Ruth g waddy (7 risultati)

First Edition. Hardcover, no jacket, very good with slight edge wear and scuffing to cover, corner slightly bumped. Illustrated.

Paperback. Condizione: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear and tear on the covers. Minor stain on the edges. Text is clean. Secure packaging for safe delivery.

paperback. Condizione: Good. Ward Ritchie Press, Contemporary Crafts Inc., L.A., c.1976 & c.1971, 142,140pp., many b&w illusts., some color, a little rubbing, front cover of 1 has a thumb crease & a 2" peel mark, G $.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First edition, clothbound issue. Volume 2 only. Small quarto. xii, 140pp. Heavily illustrated in color and black and white. Fine in rubbed and price-clipped, very good dust jacket with a couple of tiny nicks. Features work, text, and a portrait of over 70 African-American artists, as well as brief biographical sketches. The clothbound issue is very uncommon.…

dj. First printing. First editions (both) of the complete two-volume set, inscribed by editor Samella Lewis to contributor and noted Harlem Renaissance artist Loïs Mailou Jones. Self-published in 1969, this "influential" (Jo-Ann Morgan) Black Arts Movement visual anthology was the brainchild of editors Lewis and Waddy, along with E.J. Montgomery. It was dedicated to "the unique vision of African American artists the need for the mainstream to expand notions of aesthetic beauty," a project that eventually grew into the magazine BLACK ART, the "first periodical devoted to African American and African Diaspora artists" (Jones 56-7). This set is inscribed to contributor Loïs Mailou Jones (Lois Jones Pierre-Noel), whose work appears on pages 97-8 of the first volume. Jones's work is in the collections of the Smithsonian American Art Museum, The Metropolitan Museum of Art, the National Museum of Women in the Arts, the Hirshhorn, the Brooklyn Museum, the Museum of Fine Arts, and The Phillips Collection. Other noted contributors include: Betye Saar, Jacob Lawrence, and Elizabeth Carlett, among more than 100, predominately West Coast artists. As the 2022 exhibition at the Crocker Art Museum based on BLACK ARTISTS attested: "BLACK ARTISTS ON ART brought attention to the many notable Black artists who were neglected or overlooked by the mainstream art world. More than 50 years later, [the book] is foundational to the arts community, acting as a record of the collaborative effort of Black artists throughout the country to unite and discuss their work." An important association of this uncommon and historic collection. Two volumes; 10.25'' x 7''. Original full dark-grey cloth, both. In original unclipped ($14.50 and $12.50 respectively) color photographic jackets. xi, 132, [1]; xii, 140 pages. Loosely laid in are a promotional brochure for Volume 1, as well as an invitation to a 1977 Studio Museum exhibition of Black artists. Inscribed by editor Lewis on the front endpaper of Volume I: "Many thanks / for your contribution / Samella Lewis / 1969." Contributor Loïs Mailou Jones's copies, with her Cranston King-designed pictorial bookplates to the front pastedowns of each volume, and her ownership signature to the front free endpaper of Volume 2. Volume 1 jacket with several closed tears and one tape repair to verso. Some creasing, rubbing. Minor edgewear to jacket of Volume 2. Order form for the book taped to rear pastedown of Volume 1. Faint toning internally. Touches of shelfwear overall. Else clean and sound. Very good plus in very good jackets. Signed.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Scarce hard cover first edition 2 volume set. Some edge wear and creasing to dust jackets. Some fading on jacket covers. Minimal edge wear to hard cover binding, front and rear covers. Otherwise sharp copies. Pages are clean. Bindings are strong and square. Volume 1 front flap price is clipped. Volume 2 front flap price is unclipped. Books come in protective mylar.…

Condizione: Very Good. First Edition. Vol. II only. Grey cloth with a black pictorial dustjacket. A clean copy with no previous owners' names or other defacements. Scarce hardcover. 7.5 x 10.5 in (19 x 27 cm).