Printed mimeo snipe, date stamp, and provenance stamps and labels on the verso. Based on the 1906 novel by Rex Beach. Gold prospectors in the Klondike face the loss of their lucrative mine at the hands of three corrupt politicians. The fourth of five adaptations of Beach's novel. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Set in Nome, Alaska. 7.5 x 9.5 inches. Very Good plus. Pitts 4070.

Final script for the 1937 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A musical comedy about two songwriters seeking to cast a British star in their latest theatrical production. Best remembered for its legendary dance sequence on an oversized typewriter for the film's finale. Ruby Keeler's last film with Warner Brothers, and the final screen appearance of Ross Alexander, who committed suicide shortly before the film's completion. Bound in full red leather, with gilt titles on the spine and front board. Distribution page present, with receipt intact. Title page integral with the distribution page, dated 9/1/36, noted as FINAL. 148 leaves, with last page of text numbered 146. Mimeograph duplication, rectos only. Pages Fine, binding Near Fine.

Draft script for the 1939 film, seen on the title page under the working title "The Professor Steps Out." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). During a business trip to New York, a sober, strict-minded university professor is drunkenly persuaded to market his orchestral masterpiece as a swing number, to the chagrin of his college dean. Bound in red cloth with dark red quarter leather binding, with five raised bands and gilt titles on the spine and front board. Title page present, dated 10/25/38, with credits for director Ray Enright, screenwriters Richard Macaulay and Jerry Wald, and songwriters Harry Warren and Johnny Mercer. 134 leaves, with last page of text numbered 132. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 10/28/38 and 11/2/38. Pages Near Fine, binding Near Fine.

Final script for the 1938 film musical. Annotations in manuscript pencil on the front wrapper. The fifth and final film in Warner Brothers' series of successful and gorgeously choreographed "Gold Digger" films. Dance sequences directed by Busby Berkeley. Set in Paris, shot on location in Paris and New York. Blue titled wrappers, with Warner Brothers Stenographic Department stamp on the bottom edge of the front wrapper, noted as FINAL. Distribution page present, with receipt intact. Title page integral with the distribution page, dated 1/4/38, noted as FINAL and PART I. 141 leaves, with last page of text numbered 139. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads.

Final script for the 1934 pre-Code film musical, seen here under the working title "Hot Air," but with the final title "Twenty Million Sweethearts" embossed on the front board of the binding. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board, and his annotations in manuscript ink on the distribution page, noting the names of actors in the film. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). A pre-Code comedy following a singing waiter on his rise to fame as a radio star, aided by his wife, whose own career in radio is flagging, and a dishonest agent. Ginger Rogers' performance as the waiter's wife was widely praised, and subsequently proved to be her breakthrough role. Bound in full red leather, with gilt titles on the spine and front board. Distribution page present, dated 12/20/33, noted as FINAL and stamped copy No. 84, with receipt intact. Title page integral with the distribution page. 128 leaves, with last page of text numbered 121. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 1/15/34. Pages Near Fine, binding about Near Fine. Hirschhorn, "The Hollywood Musical.".

Final script for the 1939 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on Rodgers and Hart's 1936 Broadway musical. A former vaudeville star is forced to join a ballet company, whereupon he becomes romantically involved with the company's prima ballerina, whose jealous dance partner attempts to arrange the man's death. Set in New York. Bound in red cloth with red quarter leather binding, with five raised bands and gilt titles on the spine. Distribution page present, dated 5/5/39 and noted as FINAL, stamped copy No. 102, with receipt intact. Title page present, with credits for screenwriters Jerry Wald and Richard Macaulay and playwrights Richard Rodgers and Larry Hart. 138 leaves, with last page of text numbered 135. Mimeograph duplication, rectos only, with two blue revision pages dated 5/9/39. Pages Near Fine, binding Near Fine.

Final Draft script for the 1938 film, with manuscript pencil annotations on page 2 striking two shots. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Based on the 1920 Broadway play "The Hottentot" by Victor Mapes and William Collier, Sr. Previously made as a silent film in 1922, and in 1929 as an early talkie, both under the title "The Hottentot." A sports store salesman poses as a famous jockey to advertise a line of riding clothes, only to become entangled in his lies when two gamblers try to fix him up with a wild horse named Jeepers Creepers. Bound in maroon leather with gilt titles on the front board and spine. Distribution page integral with the title page, with receipt intact, dated 7/28/38, noted as FINAL. 134 leaves, with last page of text numbered 131. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 8/4/38. Pages Near Fine, binding Very Good plus, with light rubbing at the extremities.