raymond voinquel (29 risultati)

COUV. SOUPLE. Condizione: TRES BON. RAYMOND VOINQUEL (illustratore). 279 PAGES - COUV. A RABAT PROTEGEE PAR FILM EN PLASTIQUE TRACES LEGERES D'USAGE - INT. TRES PROPRE - NOMB REUSES ILLUSTRATIONS EN NOIR ET BLANC ET EN HORS TEXTE - EX. BIBLIO - 15,5X24 570g.

Couverture souple. Condizione: Bon. VOINQUEL, Raymond (illustratore). Edition originale. Partition de "Il pleurait", valse gaie créée par Maurice Chevalier pour le film "Pièges", de Robert Siodmak. Paroles de Maurice Vandair, musique de Révil. Paroles complètes et partition. Couverture illustrée d'une photographie de Maurice Chevalier par Raymond Voinquel, au dos, catalogue de l'éditeur. Tampon du détaillant de l'époque : Desforges, au Havre. Léger manque au coin supérieur droit. Partition de musique.

Kodak, Leica & Studio magazine, 1988. Français.

Soft cover. Soft cover. Catalogue of an exhibition of Voinquel's photographs, with numerous reproductions: Cocteau, Piaf, Audrey Hepburn, Gerard Philipe, Arletty, Orson Welles and others.

Soft cover. Condizione: Very Good. Raymond Voinquel (illustratore). Photobook released for the film of the same name in 1962. Booklet inside cover comes away as intended.

hardcover. Condizione: fine. Condizione sovraccoperta: near fine. Numerous dramatic black & white photographic illustrations. 4to. black cloth, d.w. (Paris): Editions du Patrimoine, (1997). First Edition. Fine in near fine dust wrapper.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Voinquel, Raymond (illustratore). 1st Edition. French text. Pages unmarked. Dust jacket glossy. Binding dquare & firm. Size: Oversized. Book.

Couverture rigide. Condizione: Très bon. 1 Vol. ; 255 x 315 mm ; 160 p. ; Reliure pleine toile avec jaquette illustrée en noir protégée par plastique amovible ; nombreuses photographies en noir de célébrités et d'anonymes ; état quasi neuf ; 18F4.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. A nice copy of this interesting book. 32x26cm.

Condizione: Très bon. N°1232-9 CM X 14 CM-NON ECRITE-(BCP11).

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Near Fine. This is a fine hardcover copy with a near fine dust jacket. Completely clean. Text in FRENCH by Daniel Laufer. Illustrated in black & white with 160 of Raymond Voinquel's photographs of the French theater and cinema world. 12" high X 10" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Condizione: Bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Bon. In4 relié sous jaquette en bon état, 160 pages, 1988 (légères traces diffuses sur la jaquette). Envoi soigné.

Condizione: Very good.

8°, 12 lose Taf. in Brosch., Einband etw. fleckig, allg. etw. gebräunt. Stürmische Jugend oder auch Teufel im Leib (Originaltitel: Le Diable au corps) ist ein französisches Liebesdrama unter Regie von Claude Autant-Lara aus dem Jahr 1947. Es basiert auf dem Roman Den Teufel im Leib des französischen Schriftstellers Raymond Radiguet. Wie bereits seine Vorlage löste der Film wegen seines riskanten Inhaltes einen Skandal aus, dennoch erhielt das Werk auch international viele positive Kritiken. 600 gr. Schlagworte: Photographie, Film.

Seven original black-and-white still photographs from the 1957 French-Italian film. Five photos feature actors Carlo Delle Piane and Hossein in a rousing bathtub scene, one a juxtaposed bar scene, and one photo features Arnoul and foreboding mystery man in black with his hand on the door. All with French film titles in manuscript ink, and series number, on the versos, and photographer credit printed on the rectos. Housed in a vintage glassine sleeve. Vadim's second film as director, entered into the 7th Berlin International Film Festival. Sophie (Arnoul) is an amoral French girl, betrothed to rich and seedy Eric (Hasse), an ex-nazi turned forger. Sophie also attracts the attention of Eric's secretary, Sforzi (Hossein), while falling in love with yet another man, Michel (Marquand). Photographer Voinquel's films include "Anne-Marie" (1936), "Le Jour se Leve" (1939), "The Hunchback of Notre Dame" (1956), "Belle de Jour" (1967), and "Army of Shadows" (1969). Four photos 3.5 x 4.75 inches, three slightly larger. Vertical crease to one photo, else Near Fine overall.

Original-Pappband, mit Original-Schutzumschlag, propos recueillis par Danièle Laufer, mit 160 ganzseitigen s/w-Fotografien von Voinquel, Text in Französisch, unpaginiert, 25 x 31,5 cm, erste Ausgabe, schönes Exemplar.

