Ross anne translator (12 risultati)

hardcover. Condizione: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Used: Very Good. A nice copy with a tight and square binding. No names, no marks, no stickers. Text is clean. Front and back cover are good. No DJ. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery.

hardcover. Condizione: Good. EX LIBRARY BOOK.

Hardcover. Condizione: Good. No Dust Jacket. No date stated, but public records show 1978. Light wear. Some light discoloration at the edge of text. S12.

Hardcover. Condizione: Very Good+. Collector's Edition bound in genuine leather.

Full-Leather. First Edition. Fine in full dark maroon leather, with gilt lettering of the subject's signature on the spine and front board. Includes a silk marker ribbon and many color reproductions, biography, bibliography, and list of illustrations; 96 pages.

Full-Leather. Condizione: Fine. Condizione sovraccoperta: No Jacket - as Issued. 1st Edition. LIKE NEW, MAROON LEATHER BOARDS WITH GILT LETTERING, ALL EDGES GILT, RIBBON MARKER.

hardcover. Condizione: Fine. Easton Press, 1983. hardcover. Fine. 4to, leather binding with gilt lettering, all edges gilt, ribbon marker, a fine art monograph of the artist's work, well illustrated with color plates" .

perfect. Condizione: Brand New. 128 pages. German language. 11.02x8.50x0.47 inches. In Stock.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Good. A very smart, bright copy of this collection of artwork from the twentieth century, translated from the original French. Dated from the University of Oxford Libraries. Illustrated throughout with one hundred and fourteen plates in colour and eighty-four drawings in two-tones. Collated complete. A vibrant history of art with specific focus on drawing and watercolour. Becoming a commentary on these art-forms, the influence of free techniques from the end of the nineteenth century, Expressionism and the new schools of Cubism and Futurism as well as poetry and intelligence. Includes references to special trends of women, fashion, interior design, advertising, and sculptors' drawings. Written by Raymond Cogniat, a French art critic, historian of art, journalist, and theatre design expert. Translated from the French by Anne Ross, a British translator. In the original red cloth binding. Externally, excellent. Original unclipped dust wrapper is smart with light shelf wear and minor chipping resulting in light loss to the head of the spine and the bottom of the front board. The odd small closed tear or crease to the extremities. Sympathetic repairs and reinforcement to the internal side of the wrap with paper tape. Internally, firmly bound. Pages are very bright and clean with the odd handling mark to the endpapers. Near Fine. Various (illustratore). book.…

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. A very smart copy of this collection of artwork from the twentieth century, translated from the original French. Dated from the University of Oxford Libraries. Illustrated throughout with one hundred and fourteen plates in colour and eighty-four drawings in two-tones. Collated complete. A vibrant history of art with specific focus on drawing and watercolour. Becoming a commentary on these art-forms, the influence of free techniques from the end of the nineteenth century, Expressionism and the new schools of Cubism and Futurism as well as poetry and intelligence. Includes references to special trends of women, fashion, interior design, advertising, and sculptors' drawings. Written by Raymond Cogniat, a French art critic, historian of art, journalist, and theatre design expert. Translated from the French by Anne Ross, a British translator. In the original beige cloth binding. Externally, very smart with light shelf wear to the extremities. Original unclipped dust wrapper is also smart with light shelf wear. Sympathetic repairs and reinforcement to the internal side of the wrap with paper tape. Sunning to the spine and the edges of the boards. Light chipping resulting in minor loss to the head and tail of the spine as well as the bottom corner of the front board. The odd small closed tear. Internally, firmly bound. Pages are very bright and clean with the odd handling mark to the endpapers. Near Fine. Various (illustratore). book.…