rome florence (33 risultati)

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. First edition. Fine book in a Near Fine dustjacket.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Dust jacket condition: Very Good. Inscribed and SIGNED by both the author and the illustrator. Very nice and clean. Text free of highlighting and writing. Tightly bound. "A light hearted story about a serious restoration of an 18th c. mill in Connecticut" --Geoffrey Elan, Yankee. 101 pages : illustrations ; 23 cm. Set in Garamond regular and italic, illustrations from zinc line drawings. Printed on 19th century hand fed platen pressNumber 335 of 450 copies printed.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Signed and inscribed by the author. New England memoirs. COLLECT SIGNED BOOKS. Signed by Author(s).

Condizione: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Near Fine. 1st Edition. First Edition (NAP). Signed and Inscribed by the Author ('For Natalie with love, Florence Garrett') on what appears to be a tipped-in page. Pretty close to perfect book. You can take a look at the covers in the photographs provided. The book is very solidly bound. The pages are exceptionally clean. There are several illustrations. With the exception of the author's signed inscription, no one has written their name or anything else anywhere in the book. There aren't any creases or dogeared corners. And there aren't any markings or attachments. Inscribed by Author(s).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. First Edition; First Printing. SIGNED and inscribed by author on ffep, her study of the Yakuza; vg in vg jacket, in archival sleeve; slanted spine, minor bumping to bottom of boards, small chips/cracks to jacket corners else a tight unmarked copy in unclipped jacket; stated first printing; 8vo 8" - 9" tall; 268 pages; Signed by Author.

Softcover. Condizione: Very good. Very good, Limited Edition. This is number 66 of only 100 copies. Decorative silk paper covers bound in green string. Housed in a brown cardboard folding box with paper labels, colorful cloth ties, and a bamboo dowell fastener.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Random House, New York, 1971. Hardcover, 209 pp. Light-hearted memoir of a clash of cultures and stage traditions as a venerable Japanese theatre troupe asks for collaborative help from America to stage a musical version of 'Gone With The Wind'. The author was the wife of Broadway lyricist Harold Rome. Near fine. The dust jacket has a short closed tear on front panel. Signed and inscribed by the author to 'Sarah and Herman'. This book comes from the collection of author Herman Wouk.

Hardcover. Condizione: Fine. One of 450 copies. Octavo. 101, (1). Charming, naturalistic illustrations by Elmer Garrett throughout, with title motif in full color. Bound in at the rear is a sample of the paper produced at the mill, which the Garrett's operated and which Florence Garrett fondly remembers in her text. Bound in green cloth over boards with light rubs to corners, else fine.

Green Cloth. Condizione: Very Good+. First Ed. 101 pages, this is #52 of 450. Nice! Signed By the Author and Illus.

Delacorte Press, New York 1975. (10), 268 pp. Hardcover with d/w. Illustrated. Good condition.

Tapa blanda. Condizione: New. : LA FISCALITE ET SES IMPLICATIONS SOCIALES EN ITALIE ET EN FRANCE AUX XVIIE ET XVIIIE SIECLES. ACTES DU COLLOQUE DE FLORE. 978-2-7283-0003-7, ECOLE FRANCAISE DE ROME, 1980. Nuevo 455 gr. Libro.

Couverture souple. Condizione: Très bon état. In-4 broché 27,9 cm sur 25,1. 191 pages. Très bon état d'occasion. in-4°.

Couverture rigide. Condizione: Bon état. Condizione sovraccoperta: Good. In-8 21 x 14 cm. Reliure éditeur toile moutarde, sous jaquette noire illustrée en couleurs, 268 pp., illustrations hors texte, glossaire, bibliographie. Exemplaire en bon état.

Hardcover. Condizione: Fine. No Jacket. RR (Rome RICHARDSON); Ethel Pennewill BROWN (illustratore). 1st Edition. First Edition thus. Decorated binding, design by RR. No DJ or initial sales price provided. Unmarked pages. Illustrated with four full-page plates in color by Ethel Pennewill BROWN. This work has been reissued many times in many formats, but nothing compares with owning a copy in its original first edition state. More images and/or description can be sent on request. Condition: Fine.

(4), 176pp. With engr. portrait. Orig. publisher's wrappers. Uncut. - Very good copy.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good-. First Printing. Inscribed "Happy days to Hilda, Arlene Francis." Jacket has two small edge tears. ; Small 4to 9" - 11" tall; 204 pages; Signed by Author.

