Rodchenko alexandr (12 risultati)

Encuadernación de tapa dura. Condizione: Excelente. Primera Edición En Español. PRIMERA EDICIÓN EN ESPAÑOL. FIRST SPANISH EDITION. Edición de Olga Burenina-Petrova. Introducción de Alexandr Vysotski. Prólogo de los Pintores Anarquistas Contra la Dictadura de la Autoridad en las páginas del periódico Anarquía. Traducción de Marta Sánchez-Nieves. Colección Memorias del Subsuelo n. 71. EXCELENTE ejemplar. 260 pp + agradecimientos y colofón.…

Publisher's cloth, pictorial dustjacket. Fine. München, Prestel, 1991. 4to. 28,5 x 24 cms. 260 pp. With 452 illustrations, 82 in colour. / Text in German. "Alexander M. Rodchenko, Varvara F. Stepanova. The future is our only goal. [On the occasion of the exhibition at the Austrian Museum of Applied Arts, Vienna, May 2 to July 31, 1991, and at the A. S. Pushkin State Museum of Fine Arts, Moscow, autumn 1991.] In German, translated from Russian.…

Hardcover. Condizione: Near Fine Plus. Condizione sovraccoperta: No Jacket, as Issued. First Edition. hardcover, illustrated boards., no flaws or wear. clean. no markings. no bumps, tears, creases. strong binding.; parallel german/english text.; unpaginated. apprx. 150pp., illustrated throughout in b/w with some color. four essays, texts. catalogue. reference section. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Hardcover without dustjacket as issued, 40 pages of text in German and English followed by 51 illustrations; very good condition; light rubbing to boards; owner s bookplate on inside front cover; no internal marks. Foreign shipping may be extra.

Köln Könemann, 1995. 32 x 28 cm. Hardcover (clothbound) with dustjacket. With illustrations almost all in b/w. 344 pages. AS NEW [Photography / International [Internationale Fotografie] ].

Publisher's decorated cloth, pictorial dustjacket, very fine despite an almost invisible tear. Provenance: Jeanette Bonnier (1934-2016). Budapest 1979. 4to. 268 pp. Richly illustrated, partly in colour. In German.

Hardcover with dustjacket, 40 pages of text in French and English followed by 51 illustrations; very good condition; light rubbing to boards; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good-. No Dust Jacket. Hardcover; Hardcover. Textured maroon cloth boards show some soil and sun fade. Corners and spine ends lightly frayed. Decorative endpapers lightly sunned. White endpapers show soil and foxing. Text pages are clean, light tanning. Propaganda piece depicting Moscow, as photographed by Alexandr Rodchenko for the Soviet Pavilion at the 1939 New York's World's Fair. Full of black and white photos. 2 five panel photo fold outs tipped in at rear, light foxing at edges. Always carefully wrapped and shipped in cardboard boxes to protect your purchase.; B/w Photos.…

Hardcover. Condizione: VG. First Edition. PATTERNED CLOTHBOARDS WITH ILLUSTRATED ENDPAPERS. BLUE DUO TONE PHOTOS HIGHLIGHTING THE ACHIEVEMENTS OF THE RUSSIAN WAY OF LIFE UNDER MARXISM. TWO TIPPED-IN FOLD-OUT PLATES TO BACK PAGE. PUB. FOR THE WORLD'S FAIR AT NEW YORK.

Broschiert mit 59 (5) Seiten. Zahlreiche s/w Fotoabbildungen. Format 22 x 29 cm. Gut erhalten. I Grandi Fotografi. Serie Argento. Sprache: italienisch.

