Rosenfeld ruth (41 risultati)

Soft cover. Condizione: As New.

Paperback. Condizione: Very Good. Page unmarked. Glossy covers mildly edgeworn. Binding square & firm. Book.

Softcover. Condizione: Very Good+. No Dust Jacket. First Edition. Light rubbing and toning overall and brief bumps to the corners. Inscribed by the author in ink on half-title page. Photos upon request. International shipping billed at cost.; English, German And German Edition; 8vo 8" - 9" tall; 79 pages; Signed by Author.…

Hard Cover -. Condizione: Very Good. No Jacket. First edition / 1st Printing. 8vo - over 7¾" - 9¾" Inscribed & signed on front endpaper by the author : "To Mr. Lloy H. Corwin / with warm regards / I. E. Ronch / 8/28/63". 1st edition / 1st printing. Illustrated with b&w drawings by Marc Chagall. Very good, no dust jacket. 14 x 21. hard cover. 127pp. Chagall, Marc (illustratore).…

PAPERBACK. First Edition. Near fine in wrappers with slight dent to bottom spine and slight wear to corners of front panel. Signed by Susan Sach Fleishman, Rosenfeld's daughter, at the end of the foreword written by Fleishman: "1996 / Best Wishes / _____________".

Condizione: As New. Unread book in perfect condition.

ill. OBroschur. Condizione: Gut. 1. Auflage. 175 Seiten mit sw. Abb. Gutes bis sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 450.

Broschur. Condizione: leichte Gebrauchsspuren. 1. Auflage. SOFORTVERSAND AUF RECHNUNG! Ein schönes, sauberes Exemplar In deutscher Sprache. 175 S. 8°.

ill. OBroschur. Condizione: Gut. 1. Auflage. 175 Seiten mit sw. Abb. (= Literarisches Programm 93). Mit Widmung und Signatur von U. Dreysse, datiert 8.11.2002. Guter Zustand. Sprache: Deutsch Gewicht in Gramm: 450.

Condizione: New.

Paperback. Condizione: New. Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art-artifice that rings out with the bells and whistles of ornamentation-celebrates the craft of poetry even as it expands poetry's range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies' singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.…

Paperback or Softback. Condizione: New. Indecorous Thinking: Figures of Speech in Early Modern Poetics. Book.

paperback. Condizione: Gut. 176 Seiten; Brandes & Apsel - 2. Auf. 2016 : Ruth Rosenfeld - tb - 9-93-2 84-KHZJ-JV0D Sprache: Deutsch Gewicht in Gramm: 500.

Condizione: New. 2018. Paperback. . . . . .

Condizione: New. In English.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

8°, 175 S. mit s/w-Abb., illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar (K31 - A) Widmung ('Mit herzlichen Grüßen') und Signatur der Herausgeberin auf der Vorsatzseite Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.…

Paperback. Condizione: New. Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art-artifice that rings out with the bells and whistles of ornamentation-celebrates the craft of poetry even as it expands poetry's range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies' singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.…

Audio CD. Condizione: Sehr gut. Sehr gut erhalten HC 61797 Sprache: Deutsch Gewicht in Gramm: 141.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Hardback. Condizione: New. Indecorous Thinking is a study of artifice at its most conspicuous: it argues that early modern writers turned to figures of speech like simile, antithesis, and periphrasis as the instruments of a particular kind of thinking unique to the emergent field of vernacular poesie. The classical ideal of decorum described the absence of visible art as a precondition for rhetoric, civics, and beauty: speaking well meant speaking as if off-the-cuff. Against this ideal, Rosenfeld argues that one of early modern literature's richest contributions to poetics is the idea that indecorous art-artifice that rings out with the bells and whistles of ornamentation-celebrates the craft of poetry even as it expands poetry's range of activities. Rosenfeld details a lost legacy of humanism that contributes to contemporary debates over literary studies' singular but deeply ambivalent commitment to form. Form, she argues, must be reexamined through the legacy of figure. Reading poetry by Philip Sidney, Edmund Spenser, and Mary Wroth alongside pedagogical debates of the period and the emergence of empiricism, with its signature commitment to the plain style, Rosenfeld offers a robust account of the triumphs and embarrassments that attended the conspicuous display of artifice. Drawing widely across the arts of rhetoric, dialectic, and poetics, Indecorous Thinking offers a defense of the epistemological value of form: not as a sign of the aesthetic but as the source of a particular kind of knowledge we might call poetic.…

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2018. Hardcover. . . . . .

Condizione: New. Indecorous Thinking argues that early modern writers including Philip Sidney, Edmund Spenser, and Mary Wroth challenged humanism s increasingly dogmatic conflation of truth with plainness by treating figures of speech as the instruments of thinking and as t.