Couverture souple. Condizione: Comme neuf. Edition originale. Paris 2008. 1 Volume/1. -- Comme Neuf Broché cousu. Format in-4° ( 28 x 25 cm )( 1065 gr ). ------- 191 pages. ************* "" Personnages clés du paysage artistique en France des années 1950-1970, Yvonne et Maurice Allemand furent d'infatigables promoteurs des artistes de leur temps. Grand rénovateur et directeur du musée d'Art et d'Industrie de Saint-Étienne de 1947 à 1967, Maurice Allemand installa l'avant-garde artistique dans la ville et permit l'émergence de son célèbre musée d'art moderne. Il fut ensuite très actif comme inspecteur principal de la création artistique. Fruit de l'amitié et de l'estime de nombreux artistes, la collection du couple illustre l'effervescence créatrice qui agitait les milieux artistiques de l'après-guerre, entre figuration et non-figuration. Selon leur souhait, celle-ci devait venir enrichir le fonds d'un musée en région. Par leurs enfants, le Musée départemental de l'Oise à Beauvais en recevait le don. Ce catalogue raisonné témoigne de la richesse des expériences et du cosmopolitisme de l'art en France au cours de la seconde moitié du XXe siècle. '' *************** réf 82nd.

Hardcover. Condizione: Good+. Signed by Author; Slipcover included and in good condition. - Brief dedication on first page. Signed by author! Light foxing to edge of pages. - Good overall condition. General wear. No major blemishes. No writing. ; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: As New. Richardson , Rome K (decorative covers). Brown, Ethel Pennewill (text decorations and illust) (illustratore). First Illustrated Edition. Remarkably well-conserved, as new copy still in publisher'sgift box. Elaborate mixed element floral cover design by Richardson K. Rome on green cloth. Text illustrtaions and decorations by Ethel Pennewill Brown. 8vo, gte, sides untrimmed, 76p. Unused, pages uncut, in orignal glassine wrapper all in as new condition housed in publisher's gift box, white paper with satin finish over cardboard, edged in gilt, top cover decorated with elements of Richardson's cover design, stated "Presenation Edition" An exemplar of the "gift book" at the commercial maturity of the decorative cover in American bindings. THE collector's copy.

cloth, leather spine label. Papermaking (illustratore). 8vo. cloth, leather spine label. 101+(1) pages. First edition. One of 450 copies printed by this private press of which this is one of 25 copies to be in a special binding and contains a specimen of paper made at The Red Mill, located in Bridgewater, CT. A charming essay about the joys and pitfalls of starting a papermaking mill. The book is illustrated by Elmer Garrett. Presentation on the half-title. Loosely inserted is a prospectus to the book, a signed poem by Garrett, a large newspaper clipping giving us history of the mill and two newspaper clippings listing the sale price of the mill.

Hardcover. Condizione: Near fine to fine. Elmer Garrett (illustratore). First Edition. First edition. Octavo, red cloth over boards, with leather spine label lettered in gilt. Account of the author's effort (with her husband the illustrator) to restore the Red Mill in Bridgewater, CT. Illustrate throughout in black and white. Total of 450 copies printed, this being one of 25 copies specially bound with a sample of paper made at the Red Mill.

Cloth. Condizione: Very Good Indeed. Florence Alinari; Rome Anderson; Various (illustratore). First edition. A first edition of Julia Cartwright's study of Italian Renaissance gardens with illustrations. First edition in original publisher's cloth binding of 'Italian Gardens of the Renaissance and Other Studies' by Julia Cartwright Ady with illustrations and personal letter from the author inserted This study was written in memory of Cartwright's friend, Lady Enid Layard, and her love for Venice which she had made her home. The contents of the study includes not only the gardens of Venice, but also of Papal Rome, Florentine Humanists gardens, and more. Julia Cartwright was a late nineteenth and early twentieth century British historian and art critic. Her work mainly encompassed the Renaissance period in Italy. Her dedication was aided by her cousin, art collector and politician William Cornwallis Cartwright who shared his collections. She also read historical Italian texts from a young age, which instilled her fascination with the Italian Renaissance. Includes 16 monochrome plates. Collated, complete. No dust wrapper. Letter transcription: Dear ? Will you accept this little book of mine as a small token of affection & of all the happiness I hope you will have in [?] new life. I know how sadly you will be missed here. Forgive me by writing such a stupid letter & with my very best wishes & much love, Eva V. ? Julia M. Ady In original publishers binding. Externally, generally smart. No dust wrapper present. Very minor bumping to the head and tail of the spine and to the extremities. Internally, firmly bound. Pages are bright and clean with some occasional spotting, particularly to the endpapers. Tissue guard to the front piece is present and intact. Very Good Indeed. book.

First Edition ~1st Printing Hardcover SIGNED and inscribed by co-author Florence Rome on free front endpaper, an autobiography of Arlene Francis; very good in good dust jacket, in fresh archival cover; some browning to board edges, small chips and cracks to jacket edges else a tight square unmarked copy in unclipped dust jacket; first printing with complete number line; inscribed by co-author Rome to "Ruthie and Ira"; the recipient is Ira Steiner (and his wife); Steiner was Rod Serling's agent; scarce book in first printing.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 32 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.