Hard Cover. Condizione: Good. State Art Publishers. Moscow and Leningrad. 1939. De 26x20 cm. Com 128 págs não numeradas. Encadernação do editor. Profusamente ilustrado com fotografias a preto e branco. Exemplar com assinatura de posse, na folha de anterrosto, datada de 1941. Álbum ilustrado de apresentação de Moscovo como capital do Estado soviético, combinando a história da cidade, a Revolução de Outubro e a transformação urbana socialista. As fotografias mostram celebrações na Praça Vermelha, dirigentes e heróis da União Soviética, bem como aspectos da indústria, cultura e vida pública moscovitas. Este fotolivro de propaganda soviética, ilustrado com fotografias a preto e branco e tons duo (como azul e sépia) foi concebido pelo famoso casal de artistas do Construtivismo russo. A obra foi publicada especialmente em inglês para ser distribuída no pavilhão da União Soviética durante a Feira Mundial de Nova Iorque de 1939 (1939 New York World's Fair). O objetivo era promover as conquistas do estilo de vida soviético, a transformação urbana socialista e a história da capital. Na mesma coleção e formato de 1939, a mesma dupla publicou outros títulos semelhantes pela State Art Publishers, tais como Soviet Aviation , The Soviet Arctic e A Pageant of Youth . Alexandr Rodchenko (1891?1956) e Varvara Stepanova (1894?1958) foram figuras centrais da vanguarda russa e pioneiros do movimento Construtivista, que defendia a arte ao serviço da utilidade social e da revolução. Casados e parceiros de trabalho ao longo de toda a vida, o casal revolucionou o design gráfico, a tipografia e o fotojornalismo através do desenvolvimento de fotomontagens dinâmicas e composições geométricas ousadas. Enquanto Rodchenko se destacou historicamente pelos seus ângulos fotográficos inovadores de perspetiva extrema (vistas de cima e de baixo que desafiavam a perceção tradicional), Stepanova foi uma força criativa fundamental no design têxtil, de moda e cenografia cénica, aplicando a estética industrial e construtivista ao quotidiano soviético. Juntos, uniram a arte à propaganda estatal, criando cartazes, revistas e fotolivros icónicos que definiram a identidade visual da União Soviética nas décadas de 1920 e 1930. Language: Inglês / English Location/localizacao: SACO ES004-05.…

No Edition Stated. Quarto. 26cm. Publisher's ribbed maroon leatherette with the title embossed in gilt to the front board, gilt decoration to spine. Approx 250pp.Some wear and rubbing to the extremities, most noticeable at the spine ends, strong, robust, and handsome, internally clean, a very good, smart looking copy. Complete, with the two tipped in fold-out panoramas of historical renderings of Moscow, intended to allow readers to compare the vibrant new Moscow to the less streamlined and progressive city of the past. With photography by Rodchenko, during a period when he was more concerned with painting, and text by his wife, Vavara Stepanova, this volume of stridently energetic images of Moscow, Muscovites, and the general beauty and order of the urban jewel of the Soviet Union was created for the New York World's Fair of 1939. This use of Rodchenko's photography occured during a time when criticism of his work as being 'too aesthetic' and not adequately serving the cause of Socialist Realism, was causing him some professional and political problems. His desire "to search inquisitively for new riches in the language of photography" frequently put him in a position where the taking of a photograph that fulfilled his artistic requirements placed him at odds with the artistic requirements of the Soviet artistic monolith, or at least the monolith it aspired to represent. No expense seems to have been spared for this volume, and no publicity trope of Soviet Reality (tm) seems to have been overlooked; from clean streets and punctual public transport, to racks of healthy babies in a Moscow maternity ward, and laughing children behind the scenes at the State Theatre. Access is given to the production lines of the mighty factories of the Soviet industrial behemoth, with special emphasis on the way in which the workers of the USSR are encouraged to streamline and develop their own working methods and procedures, with the aim of constantly striving to increase productivity and labor output. Workers are smiling, proud, and uniformly enthusiastic, schoolchildren are clean and respectful, and avidly consuming Pushkin at age 7, and the rest of the world looks grubby, cluttered and chaotic in comparison, which was presumably the idea. Impressive, somewhat awe inspiring, and from a 21st century perspective rather grim, considering the carnage and chaos that was about to overwhelm the world. Fairly well represented in institutions, with some visible gaps, clean, tidy copies can be elusive. [KARASIK: The Soviet Photobook 1920-1941. Pages 464-465]. …