romain hooghe (9 risultati)

Leather. Condizione: Good. VOLUME 1 ONLY (of 2). Tome Premier. Contes et Nouvelles En Vers: Nouvelle Edition Corrigee, Augmentee, & Enrichie de Tailles Douces Dessinees - Par Mr. Romain de Hooge. Text in French. Illustrated with 29 fine detailed half-page engravings, plus elaborate engraved frontispiece, plus numerous chapter endpieces. An engraving precedes each fable. Illustrated by Romain de Hooge (or Romeyn de Hooghe / Romaine de Hoog) (1645-1708), fine Dutch artist, engraver, caricaturist. Full pagination as follows: ffep (detached but present), blank leaf, frontispiece, title page, Avertissment sur Cette Nouvelle Edition (8pp), Preface de l'Auteur (4pp), pages 1-240, table (2pp), rear endpaper. Small volume. Bound in full leather, gilt-lettered leather label & elaborate gilt design in compartments to spine, raised bands. NOTE: LACKS entire FRONT BOARD, ffep (with former owner's bookplate) detached but present, mild browning to pages throughout, faint offsetting from engravings, otherwise a clean complete leatherbound copy of Tome Premier. 240pp + 2pp table. Scarce.

Couverture rigide. Chez Pierre Gaillard | à Cologne 1736 | 9.50 x 15.50 cm | relié | Réimpression chez le même éditeur de la première édition de 1701, illustrée d'un frontispice et de 100 figures à mi-page par Romain de Hooghe et retouchées par Picart le Romain. Rare. Reliure fin XVIIIème (possiblement plus tardive) en plein cuir de Russie rouge. Reliure étrangère, peut-être russe. Dos à nerfs orné de fers tulipes caissonnés. Titre et tomaison dorés. Roulette en queue et tête. Frise d'encadrement sur les plats. Toutes tranches dorées. Coiffe de tête du tome 2 en partie élimée. Coins émoussés. Un accroc au mors inférieur du tome 2. Malgré de minimes défauts belle reliure, peu commune, dans un ensemble d'un bonne fraîcheur et d'un fort bon tirage. Les Cent Nouvelles nouvelles est le premier recueil de nouvelles françaises, commandé par le Duc de Bourgogne Philippe le Bon, dédicataire, qui le reçoit en 1462. Il rassemble cent contes très libres d'auteurs de la cour de Bourgogne, d'esprit satirique et gaulois, et qui visent particulièrement les femmes et les religieux. Pierre Champion en attribue la paternité à Philippe Pot, bien qu'on dénombre 36 conteurs différents. Leur modèle d'inspiration est clairement le Decameron de Boccace. Avec les Contes de La Fontaine, il s'agit de la meilleure production de Romain de Hooghe qui a figuré l'esprit de chaque conte d'une manière vive, pleine de fantaisie et d'humour. | [ENGLISH DESCRIPTION FOLLOWS] Reprint by the same publisher of the first edition of 1701, illustrated with a frontispiece and 100 half-page figures by Romain de Hooghe and retouched by Picart le Romain. Rare. Late 18th century binding (possibly later) in full red Russia leather. Foreign binding, perhaps Russian. Spine with raised bands decorated with compartmented tulip tools. Gilt title and volume label. Head and foot rolls. Decorative border on covers. All edges gilt. Headcap of volume 2 partly worn. Corners slightly bumped. A tear to the lower joint of volume 2. Despite minor defects, handsome and uncommon binding, the set in good condition and well-printed. Les Cent Nouvelles nouvelles is the first collection of French novellas, commissioned by the Duke of Burgundy Philip the Good, to whom it is dedicated and who received it in 1462. It brings together one hundred very free tales by authors from the Burgundian court, satirical and ribald in spirit, particularly targeting women and the clergy. Pierre Champion attributes its authorship to Philippe Pot, although 36 different storytellers can be identified. Their model of inspiration is clearly Boccaccio's Decameron. Along with La Fontaine's Contes, this represents Romain de Hooghe's finest work, who captured the spirit of each tale in a lively manner, full of fantasy and humor. * (30) 397pp. et (24) 389pp.

