S panayotova (27 risultati)
Altre immaginiThe Cambridge Illuminations : Ten Centuries of Book Production in the Medieval West.
Binski, P. ; Panayotova, S. ; Fitzwilliam Museum ; Cambridge University Library.
Editore: Harvey Miller Publishers, London, first edition, 2005, 2005
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Da: Wykeham Books, LONDON, Regno UnitoWykeham Books
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Laminated illustrated wrappers, 4to, 29 cm, 415 pp, 184 colour ills. 184 entries. Published to accompany an exhibition . at the Fitzwilliam Museum and the Cambridge University Library, from 26 July to 11 December 2005. From the blurb: "Cambridge is the depository of one of the greatest collections of illuminated manuscripts in t…he world. The present volume is published to accompany the exhibition of some two hundred spectacular Cambridge treasures - from the Fitzwilliam Museum, the Cambridge University Library, and the individual College libraries - covering a unique array of outstanding but rarely seen illuminated books.The Catalogue spans over ten centuries of book production, from the significant sixth-century Gospels of St. Augustine, to the great Romanesque Bibles such as the Bury and Dover Bibles, the exquisite and emotive devotional books of the thirteenth and fourteenth centuries, up to the refined, classical elegance of the Humanist books of early Renaissance Italy. Manuscripts are grouped thematically under eight headings. The catalogue entries as well as the introductory essays to each section are by well-known authorities in their field, among them the editors Paul Binski and Stella Panayotova, and Jonathan Alexander, Christopher de Hamel, Rosamond McKitterick, Nigel Morgan and Teresa Webber." "All manuscripts catalogued are illustrated in full colour, and there is a Glossary, exhaustive Bibliography, and detailed Index." Near Fine.
The Cambridge Illuminations : Ten Centuries of Book Production in the Medieval West.
Binski, P. ; Panayotova, S. ; Fitzwilliam Museum ; Cambridge University Library.
Editore: Harvey Miller Publishers, London, first edition, 2005, 2005
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- Prima edizione
Da: Wykeham Books, LONDON, Regno UnitoWykeham Books
Contatta il venditoreVenditore con 4 stelleCondizione: Usato
EUR 19,35
EUR 17,61 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Laminated illustrated wrappers, 4to, 29 cm, 415 pp, 184 colour ills. 184 entries. Published to accompany an exhibition . at the Fitzwilliam Museum and the Cambridge University Library, from 26 July to 11 December 2005. From the blurb: "Cambridge is the depository of one of the greatest collections of illuminated manuscripts in t…he world. The present volume is published to accompany the exhibition of some two hundred spectacular Cambridge treasures - from the Fitzwilliam Museum, the Cambridge University Library, and the individual College libraries - covering a unique array of outstanding but rarely seen illuminated books.The Catalogue spans over ten centuries of book production, from the significant sixth-century Gospels of St. Augustine, to the great Romanesque Bibles such as the Bury and Dover Bibles, the exquisite and emotive devotional books of the thirteenth and fourteenth centuries, up to the refined, classical elegance of the Humanist books of early Renaissance Italy. Manuscripts are grouped thematically under eight headings. The catalogue entries as well as the introductory essays to each section are by well-known authorities in their field, among them the editors Paul Binski and Stella Panayotova, and Jonathan Alexander, Christopher de Hamel, Rosamond McKitterick, Nigel Morgan and Teresa Webber." "All manuscripts catalogued are illustrated in full colour, and there is a Glossary, exhaustive Bibliography, and detailed Index." Very Good. The bibliophile A R A Hobson's copy, with a FitzWilliam Musum compliments slip presenting the copy to him laid in. Also laid in is a clipping from the TLS of a full-page article by David McKitterick discussing the exhibition and two catalogues of illuminated manuscripts held in Cambridge.
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Da: Widney Manor Books, solihull, MIDLA, Regno UnitoWidney Manor Books
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EUR 205,58
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Soft cover. Condizione: Very Good. Book is in very good condition. 420pp with colour illustrations.
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Da: Anytime Books, London, Regno UnitoAnytime Books
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Cloth. Condizione: As New. Condizione sovraccoperta: As New. The British Isles; Insular and Anglo-Saxon Manuscripts. The first published volume in a wonderful resource dealing with this vital period. pp360. Superbly illustrated with all the scholarly apparatus.