Collection of 343 vintage black-and-white photographs from the set of the 1964 film, "That Man from Rio," here under the original French title, "L'homme de Rio." Most are rubber-stamped on the versos indicating film studio, Les Films Ariane, still photographer Trigo, Brazilian magazine "O Cruzeiro " and French film title, several with annotations in manuscript ink, also on the verso, several with Trigo's name in manuscript ink. Over 100 smaller photos bear white borders and credit for photographer Voinquel. Also included is an issue of French magazine "Telérama" (Sunday, August 18, 1963, No. 709), featuring cover and editorial on Belmondo and the film, an original Somarco accordion folder (dated 1963), and original mailing envelope addressed to Maryse Martres, Ariane Films (Champs-Élysées), from Télé-photo (Paris). Martres (Martin) was a prolific French actress who was later involved in press relations at Cinedis, a notable film agency in operation since the Silent Film era. Airman Adrien Dufourquet (Belmondo) is in Paris on shore leave, eager to see his Agnes (Dorléac). When he finally sees her, only briefly before she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof, in the wake of Belmondo's swashbuckling success, "Cartouche" (1962, opposite Claudia Cardinale), with puzzle solving, murder in Brasilia, art thieves, and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Writing, Story and Screenplay: Written Directly for the Screen (1965), and winner of a New York Film Critics Circle Award for Best Foreign Language Film (1964). Members of the cast and crew are featured throughout the collection, including director de Brocca (who earlier worked under directors Claude Chabrol and François Truffaut), Belmondo, cameramen, and an extensive look at the scenery of Brazil and Paris. Boats racing, Belmondo dangling from a speeding car, and languid down times as cast and crew break for naps in the shade, photographer Trigo's often provocative angles capture the director in dimly lit, noirish scenarios, and a glimpse of the action-packed thrill-ride of shooting a Bond spoof with elements of MacGuyver. Coincidentally, photographer Voinquel's direct approach shows stills from a more casual standpoint, not without generous documentation of the crew behind the camera. Photographs 7 x 9.25 inches, and 3.5 x 5 inches, some varying slightly overall. Mailing envelope and folder each 10 x 12.5 inches. Photos Very Good Plus overall, moderate curling, several with bruises or insect wear at the edges, several with moderate dampstains. Envelope and folder Good, with short tears and similar dampstains. Magazine Very Good, wavy, brief toning.

Condizione: Good. B&W Photo. 7" x 5" Very Good.

Condizione: Good. Postcard. 8.5 x 14 cm. Very Good. Color Photo. PROVENANCE: Collection of postcards, mostly autographed and dedicated to the collector, French actor Henri Rellys. Maison R&C.

Vintage borderless reference photograph of Philippe de Broca on the set of the 1964 film. Dufourquet (Jean-Paul Belmondo) is in Paris on shore leave, eager to see his Agnes (Francoise Dorléac). When he finally briefly sees her, she's kidnapped and held for ransom by a treasure-hungry family friend. A James Bond spoof, in the wake of Belmondo's swashbuckling success, "Cartouche" (1962, opposite Claudia Cardinale), with puzzle solving, murder in Brasilia, art thieves, and a pursuit to find sacred Amazon treasure. Nominated for an Academy Award for Best Screenplay. Shot on location in Rio de Janeiro, Brazil and Paris 8 x 10 inches. Near Fine.

Vintage borderless black-and-white still photograph from the French release of the 1961 film. Featuring Ingrid Bergman holding up Anthony Perkins as he seems to be falling backwards outside of a large doorway. From the Tele Cine Documentation archive, originally known as the Collection Daniel Bouteiller, with their sticker to the verso. Also on the verso is the rubber stamp of Maurice Bessy, from whose archives the photo originally came, alongside another small rubber stamp and light manuscript annotations in ink. Based on the 1959 novel "Aimez-vous Brahms?" by Francoise Sagan. Ingrid Bergman is the mistress of a philandering business executive who refuses to change his ways, until Bergman begins seeing the son of one of his wealthy clients, played by Anthony Perkins. Fresh from his role as Norman Bates in Hitchcock's "Psycho," Perkins shines as a charming, aimless bachelor in what would be one of the few non-typecast characters of his career. Nominated for the Palme d'Or at Cannes, where Anthony Perkins also won Best Actor. 6.75 x 9 inches.

Vintage borderless double weight reference photograph of Jean Gabin and Jacqueline Laurent from the 1939 film. "C. Comercial Radiolux Amanece" stamp and annotations in manuscriptic red and blue pencil on verso. Francois (Gabin), pursued by the police, has barricaded himself in a room at the top of a building after shooting and killing the Machiavellian Valentin (Jules Berry) over their mutual love interest Francoise (Laurent). Remade in 1947 as "The Long Night," directed by Anatole Litvak, and starring Henry Fonda and Barbara Bel Geddes. 7.75 x 9.75 inches. Very Good plus, with some light creasing. Grant France.

