Ronald huebert (79 risultati)

Hardcover. Condizione: Very Good. VERY GOOD hardcover, no marks in text, clean exterior. Book.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:0719016274.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

Paperback. Condizione: new. Paperback. Loving John Donne begins with Sir Henry Wotton and Izaak Walton fishing in the Thames and sharing memories about the enigmatic John Donne. Wotton recalls the witty young poet and man about town, while Walton remembers from his later life Donne's persuasive power as a preacher. This novel celebrates the complexities of Donne's character, from the playful satirist to the deeply spiritual Dr. Donne and explores the often-troubled relationship between Donne as an individual and the culture he inhabited. One of its aims is to capture the special energies inherent in the bond between Donne and Ann More, the young woman he clandestinely married in 1601. The narrative includes quotations from Donne's poetry and prose: sometimes Donne is shown in the act of composition or revision, sometimes a text of his is read years later by a friend or admirer, but in either case the link between writing and life is likely to be a riddle. Friends and lovers of Donne tried to solve this riddle in his own day, as this novel shows, and it is a tribute to his enduring impact that readers continue to do so today. Loving John Donne begins with Sir Henry Wotton and Izaak Walton fishing in the Thames and sharing memories about the enigmatic John Donne. Wotton recalls the witty young poet and man about town, while Walton remembers from his later life Donne's persuasive power as a preacher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New.

Paperback or Softback. Condizione: New. Loving John Donne. Book.

Condizione: New.

paperback. Condizione: Very Good. Softcover. Bound in matte pictorial paper. Cover is neat and clean. Binding is tight and secure. Pages are crisp, clean, and bright. Images are printed in B&W. 414 pages. McGill-Queen's University Press. Copyright page dated 2019. A very nice copy. We ship everyday from a real neighborhood bookstore. This is description is written by an actual person, who is holding the book in front of them to make sure it's properly described. Please contact us with questions or if you would like to see photographs.…

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New. 2026. paperback. . . . . .

Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. - Dustwrapper spine slightly faded - ow/ a clean bright tight book in untorn dustwrapper w/ very minor shelfwear only - x/218 pages.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Paperback. Condizione: New. What did it mean to be a spectator during the lifetime of Shakespeare or of Aphra Behn? In Early Modern Spectatorship contributors use the idea of spectatorship to reinterpret canonical early modern texts and bring visibility to relatively unknown works. While many early modern spectacles were designed to influence those who watched, the very presence of spectators and their behaviour could alter the conduct and the meaning of the event itself. In the case of public executions, for example, audiences could both observe and be observed by the executioner and the condemned. Drawing on work in the digital humanities and theories of cultural spectacle, these essays discuss subjects as various as the death of Desdemona in Othello, John Donne's religious orientation, Ned Ward's descriptions of London, and Louis Laguerre's murals painted for the residences of English aristocrats. A lucid exploration of subtle questions, Early Modern Spectatorship identifies, imagines, and describes the spectator's experience in early modern culture.…

Condizione: new.

Paperback. Condizione: Brand New. 494 pages. 6.14x1.34x9.21 inches. In Stock.

Paperback. Condizione: New.

Condizione: New. In English.

Condizione: New. 2019. Paperback. . . . . .

Condizione: New. pp. 448.

Paperback. Condizione: Brand New. 448 pages. 8.75x5.75x1.00 inches. In Stock.

Condizione: New.

Condizione: very good. no dustjacket. 8vo pp.208. book.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Condizione: New.

Hardback. Condizione: New. For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare's time that the idea of privacy went from a marginal notion to a desirable quality. The era of transition begins with More's Utopia (1516), in which privacy is forbidden. It ends with Milton's Paradise Lost (1667), in which privacy is a good to be celebrated. In between come Shakespeare's plays, paintings by Titian and Vermeer, devotional manuals, autobiographical journals, and the poetry of George Herbert and Robert Herrick, all of which Huebert carefully analyses in order to illuminate the dynamic and emergent nature of early modern privacy.…

Paperback. Condizione: New. What did it mean to be a spectator during the lifetime of Shakespeare or of Aphra Behn? In Early Modern Spectatorship contributors use the idea of spectatorship to reinterpret canonical early modern texts and bring visibility to relatively unknown works. While many early modern spectacles were designed to influence those who watched, the very presence of spectators and their behaviour could alter the conduct and the meaning of the event itself. In the case of public executions, for example, audiences could both observe and be observed by the executioner and the condemned. Drawing on work in the digital humanities and theories of cultural spectacle, these essays discuss subjects as various as the death of Desdemona in Othello, John Donne's religious orientation, Ned Ward's descriptions of London, and Louis Laguerre's murals painted for the residences of English aristocrats. A lucid exploration of subtle questions, Early Modern Spectatorship identifies, imagines, and describes the spectator's experience in early modern culture.…