robert cassell (33 risultati)

Condizione: acceptable. This book is a well used but readable copy. Integrity of the book is still intact with no missing pages. May have notes or highlighting. Cover image on the book may vary from photo. Ships out quickly in a secure plastic mailer.

Paperback. Condizione: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Good. No Jacket. Robert Cassell (illustratore). This is a nonfiction childrens book called We Read About Taking Pictures. The book has bumped corners and some edge wear, otherwise in good condition with tight binding, nice illustrations and 24 pages. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Near Fine. No Jacket. Robert H. Cassell (illustratore). rubbing around edges of boards, otherwise unmarked.

Trade Paperback. Condizione: Used - Very Good.

paperback. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Very Good.

paperback. Condizione: Very Good. Shows minor wear, tanning.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Mass Market Paperback. Condizione: Very Good. Robert Cassell (Cove Illustration) (illustratore). Magnum Easy Eye Ediiton/Complete & Unabr. 351 pp. Solidly and tightly bound copy with moderate overall wear and use. Copy with clean text. Moderate browning, tanning, foxing or discoloration on page edges, not affecting text. An ex-institutional-library copy (Annie's Book Swap, The Great American Book Exchange, New & Used Books, Cards, Cupplates, Cape Cod Books, Orleans, MA) with all or some of the typical, common, usual and/or standard signs (stamps, stickers, envelope, etc.).

Paperback. Condizione: Very Good. Trade paperback in stiff wrappers. Appears like new with no creases or shelfwear. Clean, has a good binding, no marks or notations. CS.

library. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condizione: New.

Pictorial Cover. Condizione: Fair. No Jacket. Robert Cassell (illustratore). A collection of songs for preschoolers. Color and two color illust. Includes songs such as I Can Sing My Thanks, Let's Sing a Song About Jesus, God is Very Near and more. 96 pages. Int. good. Covers show some wear. Top part of spine and front covers slightly soiled.

No Binding. Condizione: VG. NP 31-12. A VG or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Hardcover. Condizione: Fine. No Jacket. Robert Cassell; Emma Jane Vidrine, art director (illustratore). "A collection of songs for preschoolers in church, kindergarten, day-care programs, and at home." Includes alphabetical and classified indexes. Colored illustrations with each song. A very fine book, bright and tight.

Soft cover. Condizione: Very Good. About very good. Signs of shelf and reading wear. Rubbing and light creasing at extremities. Light overall soiling. Uncreased spine. Primarily bright wraps. Internally toned but unmarked pages.

paperback. Condizione: Very Good. Ships Out Tomorrow!

Soft Cover. Square, sound copy with bright pages. Writing on title page. General light shelfwear to wrappers. Contents: Rogers, The early years: the medial world in which Walsh McDermott trained. Cassell, Ideas in conflict: the rise and fall (and rise and fall) of new views of disease. Kilbourne, The emergence of the physician-basic scientist in America. Ebert, Medical education at the peak of the era of experimental medicine. Beeson, The changing role model and the shift in power. Petersdorf, Medical schools and research: is the tail wagging the dog? Blendon, The problems of cost, access, and distribution of medical care. Cluff, America's romance with medicine and medical science. Johnson, Reaching out to the community: responses by medicine. Deuschle, Cross-cultural medicine: the Navajo Indians as case exemplar. Cassell, The changing concept of the ideal physician. Rogers, Where have we been? Where are we going?; 9.0" (23 cm) tall; 238 pages. Very Good in No Dust Jacket dust jacket.

Hardcover. Condizione: Very Good. 1st edition. navy blue cloth, 1st ed. (1989), 249 pages, NO DJ. Owners name stamped on edges & endpaper; text unmarked. Dante Alighieri.

Stapled wraps. Condizione: Near Fine. First Edition. Near Fine orange stapled wraps. 40 pages, unmarked. ; EBD OV19; 4to 11" - 13" tall; 40 pages.