Petit in-4 carré ( 260 X 200 mm ) de 63 pages de texte et 42 planches, plein maroquin chocolat, dos à nerfs orné de caissons et fleurons dorés, triple filet doré d'encadrement sur les plats, coupes filetées d'or, tranches dorées, dentelle intérieure dorée. 42 planches emblématiques à la riche symbolique d'inspiration baroque de Romain DE HOOGHE. Edition originale. ( Praz 350. Cohen de Ricci 232 ). Marges de 2 planches anciennement restaurées, trace d'ancienne mouillure sur un plat, bel exemplaire, agréablement relié. Bible religion Histoire.

No binding. Condizione: Good. 590 x 475 mm., with fine early wash and outline colour, on good thick paper, with replacement margin upper right side and minor tear repair, otherwise in good condition. The first state of a magnificent chart in full early wash colour of the Atlantic coast of France from the mouth of the Loire River to the Gironde River. It is centred on the cities of La Rochelle and Rochefort. Estimates of up to 10,000 Huguenots had fled La Rochelle during the 1680s for England. Two very ornate cartouche house views of Port de Marans, Isle D'Oleron, and La Rochelle. A dedication to Willem Fabritius of Haarlem is upper right with his coat of arms above. Legends on the map provide navigational guidance along with the pre-requisite anchorage points and depth soundings. The chart is adorned with several ships, and it is engraved by the highly skilled artist Romain de Hooghe (1645-1708).'In 1692 Pierre Mortier had published a Dutch contrefaçon of the 'Atlas Nouveau' by Alexis-Hubert Jaillot. It was issued in partnership with Pierre Huguetan, a French bookseller resident in Amsterdam, who provided considerable financial backing. Their next project was an edition of L'Imprimerie Royale's 'Neptune François', first published in 1693. For this Mortier employed the finest engravers and extended the work with the magnificent 'Cartes Marines à l'usage du Roy de la Grande Bretagne'. It contained only nine charts of which this is the second. They are engraved by Romain de Hooghe, who was in the employ of William III at the time, and are arguably the most stunning sea charts produced to date.' (Burden). The work is considered the most expensive maritime atlas ever published in Holland. Its maps are larger and more luxuriously decorated than thoseÂofÂany previously published work. Koeman stated that they were 'the most spectacularÂtype ofÂmaritime cartography ever produced.'.Â'Few great artists have turned their hands to mapmaking ⦠Romeyn de Hooghe was an exception to the pattern. A celebrated artist from the late seventeenth century, he was responsible for a volume of nine sea charts.' (Campbell). Provenance: private Jersey collection. Burden (2007) p. 486; Egmond (2009); Koeman (1967-70) IV Mor 5 E no. 6.

No binding. Condizione: Good. 590 x 475 mm., with fine early wash and outline colour, on good thick paper, trimmed close upper right side, otherwise in good condition. The first state of a magnificent chart in full early wash colour of the Atlantic coast of France from the Gironde River to 'St. Sebastien' in Spain. It extends inland to the city of Bordeaux and includes Xaintes, Blaye, and 'Bayone'. A very ornate cartouche sits in the Atlantic and houses views of Bordeaux, Boyone, and Royan. A dedication to Nicolas Witsen of Amsterdam is adorned by his coat of arms above. Legends on the map provide navigational guidance along with the pre-requisite anchorage points and depth soundings. The chart is adorned with several ships, and it is engraved by the highly skilled artist Romain de Hooghe (1645-1708).'In 1692 Pierre Mortier had published a Dutch contrefaçon of the 'Atlas Nouveau' by Alexis-Hubert Jaillot. It was issued in partnership with Pierre Huguetan, a French bookseller resident in Amsterdam, who provided considerable financial backing. Their next project was an edition of L'Imprimerie Royale's 'Neptune François', first published in 1693. For this Mortier employed the finest engravers and extended the work with the magnificent 'Cartes Marines à l'usage du Roy de la Grande Bretagne'. It contained only nine charts of which this is the second. They are engraved by Romain de Hooghe, who was in the employ of William III at the time, and are arguably the most stunning sea charts produced to date.' (Burden). The work is considered the most expensive maritime atlas ever published in Holland. Its maps are larger and more luxuriously decorated than thoseÂofÂany previously published work. Koeman stated that they were 'the most spectacularÂtype ofÂmaritime cartography ever produced.'.Â'Few great artists have turned their hands to mapmaking ⦠Romeyn de Hooghe was an exception to the pattern. A celebrated artist from the late seventeenth century, he was responsible for a volume of nine sea charts.' (Campbell). Provenance: private Jersey collection. Burden (2007) p. 486; Egmond (2009); Koeman (1967-70) IV Mor 5 E no. 5.

