redoute p j (183 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good Minus. Redoute (illustratore). First Edition Thus. remainder mark. sticker shadow front free fly. an inexpensive way of enjoying redoute's roses. color illustrations nice.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. P. J. Redoute (illustratore). DJ has light wear and chips at corners.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Illustrated by P. J. Redoute (illustratore). Translated from the French by Kate Ottevanger. 65 color plates. First edition thus. Fine in a very near fine, price clipped dust jacket.

Condizione: Befriedigend. Buch HC 214 48 Seiten.

Condizione: VG/VG (see notes). hardcover. folio. 340pp. NO INTERNATIONAL OR PRIORITY. Slight cant to spine. Top edge gutter. bit of wet, has caused minor rippling. Still decent.

Paperback. Condizione: Very Good. Padre Publishers, 1994. Paper covers. Oversized (folio), with two fold-out pages with 8 postcards per page and 4 postcards on the back cover. In very good condition. Illustrated paper covers have light bumping to edges and light overall scuffing to postcards on the back cover. Light fading to front cover as well. Binding tight (staple bound). Interior postcards are clean and unmarked. NOT Ex-library. NO remainder marks. Lovely artwork. [Excerpts from inside of front cover] Considered to be one of the greatest botanical artists to ever live, P.J. Redoute has often been compared to the great American illustrator of birds and mammals, John James Audubon. He was born in 1759 in the Belgian Ardennes and came from a long line of journeyman painters. At a very young age he set out to become a painter himself. Although not much is known about this time period in his life, many have speculated that he spent his time working just as his father and older brother had by painting houses and commissioned portraits. While spending time in France with his older brother painting stage scenery for the theater, he visited the Jardin du Roi, where he studied and sketched still life. He gradually found his calling of the great Netherlands tradition of flower painting. During his first undertaking of flower painting, Redoute attracted the attention of Charles Louis L?Hertier de Brutelie, a wealthy botanist who was producing a series of books on current plant cultivation. Redoute happened to fall into the right place at the right time because L?Hertier took him under his wing and began instructing Redoute on the science of plants and flowers. Soon Redoute was able to make detailed drawings that where pleasing and scientifically correct. In the following years Redoute prospered?With the upcoming French Revolution, the old regime of painters would soon be swept away. But Redoute survived and prospered? Redoute became an artist on the staff of the new Museum d?Histoire Naturelie? In 1798 Redoute turned his attention to producing his first book produced entirely of his own work. Plantarum Succulentarum Historia, contained renderings of succulent plants with text provided by a young Swiss botanist. It became the first and only book Redoute would create with his own work. Later that same year Redoute entered the service of Josephine Bonaparte. During his 16 years with Josephine he completed three more installments and accomplished what many feel to be his greatest work ever. And because of the high level of artistic ability and scientific accuracy he would never reach such perfection again. During the next few years Redoute continued producing magnificent work, including Les Lilacees, which contained more than 400 prints of the lilac family and similar families. June 20, 1840 Redoute was stricken ill and died in his home while working on his final painting, a lily given to him by his daughter.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Redoute, P. (illustratore). A dust dulled top edge and a hint of spine fade, otherwise crisp, clean and bright inside and out. A translation of letters from Rousseau to his friend Redoute. Reproduced from the 1805 edition illustrated by Redoute after Rousseau's death.

Hardcover, in dust jacket. Condizione sovraccoperta: dj. Color illustrations by P. J. Redouté. (illustratore). Book club edition. Tide mark lower corner all pp., still very good plus, in very good dust jacket with tide mark lower corners, slight wear upper corners, in mylar cover.

Condizione: New.

Condizione: New.

Hard Cover. Condizione: VG. Condizione sovraccoperta: VG. Approx. 118 unnumbered pgs., 8 1/2" x 11", White hardcover that has light tone spots, front corner has small corner dent, red & blue design endpapers, contents clean & tight, approx. 50 colorful full pg. rose plates by Redoute with description on opposite page.

Soft cover. Condizione: Very Good. Redoute, P J (illustratore). VG, no markings, Large format. Guaranteed condition.

Hard Cover. Condizione: Very Good. No Jacket. Unpaginated. Size: Folio - over 12" - 15" tall.

Hardback. Condizione: Good. P.J.Redoute (illustratore). The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardback. Condizione: Very Good. P.J.Redoute (illustratore). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: G-. First Edition. Folio. NOT A BOOK. A single sheet illustration of a pink rose. 2" & half inch closed tears to outside edges, a little soiling. Book.

Condizione: Gut. 46 S. Gebunden. Rücken und Teile des Einbandes gebräunt; Seitenränder leicht gedunkelt, sonst gut. Mit einer Einführung von Werner Baier. [K 020].

Hardcover. Condizione: Good. P.J.Redoute (illustratore). 1st GB edition. Boards are clean. Content is clean and bright. Good DJ is clean with light fading.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Large hardback in very good minus condition with very good + condition dust jacket. 1st blank page clipped.

Couverture rigide. Condizione: Comme neuf.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1978 Edition. This is a fine, hardcover 1978 Miller Graphics edition in a fine mylar protected DJ, white spine.

Hardcover. Condizione: Very Good. No Jacket. Laminated boards. A lovely clean copy.

HC. Condizione: Gut. Opb.,46s., in gutem Zustand, [LSC35,4b] Deu 400g.

Illustrierter Pappband. Condizione: Guter Allgemeinzustand. Aus Redoutés Rosarium - 46 Seiten - farbige Rosenabbildungen - Etikett auf der Buchinnenseite Size: 17 x 21,4 Cm. Hardcover.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

8°. 13 S. und 12 Farbtafeln. OLn. Su. Su. mit Altersspuren, Widmung auf Vorsatz, sonst sehr gut. Sprache: Deutsch.

P.J.Redoute (illustratore). First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper, now mylar-sleeved. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 154 p. : ill. (chiefly col.), ports ; 26cm. Notes: Translation of: 'La botanique'. Translated from the French by Kate Ottevanger. Subjects: Botany ; Early works to 1800. Wild flowers ; Pictorial works. 3 Kg.

Decorative Cloth Hardcover. Condizione: Fine /As New. The Author (illustratore). 'Der Silberne Quell Band: 3'. Decorative cloth boards [blue with gilt embossed rose design]. Pp 15 and 12 pages of colour plates. An excellent, sharp-edged, square, tight, clean copy which appears unread.