Hardcover. Condizione: Good. Robert Cassell (illustratore). Hardcover, no jacket, in Good condition, retired church library copy with usual markings, some pages look nice, a good reading copy,

Hardcover. Condizione: Very Good. Not dated, but 1907 or 1908 based on library catalogues. Bound in publisher's cloth, with printed boards. Hardcover. Clean, unmarked pages.

Condizione: New. Satisfaction Guaranteed or your money back.

Very good stapled softcover45p.

Otros Colaboradores: Sin fecha de edición, anotación en la página de cortesia de 1914. Páginas tostadas. With four full-page illustration by Christopher Clark, R.I. . 336 p.

Condizione: New. Satisfaction Guaranteed or your money back.

Original cloth. Condizione: Sehr gut. 249 / 144 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - In very good condition. - Sehr gut und sauber. - Foreword: Ever since the mid-nineteenth century Dantes American presence has been an imposing one. Among the great foreign writers, perhaps only Shakespeare has affected the course of American literary life as deeply as he. And if one restricts the field to those whose work has had to rely on translation to reach its widest audience, it seems clear that Dante is second not even to Homer and Virgil among the ancients, and certainly not to Cervantes and Goethe among the moderns. Perhaps because we, like the French in this, possess no single generally acknowledged national literary figure, we have tended to look beyond our shores for literary stars of the first magnitude. Whatever the cause, the rediscovery of Dante in the nineteenth century has had profound effect on American intellectual life, both within the academy and in the larger world. Longfellow (whose translation, completed in 1867, was to be a major force in the revival of American interest in Dante), Lowell, Norton, and their friends in Cambridge helped to put the Commedia into the hands of many professors, students, men and women of letters, and common readers. The founding of the Dante Society of America in 1881 offered confirming evidence of a widening interest in the great poet. Harvard, Dantes most significant early academic home in America, continued in that role (one thinks of the presence of Santayana and Grandgent at the turn of the century); it was also in New England that Dantes influence had first exercised its power on a major American writer, Hawthorne, extending eventually to Eliot and Pound. It is not my purpose to tell again an already familiar tale.* Suffice it to say that the Commedia became a text that almost every American intellectual felt called upon to confront. Il nostro poeta the Italians rightly call Dante. He has become ours, too. The Dante beloved of Americans was, indeed, largely indistinguishable from the towering Italian figure, at least if one inspects his first academic incarnation. American scholarship reflected basic intuitions and critical procedures developed across the water, in Italy as well as in England (where among the greater names were those of Moore and Toynbee). Dantismo americano, a phrase some Italians currently use to designate a critical approach which seems to some of them new, radical, and controversial, is a recent phenomenon. It traces its origin to the work of Charles S. Singleton, which began to appear shortly after the conclusion of the Second World War. Singletons essential contribution was to present the procedures of poetic signification in the Commedia as deriving from what Dante himself called the allegory of the theologians. This development was not as utterly revolutionary as Singleton himself apparently believed. He had precursors, distant (e.g., Filippo Villani) and nearer to hand (most significantly, Erich Auerbach). But it remains true that Singletons focusing of the debate over Dantes mode of meaning became crucial in the self-definition of the next generation of American Dantisti, whether they welcomed or decried the positions taken by Singleton. And there seems to be little reason to believe that the immediate future will witness any significant movement away from a criticism grounded in concerns issuing from this vision of the poems central mode of signifying. ISBN 9780812281767 Sprache: Englisch Gewicht in Gramm: 540.

Condizione: New. Satisfaction Guaranteed or your money back.

First edition, a reproduced typescript, THRS, Works Projects Administration, Special Publications Series No. 6. 4to. (2), ii, 16 pp. [rectos only]. TLS of presentation from the Tennessee state supervisor of the Historical Records Survey, Madison Bratton, laid in. Original decorated tan wrappers, stapled. Very good.