No binding. Condizione: Very Good. THE MOST SPECTACULARÂTYPE OFÂMARITIME CARTOGRAPHY EVER PRODUCED. 590 x 950 mm., with fine early wash colour, in very good condition. The second state of a magnificent chart in full early wash colour of Brittany. It extends from St. Malo in the north to the mouth of the Loire River. It is engraved by the highly skilled artist Romain de Hooghe (1645-1708). Significant detail onshore is provided. Legends on the map provide navigational guidance along with the pre-requisite anchorage points and depth soundings. Insets lower left display views of St. Malo, Brest, Conquerneau, and Port Louis ou Blavet. They are set in a beautiful cartouche surmounted by a deduction to Simon de Beaumont, Secretary of the States of Holland and Westfriesland with his coat of arms above. The chart is adorned with no less than thirty-six ships, two of which are depicted in battle off the northwest coast. The waters to the north are specifically labelled 'La Manche ou La Mer Britannique'.â'In 1692 Pierre Mortier had published a Dutch contrefaçon of the 'Atlas Nouveau' by Alexis-Hubert Jaillot. It was issued in partnership with Pierre Huguetan, a French bookseller resident in Amsterdam, who provided considerable financial backing. Their next project was an edition of L'Imprimerie Royale's 'Neptune François', first published in 1693. For this Mortier employed the finest engravers and extended the work with the magnificent 'Cartes Marines à l'usage du Roy de la Grande Bretagne'. It contained only nine charts. They are engraved by Romain de Hooghe, who was in the employ of William III at the time, and are arguably the most stunning sea charts produced to date.' (Burden). The work is considered the most expensive maritime atlas ever published in Holland. Its maps are larger and more luxuriously decorated than thoseÂofÂany previously published work. Koeman stated that they were 'the most spectacularÂtype ofÂmaritime cartography ever produced.'.Â'Few great artists have turned their hands to mapmaking ⦠Romeyn de Hooghe was an exception to the pattern. A celebrated artist from the late seventeenth century, he was responsible for a volume of nine sea charts.' (Campbell).âIn 1700 Mortier published a third work entitled 'Suite du Neptune François' which complimented the 'Neptune François' by providing charts of non-European waters. Along with the 'Cartes Marine' examples of all three works were published together. This second state has had the date 1693 erased from the running title above. Koeman does not cite a second state, but it is presumed to have been issued in the 1700 edition although the titlepage remains unaltered. Provenance: London Map Fair 1980s; private Jersey collection. Burden (2007) p. 486; Egmond (2009); Koeman (1967-70) IV Mor 5 E no. 3.

No binding. Condizione: Very Good. 590 x 475 mm., with fine early wash and outline colour, on good thick paper, in very good condition. The first state of a magnificent chart in full early wash colour of the coast of Picardy and Normandy. It extends from Abbeville in the north to Le Havre and the mouth of the River Seine inland to the city of Rouen. Two very ornate cartouche house views of Dieppe and Rouen. A dedication to Diderick Dicx of Haarlem is lower left with his coat of arms above. Legends on the map provide navigational guidance along with the pre-requisite anchorage points and depth soundings. The chart is adorned with numerous ships including two unidentified battle scenes offshore. It is engraved by the highly skilled artist Romain de Hooghe (1645-1708).'In 1692 Pierre Mortier had published a Dutch contrefaçon of the 'Atlas Nouveau' by Alexis-Hubert Jaillot. It was issued in partnership with Pierre Huguetan, a French bookseller resident in Amsterdam, who provided considerable financial backing. Their next project was an edition of L'Imprimerie Royale's 'Neptune François', first published in 1693. For this Mortier employed the finest engravers and extended the work with the magnificent 'Cartes Marines à l'usage du Roy de la Grande Bretagne'. It contained only nine charts of which this is the second. They are engraved by Romain de Hooghe, who was in the employ of William III at the time, and are arguably the most stunning sea charts produced to date.' (Burden). The work is considered the most expensive maritime atlas ever published in Holland. Its maps are larger and more luxuriously decorated than thoseÂofÂany previously published work. Koeman stated that they were 'the most spectacularÂtype ofÂmaritime cartography ever produced.'.Â'Few great artists have turned their hands to mapmaking ⦠Romeyn de Hooghe was an exception to the pattern. A celebrated artist from the late seventeenth century, he was responsible for a volume of nine sea charts.' (Campbell). Provenance: private Jersey collection. Burden (2007) p. 486; Egmond (2009); Koeman (1967-70) IV Mor 5 E no. 2.

