richard dighton (41 risultati)

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Jacket after Richard Dighton (illustratore). 1st Edition. First edition, first impression with '1' on copyright page. Some minuscule edge wear to top of jacket and spine, not price clipped (£30.00), no inscriptions, internally clean tight and square, overall a vg++ copy, looks unread. 432pp, illustrated. When the German Jewish Rothschild family founded a chain of banks in Frankfurt, London, Paris, Vienna and Naples, it made them the world's richest in the 19th century. Lionel, Anthony, Nathaniel and Mayer were the first British born members of this incredible family, this is the story of their triumph over prejudice and bigotry to become the first Jews accepted into the upper echelons of English and European society. Numbering among their friends Gladstone, Disraeli, Browning, Tennyson and Dickens, they lived in a style surpassing that of even today's richest. Written with the cooperation of the family and unique access to previously unseen archives, this biography reveals the intimate lives, lifestyles and difficulties of this most fascinating of families whose name remains a byword for wealth.

No Binding. Condizione: Good. Untitled -Society Portrait (antique etching). plate approx 9 3/4 x 6 3/4 ins overall approx 13 1/4 x 9 3/4 ins. Drawn Etch'd & Pub'd by Richard Dighton May 1822 London Pub'd by Tho's McLean 26 Haymarket, 1824. Richard Dighton, was an English artist in the Regency period, best known for his many satirical profile portraits of contemporary London celebrities and characters. "corner crease, light Matt burn line, good" FOLDER-C.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. (No Date) 230+1 pp. Original green cloth covers w/ gilt title on spine. Binding lightly soiled and rubbed. Light scattered foxing. Otherwise, contents nice.

Full Cloth. Condizione: Near Fine. Hogarth, George Cruikshank, Charles Keene, Frederick Sandys, Richard Dighton, et al. (illustratore). First Edition. 8vo. Pp. xiii, 254, 2pp. ads. Illustrated with many examples of plates and their states. TEG. Bound in green cloth decorated and lettered in gilt. Neat name on front free endpaper. A particularly bright copy with just a hint of edge-wear. Now housed in a removable, clear archival jacket.

Gebunden. Condizione: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Original souvenir theatre programme. 7½'' x 5''. 4 printed pages. 6d seal broken and Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

No Binding. Condizione: Very Good. Richard Dighton, Etched Plate, 22x25cm. Depicts a woman being hit in the head by a large wooden box carried by a man.

No Binding. Condizione: Marked. Richard Dighton. Etched Plate. Small Marks. 22x25cm. Depicts a man having snow shoveled onto him.

No Binding. Condizione: Very Good. Etched Plate, Very good condition, Richard Dighton, 21x25 cm. Depicts a man being splashed by a mud cart.

No Binding. Condizione: Very Good. Richard Dighton, Etched Plate, 22x25cm, Depicts a man being splashed with oil by a man on a ladder.

No Binding. Condizione: Very Good. Richard Dighton, Etched Plate, 22x25cm. Depicts a man being hit in the eye with another man's luggage.

No Binding. Condizione: Very Good. Dighton, Richard (1795 - 1880) (illustratore). Inscriptions in the print itself: "Drawn Etchd & Pubd by Richd Dighton 1818 June" Moses Montefiore (1784-1885) stands in profile to the left, his hands under the skirts of his open double-breasted tail-coat. He wears a top-hat with rather broad brim, high collar, shirt-frill, and narrow trousers. Sheet size 345 x 245 mm. Plate mark: 303 x 202 mm In acid free mylar envelope.

Condizione: New. Print on Demand pp. 246.

Portrait, etching, 310 x 210 mm. This item may have at some time been mounted and will bear traces on the reverse of adhesive or removal of mounts. Originally published by Dighton in 1823, this is McLean's re-issue of 1824. A pencil note identifies the sitter as Sir W. Curtis, but he is in fact William's older brother James, a brewer.

Hardcover. Condizione: Very good. First. Two volumes, octavo (published in 1821 and 1822). [2: title, verso blank], [iii]-x, [3]-656; [2: title, verso blank], [i]-ix, [1: blank], [3]-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume, plus 30 hand-colored aquatint plates in the text. Later full crimson morocco, triple-ruled in gilt; spine with raised bands, lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder, along with an additional two plates, "Tom and Bob Catching a Charley Napping" (Abbey no. 34) and "St. George's Day, Presentation at the Levee" (Abbey no. 31). A very good or better set, in a handsome signed binding by Riviere and Son. First edition (later issue) of this imitation of Pierce Egan's Life in London (1821). While sometimes attributed to Egan, the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned, the most important was Real Life in London. which was published in sixpenny numbers in 1821, with excellent illustrations by Heath, Alken, Dighton, Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style, a cleaner mind and a wider knowledge of London than Egan" (The Cambridge History of English and American Literature). "From a bibliographical point of view, one of the most complicated and bewildering books ever published, rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success, probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies, textually the same page by page, with only minor variations in the settings, and this, coupled with the fact that during the eight or nine years it was being reprinted, makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" (Abbey). "Originally published in 56 parts, on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer, there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" (Tooley). Printers: R. Bensley, Bolt Court, Fleet Street (vol. 1); A. Applegath Stamford-street (vol. 2). Second volume title and imprint: Real Life in London; or, The Further Rambles and Adventures [etc.] - Printed for Jones & Co. 3, Warwick Square. 1822. References: Abbey, Life 280 (1821-22 first edition); J. H. Slater, Illustrated Sporting Books (1899), p. 96; Tooley 198 (1821-22 first edition).

