Editore: Saint Martin's School of Art, London, 1977
Da: Book Bungalow, Edinburgh, Regno Unito
Prima edizione
EUR 17,80
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Condizione sovraccoperta: No dj. First Edition. Sound tight booklet, many photos, diags, some in colour. Two fold-out plates, unpaginated perfect bound. Size: 8vo.
Editore: London, Saint Martin's School Art,, London, 1979
Da: Studio Bibliografico Marini, ROMA, RM, Italia
EUR 60,00
Quantità: 1 disponibili
Aggiungi al carrellopaperback. Condizione: Fine. A cura di Garth Evans e Roderick Coyne (a capo dello staff responsabile dell'iniziativa). Testo e illustrazioni in bianco e nero (opere di Kim Bennet, Pamela Bolwell, Karen Gregory, Lars Korschen, Antonio Lagarto, Jackie Mollison, Nigel Plumb, Douglas Saunders, Nicky Scott, Shirley Shaw, Eloise Tofts, Kate Twelvetrees) . Cm 30x29. pp. 40 c.ca n.n. . Ottimo (Fine). . . . Una serie di "compiti" correlati riguardanti uno sgabello in legno. Il progetto è stato intrapreso nel corso dell'autunno 1975 dai dodici studenti del secondo anno (corso A) di Scultura. Questa pubblicazione contiene i diciannove compiti che componevano il progetto. Ogni studente ha completato un compito e viene qui riprodotta una selezione rappresentativa delle risposte degli studenti. Saint Martin's School Art. Book.
EUR 71,45
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: very good. Rosetta Brooks, ed. A Survey of the Avant-Garde in Britain, Vol. I, 18th August 8th September, 1972. Gallery House Press, London. 291 x 210mm. 42pp. Perfect bound book, printed black on white stock, featuring 'three independent exhibitions and a small series of lectures' from Stephen Willats, Ian Parkinson, Michael Dye, David Medalla, John Dugger, Graham Stevens, Michael Upton, Jun Terra, Bill Lundberg, Roderick Coyne, and Stuart Brisley. Listings include photographs of exhibitions with image descriptions, printed lectures, and artist biographies printed as timelines. In her introduction, Rosetta Brooks posits, 'In presenting exhibitions under the title of 'avant-garde' it might suggest that I am affirming the usefulness of the concept and it might even be interpreted that there is a characteristic, common in all such work, which makes it avant-garde. This however is not my intention; much of the work in the exhibition is attempting to redefine the basis of art activity along less paradoxical lines and in accordance with a variety of conventions which have previously been alien to the activity.' Condition: foxing to covers, coffee ring stain to back cover and red biro note to back cover, internally near fine. No tears, poor cover, contents very good +/near fine. Overall very good.