No binding. 580 x 940 mm., two sheets joined, in fabulous early wash colour, royal coat of arms and cities heightened in gold, minor centrefold split just into the lower part of the image, otherwise in excellent condition. 'In 1692 Pierre Mortier had published a Dutch contrefaçon of the 'Atlas Nouveau' by Alexis-Hubert Jaillot. It was issued in partnership with Pierre Huguetan, a French bookseller resident in Amsterdam, who provided considerable financial backing. Their next project was an edition of Jaillot's 'Neptune François', first published in 1693. For this Mortier employed the finest engravers and extended the work with the magnificent 'Cartes Marines à l'usage du Roy de la Grande Bretagne'. It contained only nine charts, eight of which were of British waters. They are engraved by Romain de Hooghe, who was in the employ of William III at the time, and are arguably the most stunning sea charts produced to date' (Burden). 'Few great artists have turned their hands to mapmaking ⦠Romeyn de Hooghe was an exception to the pattern. A celebrated artist from the late seventeenth century, he was responsible for a volume of nine sea charts' (Campbell).This is one of only two plates that focus on the coasts of England; it extends from Kent in the east to Portland Bill in the west. The river Thames upriver to Kingston is clearly displayed. The map also extends southwards to take in the Channel Island of Alderney. A detailed inset centres on the Thames Estuary and an extremely ornate dedication cartouche to William III is flanked with fine views of Portsmouth and Rochester. It was issued just one year after the French planned invasion along the same coast. Burden (2007) p. 486; Campbell (1981) pl. 44; Koeman (1967-70) IV Mor E no. 7.

Cologne, Pierre Gaillard, 1701. 8vo. In contemporary vellum. Small paper-label pasted on to top of spine. Light wear and soiling to extremities. Previous owner's name (Peter Otto Rosenörn) to front free end-paper. Dampstain to inner upper margin of first half of book block. A few quires split in margin and a few plates closely trimmed, with minor loss in outer margin, otherwise internally nice and clean. (3), 397, (3), (24), 389 pp. + frontispiece and 100 etchings by Romeyn de Hooghe (included in the pagination). First edition with Hooghe?s beautiful illustrations of this famous collection of tales modelled on Boccaccio?s Decameron. According to Brunet, two variants were published: one with text published below or above the engraving (The present copy) and one with engravings published separately. According to Brunet the former is preferable due to better printing quality. (Brunet I, 1735/1736). "Les Cent Nouvelles Nouvelles" stands as a cornerstone in the development of French literature and is regarded as being the first work of literary prose in French. Believed to have been composed around the 1460s at the court of Duke Philip the Good of Burgundy, this collection of tales offers a glimpse into the cultural and literary landscape of late Medieval France. The stories were collected and possibly edited by Antoine de la Sale (1385/86 ? 1460/61). "Les Cent Nouvelles Nouvelles" were first printed by Antoine Vérard in 1486, twenty years after manuscript circulation (only one manuscript is known today). Romeyn de Hooghe (1645 - 1708), born in Amsterdam, was a multi-talented artist known for etching, drawing, painting, and sculpting. He became famous for his political caricatures of Louis XIV and propaganda prints supporting William of Orange. His work included early comic strips and illustrations for significant texts like "Hieroglyphica of Merkbeelden der oude volkeren" (1735).Throughout his career, de Hooghe produced over 3500 prints and adorned city maps with decorative borders. He was praised for inventive compositions in engravings and painted large panels for public and private spaces. Despite acclaim, he faced criticism later in life for his controversial subjects and lifestyle. Historian Simon Schama lauded de Hooghe as the first great modern graphic satirist, highlighting his role in portraying conflicts between William III and Louis XIV as struggles for liberty against religious despotism. Brunet, II, 1735. Graesse, II, 102.