Rigby graham illustrator (18 risultati)

Soft cover. Condizione: Very Good. 72 pages. Illustrated. Roderick Cave "Cobden-Sanderson: Bookbinder" / Penelope Holt "The Rosemary Press" / Peter Antrobus "An Amateur Printer Of The French Revolution" / Rigby Graham "Wuthering Heights: and the Illustrator".

Condizione: Very Good. 6 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 22 cms. Category: The Private Library; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Condizione: Very Good. 29 pages, 8 coloured plates, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 22 cms. Category: The Private Library; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Condizione: Very Good. 18 pages, with list of books. This is an original article separated from an issue of The Book & Magazine Collector publication. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 14 x 21 cms. Category: Book & Magazine Collector; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Condizione: Fine. A handsome prospectus for the press's Pennant and His Welsh Landscapes. In addition the description of the book and the information about the participants there is a full-page copy of one of Rigby Graham's striking engravings. An order form for the book is inserted. In fine condition. Measures 9.5 x 13.75 inches. PRI/041923.…

Condizione: Very good +. Limited edition. Slender octavo [21 cm] Sewn stiff yellow card wraps, with gentle bumping to the foot of the spine. One of 100 unsigned copies.

Hardcover. Condizione: Brand New. 152 pages. 11.50x11.50x0.50 inches. In Stock. Rigby, Paul (illustratore).

Soft cover. Condizione: Fine. 1st Edition. Fine softcover, limited to 325 copies, this being unsigned. Typography by Duncan Greenwood and Jeffrey Hames; printed by Peter Bpnser; binding and gold stamping by Trevor Hickman; illustrated by Rigby Graham. Unpaginated. M04807.

First Edition. Very good copy in the original gilt-blocked, illustrated cloth. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 28 unnumbered pages : colour illustrations ; 21 cm. Subjects: Persephone (Greek deity); Demeter (Greek deity). 1 Kg.…

First Edition. Very good copy in the original gilt-blocked, illustrated cloth. Slight suggestion only of dust-dulling and rubbing to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: 28 unnumbered pages : colour illustrations ; 21 cm. Subjects: Persephone (Greek deity); Demeter (Greek deity). 1 Kg.…

Paperback. Condizione: Very Good. First Edition. Booklet, stitched, card covers. 20 x 12.5cm 10pp. Illustrations by Rigby Graham. Number 30 of 130 copies printed by Toni Savage. Small mark on rear cover, clean inside.

Paperback. Condizione: Very Good. First Edition. Booklet, stitched, card covers. 20 x 12.5cm 16pp. Illustrations by Rigby Graham. Printed and produced by Toni Savage. A nice clean copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition, Limited Edition. Oblong quarto. Pages unnumbered. Limited edition of 100 copies, this being number 81. The book was chosen to represent Great Britain at the Nice Book Fair, 1975, the National Book League Exhibition of British Books, 1975, and the Frankfurt Book Fair. The contents include 65 half-tone and line block reproductions and 23 drawings and paintings by Rigby Graham. Fine in like dust jacket. No names, inscriptions or damage. Rigby Graham (illustratore).…

Soft cover. Condizione: Good. No Jacket. Limited Edition. An Ex-Library Paperback officially withdrawn, with usual library stamps and markings. Number 78 of a limited edition of 140 copies published in 1961 by Pandora Press, Leicester. A good, clean copy. Ready for immediate despatch from UK. BS-6D*. …

dj. [Poetry] SIGNED LIMITED EDITION. Octavo (24 x 15cm), pp.[22]. Number 8 of 300 copies SIGNED by the author. Publisher's plain soft covers, with the grey dust-jacket titled in gilt to front cover. Bumped to corners, with some light handling. Near fine. Signed.

Paperback. Condizione: Very Good. First Edition. Original blue card covers in bright condition, from an edition of 250, illustrated by Rigby Graham, printed and produced by Toni Savage, uncommon Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Fine. No Jacket. 1st Edition. Size of the binding: 8 in. x 12 in., tan textured paper leaf; white laid paper leaf with watermark; half-title; frontispiece by Rigby Graham, printed in black & blue-green on light gray-green paper; title-page printed in red-brown and black on light gray-green paper; printer's leaf, numbered & signed by John Mason. [6]pp., pp. 1-19 (text of the poem), with seven wood-cut type illustrations by Rigby Graham, each is printed on a sheet of pastel-colored, textured paper, in a matching but darker colored ink: light tan, green, blue, gray, etc.; white laid paper sheet and tan textured sheet of paper flyleaves. This copy is Newly bound from sheets, according to a pencilled notation on the front paste-down. Bound with dark brown morocco leather spine and sides, with two raised bands on the spine, and the author's name and title gilt-lettered vertically along the spine, with gilt tooling, and blindstamped line along the leather sides, with lighter brown cloth over boards, white laid paper endpapers. The cloth on the cover edges & margins show very slight age-related fading, a light spot on upper back cloth cover. The binding is unsigned. [The Papermaker's statement]: We produced this book because Oliver Bayldon chanced one day to visit my small paper mill, and watched entranced the transmutation of growing things into sheets of textured paper. He came again bearing sacks of stalks, roots, and leaves, and stayed himself to turn them into paper. One day he brought these verses, his own free translation from a 17th century Latin poem Papyrus by Father Imberdis S.J. of Ambert, the papermaking district of Auvergne in France. Will Carter agreed to print it for us. Most of the white paper used for the text is from Millbourn at Tuckenhay in Devon. The small amount of thinner white was made at Wookey Hole in Somerset. Jack Green produced the grey green sheets at his Hayle Mill in Kent. The rest of the coloured paper is from my Twelve by Eight Private Mill in Leicester. Alas, no longer is paper made by hand anywhere else in England [in 1965]. Of this edition there are less than four hundred copies, of which this is Number 96 [signed]: John Mason. [-From the signed & numbered leaf].…

40/60 COPIES, printed in samson uncial, notes in post-versal, postscript in spectrum semi-bold, on magnani paper, frontispiece with tipped-in colour postcard of Graham's watercolour of 'Gylen Castle', six monochrome woodcuts featuring the poet, Fingal's cave and the grass boat for Kerrera, pp. 27, [iv], small folio, original claret cloth, upper board with title and Graham Keats' design stamped in black, backstrip gilt lettered, fine. The result of a trip taken by printer and artist 'in relative discomfort' to various islands off the west coast of Scotland, inadvertently, van Eijk discovered later, in the footsteps of John Keats, who, in a letter to his youngest brother, had expressed his particular admiration of Fingal's Cave, which, he wrote 'can only be represented by a first rate drawing.' Graham took the bait - further trips to the western isles followed, leading to this edition. With full-page prospectus, printed using the types of the edition. …