Monumental Map / Große farblithogr. Bildkarte von Florenz, 45 x 63,5 cm, verso Informationen in englischer Sprache. Gefaltet auf 22,8 x 10,5 cm.

Titlepage in red and black with larger allegoric woodcut, (18) 428 (until 'Sermo LXXXI'), 156 (Sermo LXXXI CVII), (31; 'Index Locorum sacrae Scripturae . . .', 'Index Rerum et Verborum notabilium, .:', 'Elenchus ad Conciones formandas pro Dominices et Festis totius Anni.'). - Full vellum binding of the period with manuscript title at top-of-spine, long woolen string clasps and blank endpapers; 4to.(ca. 20 x 18 x 5 cm.). *** [FRÜHSOMMER-VERKAUF / EARLY SUMMER-SALE: um über 20% REDUZIERTER PREIS bis Montag, den 29.06.2026 / PRICE-REDUCTION of over 20% until Monday, June 29; vorheriger Preis / previously EUR 280,-] --- FIRST REVISED AND AUGMENTED EDITION, VELLUM-BOUND ORIGINAL; COMPLETE. - Binding somewhat spotty, endpapers slightly sunned; A VERY GOOD COPY.

1st Edition. Very good. Strong impressions with rich original color. Minor soiling towards bottom, mostly confined to margin. Repaired tear at bottom near centerfold. Size 20.5 x 23.5 Inches. A striking first edition example of Johann Baptist Homann's c. 1710 map of the Papal States of central Italy, including Rome, Florence, and the other grand cities of Tuscany and nearby regions. It was produced during the War of the Spanish Succession (1701 - 1714), which reshaped the political landscape of much of Italy. A Closer Look Coverage ranges from Mantova and the Po River at the top to Gaeta at the bottom, taking in Tuscany, Rome, and nearby regions. Cities and towns are recorded in detail, with fortified cities illustrated with walls. Mountains, waterways, forests, and administrative boundaries are likewise meticulously documented. Rome is situated towards the bottom right, and Florence is near the center on the Arno River. Additional cities such as Pisa, Ravenna, Bologna, and Ferrara are easily identifiable. An elaborate title cartouche includes multiple symbols of the Papacy, including the Papal Cross and Papal Mitre. The Lago di Celano, also known as the Lago Fucino, east of Rome, was once the third largest lake in Italy but no longer exists, having been drained in 1878. Since Roman times, when the settlement of Marruvium was founded on its eastern shore, the lake had posed risks of floods and disease as the waters had no natural outflow. Thus, after years of planning and construction, a canal was built, and the lake drained, leaving behind an extremely fertile plain (Piana del Fùcino) ideal for farming (since the 1960s, the dried lakebed also hosts a large satellite telecommunications center). Similar drainage projects were employed in the 19th century on other ancient lakes present here, such as the Lago di Sesto near Bientina, east of Pisa. Conversely, the Valli di Comacchio east of Ferrara and Bologna at the top was a relatively recent development, forming in the tenth century due to silting and erosion and filling with seawater beginning in the 16th century. Though the wetlands have been gradually reduced from their considerable extent seen here, they are today a largely protected wildlife preserve and remain one of the largest wetlands in Italy. The War of the Spanish Succession During the War of Spanish Succession (1701 - 1714), different regions of Italy served as a battleground contested by major European powers. The war, prompted by the death of Spanish King Charles II without an heir, led to a wide-ranging struggle between the Habsburgs and Bourbons and drew in neighboring powers. Since Spain controlled the duchies of Milan and Mantua, these became points of contention in the struggle. France quickly moved to occupy the formerly Spanish possessions in northern Italy. Austrian troops drove the French out of Italy after breaking the French Siege of Turin in 1706, leaving the Habsburgs and Savoys as the major powers in northern Italy and throughout Italy writ large until the rise of Napoleon. As for the Papal States, although they had origins in the era of the Roman Empire, the pope's 'rule' over these lands was mostly nominal. However, a series of popes in the late 15th - 17th centuries fought to expand their temporal powers, becoming entangled in European geopolitics and warfare in the process. In addition to more closely controlling territories under their domain, the popes of this era also conquered or reclaimed territories that had once theoretically been part of the Papal States, including Ferrara and Urbino. Publication History and Census This map was prepared by Johann Baptist Homann between 1707 and 1710 for inclusion in the 1710 edition of his Neuer Atlas . The present example can be compared to the following state of the map from c. 1716 (also offered by us: StatusEcclesiastici-homann-1716), which though superficially similar, was, in fact, an entirely new plate, adding Homann's royal Privilege, modifying the title cart.