Condizione: Good. Hand-colored etching. 35 x 22 cm (sheet). Very Good, light toning in margin areas, ink notes in the lower margin, tape on verso at top sheet edges showing through to recto.

Condizione: Good. Hand-colored etching. 34 x 22 cm (sheet). Very Good, light toning in margin areas.

35x26.5 cm. (sheet size) Mounted on stiff board, corners rounded and chipped. Light soiling in margins. Contemporary hand coloring. Caricature of Benjamin Bovill, a leading underwriter at Lloyd's of London during the Regency period while Lloyd's was gaining its pre-eminent position among insurers. He was the father of Sir William Bovill, a noted English lawyer and judge. This caricature was from London/West End Characters and Men of the Day by Dighton which clearly influenced the later portraits and caricatures of Vanity Fair.

35x26.5 cm. (sheet size) Mounted on stiff board, corners rounded and chipped. Light soiling in margins. Contemporary hand coloring. Caricature of a gentleman who is identified by the National Portrait Gallery only as Mr. Hilbers. This caricature was from London/West End Characters and Men of the Day by Dighton which clearly influenced the later portraits and caricatures of Vanity Fair.

35x26.5 cm. (sheet size) Mounted on stiff board, corners rounded and chipped. Light soiling with a water stain at the top left corner. Contemporary hand coloring. Caricature of a gentleman who is identified as Mr. Boaden. There are two dates on this print, the 1820 date when first published by Dighton and an 1824 date when it was published by Thomas McLean. This caricature was from London/West End Characters and Men of the Day by Dighton which clearly influenced the later portraits and caricatures of Vanity Fair.

35x26.5 cm. (sheet size) Mounted on stiff board, corners rounded and chipped. Light soiling. Contemporary hand coloring. Caricature of John Fane, 11th Earl of Westmorland, G.C.B., G.C.H., when General Lord Burgersh, M.P., published by Thomas McLean. The Dighton imprint is dated 1822. There is no date in the McLean imprint, but other of his publications of Dighton's caricatures are dated 1824. This caricature was from London/West End Characters and Men of the Day by Dighton which clearly influenced the later portraits and caricatures of Vanity Fair.

Condizione: Good. 11" x 7.5" Very Good. Hand Colored Etching.

No Binding. Condizione: Very Good. Portrait of James Henry Monk, Hand coloured engraving, Monk was Greek Professor (Regius) at Cambridge, and a fellow of Trinity. Dighton was a prolific portrait painter/caricturist (1795 - 1880). Image measures 27.5 x 19.5cm, mounted and framed.

No Binding. Condizione: Very Good. Hand coloured engraving of a fellow of Peterhouse, image measures 28 x 20cm, mounted framed and glazed.

Richard Dighton (illustratore). '"A LONDON NUISANCE. PL. 1ST. PASSING A MUD CART."'A humorous depiction of a well-dressed man shielding his face as mud from a cart, drawn by a horse, splashes onto him. Set on a cobblestone street, the print humorously critiques the nuisances of urban living in early 19th-century London.Made by Richard Dighton after own design.Medium: Etching on wove (vellin) paper.Sheet size: 22 x 27 cm (8.66 x 10.63 inch).LONDON STREET SCENE, SATIRE, RICHARD DIGHTON, MUD CART, 19TH-CENTURY ETCHING, HUMOROUS CARICATURE, URBAN LIFE, SOCIAL COMMENTARY. | EXPO-472 (SATIRE)BACKGROUND INFORMATIONPublished by Thos. McLean, London, at 26 Haymarket, 1821.Reference: David Padfield, A View of Dightons: The Dighton Family, Their Times, Caricatures and Portraits, London 2007, p. 102.Biography engraver: Richard Dighton (1795-1880) was an English caricaturist and etcher known for his social and political satires, particularly of urban and street life in 19th-century England. Condition: good, given age. Light foxing and irregular paper edges. Remains of tape on rear from attachment. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Condizione: Good. Etching on wove paper, Platemark: 8.5 x 11 inches, Good with small marginal tears, losses, faint staining & minor creasing.

Condizione: Good. Etching on wove paper, Platemark: 8.5 x 11 inches, Good with small marginal tears, losses, faint staining & minor creasing.

Hand-colored humorous print. N.d, circa 1820. The print itself measures 26 by 21.5 cm, and matted, it is 41 by 36 cm.

Condizione: Good. 9.5 x 13.5 inches. Unbound single sheet with deckled edges. English color aquatint. Very good. Lettered with publishing and printing lines: "Pub'd by Tho. Mc Lean. Hay Market. Nov. 1824," "Mr. Perry" and "Richard Dighton, 1824.".

Condizione: Good. Folio (8.5 x 13.75 inches). Oblong, Hand-colored etching on wove paper. Very Good.