Vintage borderless reference photograph of Macel Carne and Jacques Brel on the set of the 1971 film by photographer Raymond Voinquel. Based on the 1956 French novel "Les Assasins de l'Ordre" by Jean Laborde. A judge in a small provincial town investigates the death of a man who died after an interrogation while in police custody. 9.5 x 7 inches. Small single faint crease in bottom left corner, else Near Fine.

Vintage black-and-white borderless still photograph of Catherine Deneuve and director Luis Buñuel on the set of the 1967 film. With the French producer's stamp on the verso ("Robert et Raymond Hakim"), and a printed list of credits in French. Buñuel's first color film, about a young housewife who begins working in a brothel while her husband is at work, with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. 5 x 7 inches. Near Fine. Criterion Collection. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Vogel, Film as a Subversive Art.

Eight vintage studio still photographs from the US release of the 1967 French film. Buñuel's first color film, about a bored and directionless young housewife who begins working in a brothel while her husband is at work, with tragic consequences for him and a jealous client involved in organized crime. Winner of the Golden Lion at the 1967 Venice Film Festival. Set in and shot on location in Paris. 8 x 10 inches. Near Fine. Godard, Histoire(s) du cinema. Vogel, Film as a Subversive Art. Rosenbaum 1000. Ebert I. Criterion Collection 593.

Five vintage borderless reference photographs, shot on location during the making of the 1947 French film noir. Included are: Michelene Presle revealing a French "Devil in the Flesh" street sign, a charming photograph of Gerard Philipe and Presle, Presle and Philipe posing with the cast, and two of the cast and crew celebrating with champagne. All with French annotations in manuscript ink, a blue French legal stamp, a red stamp requesting the return to the French Embassy in Brussels (in French), and each with it's own corresponding stamped number ("3442," "3443," "3444," "3445," and "3447"), all on verso. Four with an additional red stamp also requesting return to French Embassy in Brussels (also in French), also on verso. Photographs presumably were released for the film's premiere at the Festival Mondial du Film et des Beaux-Arts in Brussels on June 15, 1947. Based on the 1923 novel "Le Diable au corps" by Raymond Radiguet. Marthe, her husband Jacques on the front lines of World War I, begins a tempestuous affair with the sensitive 17-year old student Francois. Shot on location in Paris, Hauts-de-Seine, Bords de la Marne, and Val-de-Marne, France. Four: 7.25 x 9.5 inches, One: 7.25 x 7.5 inches. Some very light creasing and edgewear, else Near Fine. Selby France. Spicer France.

Collection of 67 original single weight borderless film stills for the 1962 French-Italian film, here under the original French title, "Cartouche." Action sequences, men in military regalia, and romantically charged images of Belmondo and Cardinale, with most representing Belmondo either charming people or dueling with swords. Housed in original brown envelope, noted as "CARTOUCHE" on the flap. Numerical annotations in manuscript pencil on the versos. Also included are a few leaves of French press material, on stationery from the film's distributor, Cinedis. A riveting Peplum (sword-and-sandal) swashbuckler set in 1700s France, where a gang member named Cartouche (Belmondo) forms his own band of knaves, deciding his former gang to be too unethical. He steals from the rich to give to the poor, enlists in the army to escape capture, and meets Venus (Cardinale), a gypsy prisoner who joins his new gang. Venus' love proves fatal, and Cartouche rolls her into a lake in a stolen carriage, vowing revenge, knowing it will likely lead him to the gallows. Belmondo and Cardinale's interaction is palpable, but they would star in only two other films together, Mauro Balognini's "La viaccia" (1961), and José Giovanni's "Scoumoune" (1972). Photos 6.75 x 9 inches. Very Good plus overall, with light curling, a few short creases, and a few slightly discolored. Press material corner-stapled and paper-clipped, Very Good plus overall. Complete collation upon request.

Vintage double weight photograph from the 1939 film. Shot and struck by the film's still photographer Raymond Voinquel, with his name in tiny print at the bottom left corner of the image, and the film title at the bottom right. A striking image, shot from the top of a tall tenement stairwell looking straight down, as all the tenants looking up. A significant image as well, as it is pulled from a location that is at the heart of the story, where Jean Gabin-pursued by the police-has barricaded himself in a room at the top of the building after shooting and killing a fellow foundry working in an argument. 8.5 x 11. 25 inches. In a museum quality frame. Four small discolorations at the corners of the verso from an old non-archival mounting, else about Fine.