rochowanski alfred (4 risultati)

0. 8°. 268 S., (= Jurustische Bücherei des Frisch Verlag 2. und 3. Band). Orig.-Ganzleinenband. - Mit Anhang: Österreichische, deutsche und tschechoslowakische Urheberrechtsgesetze; deutsches und tschechoslowakisches Verlagsgesetz und österr. Bestimmungen über den Verlagsvertrag; Revidierte Berner Übereinkunft; Das österreichische Schauspielergesetz. Titelei und Nachsatz stockfleckig. Sonst gutes Exemplar. de Band: 0.

Softcover. Condizione: Very good condition. Review Copy. Octavo. 359 (20)pp., X plates. Original ochre cloth with gilt lettering on covers and spine, protected by modern mylar. Lightly textured cream endpapers. Title page printed in red and black, stamped "Recensie Exemplaar" with N. V. Boekh. v.h. W. P. van Stockum & Zoon label pasted below red publisher's device. Cover design by Josef Hoffmann. Welcome addresses by Dr. Hainisch, Trade Minister and Ex-President, Alfred Roller, Director of the Vienna Arts % Craft School, and Josef Hoffmann, architect and head of Planning Department. Elaborate publication introducing Austrian arts & crafts, including the Vienna School of Arts and Crafts (Wiener Werkstätte), its extensive curriculum and faculty, including Franz Cizek and Josef Hoffmann and the products created in various departments, the Vienna Porcelain Factory Augarten and other branches like tapestry, carpets, silk, chairs and small furniture, glass and silver products, jewelry, a piano by Joseph Frank, built by Bösendorfer, clothing, fashion, ceramics, accessories, cabinets, lamps, typography, posters, and iron work. The guide is profusely illustrated with b/w photographs of products throughout. Ten color plates depict the work of Michael Powolny (ceramic), Lucia Stadelmeyer and Elsa Engel-Meinfelden (ornamental fabric), an original design for toys by Emmy Zweybrück-Prochaska, rendered lithographically with gilt decorative overlay, Joseph Binder (poster), Ernst Ludwig Franke (poster), Ernst Ludwig Franke (corporate logos, two plates, Otto Exinger (poster), Atelier Kosel (poster), and Gaertner and Klose (two designs for posters). Contains list of Institutes, Schools and Museums and epilogs by Hainisch, Hoffmann and Roller, indices by subject and names and tables of illustrations as well as addresses and bibliography. With twenty pages of advertisement at rear, some of them illustrated. Text in German, French and English. Binding with very light wear along edges and lightly rubbed. Stamped "Recensie Exemplar on front free endpaper and title page. Starting slightly at page 161. Original watercolor with slight thumbprints at corners, not affecting image.

Condizione: very good. Gebunden. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. Altdeutsche Schrift. Vorsatz mit Stempel. 268 Seiten.

First Edition. 8vo. 359, [19] pp. Uncommon title on modernism in terms of commerce. Herein is bridged late Jugendstil and a starker modernism one might associate with Bauhaus. While the Austrian-Hungarian Empire had collapsed with the conclusion of World War One, Vienna remained a cultural cauldron of real influence beyond. Only with the Anscluss would Austria's leadership in the arts falter, as many an artist was forced to emigrate or thrown into a concentration camp. This book, or guide, makes plain the fullness of creative energy still emanating from the former Habsburg domains. Josef Hoffman, of course, remains a revered figure in the arts to this day internationally. He was both an architect and designer of a wide array of decorative objects. As a founder of the Vienna Secession Movement, his ideas rippled in all the arts, and his move towards greater abstraction in design was in perfect sync with evolving styles of the times. Through a vast multitude of objects photographed covering ceramics, metalwork, toys, furniture, glassware, wallpaper and other decorative objects, this book celebrates the embrace of this modernism. A very large number of designers are represented, and so one gets a real sense of the creative ferment that was then stirring. Exciting is the diversity of visions sparked by the movement while generally adhering to the pared down vocabulary characterizing that movement. Advertisements in the back are also of interest. The cloth has light soiling. The interior shows signs of light use. Ex-library light, with the only evidence two small inked stamps on the title page.