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Da: Widney Manor Books, solihull, MIDLA, Regno UnitoWidney Manor Books
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EUR 229,76
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Soft cover. Condizione: Fine. Book is in fine condition. 420pp with colour illustrations.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. S. Panayotova, P. Ricciardi (eds.) 224 p., 240 colour ill., 220 x 280 mm, 2018 ISBN: 978-1-912554-13-3 Languages: English Hardback The publication is available Retail price: EUR 220,00 print Share/Save/Bookmark Table of Contents VISION, COLOU…R AND MEANING Vision and Colour in the Works of Giotto and His Contemporaries ? Donal Cooper Robert Grosseteste?s De iride and its Addendum in the Vatican Manuscript Barb. Lat. 165: Transmission, Reception, Meaning ? Cecilia Panti and Greti Dinkova-Bruun Seeing a Pink Elephant: Creating Meaning through Colour in the Medieval Bestiary ? Elizabeth Morrison The Colours of Fortune ? Deirdre Jackson ILLUMINATORS? MATERIALS Recipes and Reception: Late Mediaeval English Colour. Recipes and Amateur Illuminators ? Mark Clarke Looking for Lichen, Fooled by Folium and Tricked by Tyrian: A Brief Tour and New Research on Purple in Manuscripts ? Cheryl Porter, Maurizio Aceto, Elisa Calà, Angelo Agostino, Gaia Fenoglio, Ambra Idone and Monica Gulmini Reflecting a Heavenly Light: Gold and other Metals in Medieval and Renaissance Manuscript Illumination ? Nancy Turner Gold or Brass, Silver or Tin: the Analysis of Metals in Medieval Book Illumination ? Robert Fuchs, Cologne Institute for Conservation Sciences Pigmenta: Materials for Writing, Painting and Healing ? Lea Olsan The Use of Copper Sulphates in Sixteenth-Century Flemish Illumination: Simon Bening as a Case Study ? Giulia Bertolotti and Paola Ricciardi ANALYTICAL TECHNIQUES Between Tradition and Innovation: Giving Light to a Visionary Text in the Lorvão Beatus ? Maria João Melo, Maria Adelaide Miranda, Rita Castro, João Lopes and Jorge Sarraguça Scientific Study of Cistercian Illuminated Manuscripts: Techniques, Aesthetics and Religion ? Catarina Miguel, Angela Nuñez-Gáitan, Maria Luisa Carvalho and Cristina Barrocas-Diasa Mapping and identification of the pigments used in two illuminations from the Laudario of Sant?Agnese attributed to the Master of the Dominican Effigies ? John K. Delaney, Kathryn Dooley, Damon Conover, Lisha Glinsman, Giorgio Trumpy and Michelle Facini The Benefits of Scanning Illuminated Manuscripts with MA-XRF and MA-rFTIR ? Stijn Legrand, Paola Ricciardi and Koen Janssens RESTORATION AND FORGERY The Psalter-Hours of Isabelle of France in the Nineteenth-Century ? Stella Panayotova The Spanish Forger Exposed: an Interdisciplinary Study of Two of His Paintings ? Christina Currie, Steven Saverwyns and Dominique Vanwijnsberghe Language : english text - codice articolo 011421.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. prima edizione. Harvey Miller Illuminated Manuscripts in Cambridge(HMIMC 4,1) A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Four: England, Ireland, Scotland, Wales. Volume One: Insular and Anglos-Saxon Manus…cripts S. Panayotova, N. Morgan (eds.) 360 p., 440 colour ill., 230 x 330 mm, 2013 ISBN: 978-1-909400-04-7 Languages: English Hardback The publication is available. Retail price: EUR 220,00 This publication is the first volume to appear in the catalogue series devoted to the British Isles and covers Insular and Anglo-Saxon manuscripts produced between c. 700 and c. 1100 AD. This was a period in which Britain witnessed a great blossoming of cultural awareness and artistic craftsmanship. Under the reign of King Alfred towards the end of the ninth century England experienced a renewed impetus for scholarly activity, and as a result the production of books intensified greatly. By the early tenth century, influenced and inspired by new trends and ideas from Continental Europe, English art began to flourish, and manuscript illumination especially made a great impact with the high quality of its figure style and decorated initials, and with its elegance of script and mise-en-page. Cambridge is fortunate in having a significant collection of manuscripts from this period, and the ninety-seven works catalogued and richly illustrated here are amongst the finest surviving examples of Anglo-Saxon decoration. Included here are the fragmentary yet striking remains of a once magnificent early eighth-century Northumbrian Gospels, while an early tenth-century copy of Bede's Life of St Cuthbert contains a full-page image of King Aethelstan offering a book to St Cuthbert, that may be the earliest presentation scene surviving in England. In another tenth-century manuscript, Amalarius of Metz's Liber officialis, one may see the fullest repertoire of ingenious interlace and zoomorphic initials-the high-point of Anglo-Saxon drawing skills. In yet another Gospel book, from the early eleventh century, a de luxe manuscript resplendent with gold, one can find all the characteristic features of Anglo-Saxon iconography and style, including exuberant frame ornamentation, as well as examples of drapery with "agitated fluttering hemlines", the hall-mark of Carolingian-inspired draughtsmanship. In addition to the detailed catalogue of Anglo-Saxon manuscripts produced in England, Ireland and Wales, the volume also includes an Addenda to the previously published Part One of this series, listing thirteen Frankish manuscripts from the eighth to the tenth century that had not been catalogued before. Among these is the well-known copy of Hrabanus Maurus' De laudibus sanctae crucis whose place of origin and circumstances of production still remain to be established. Every manuscript catalogued is illustrated in full colour, mostly with several illustrations, and frequently with special detail images. There is also an exhaustive bibliography and the catalogue is fully indexed including a comprehensive iconographic index. Review "This beautiful volume is the latest in the extraordinary series devoted to illuminated manuscripts in Cambridge. (.) The illustration in color of so many details of text ornamentation is both unusual and highly praiseworthy. (.) Any scholarly library needs this volume, and, though not intended for the general reader, it provides access to many gorgeous and fascinating books. Summing up: Highly recommended" L. Nees (University of Delaware) in: Choice, August 2014 Interest Classification: Book History, Manuscript Studies & Palaeography Library Catalogues : manuscripts Fine Arts & Performing Arts Painting Medieval painting This publication is also distributed by: ISD, Marston Size: 230 x 330 mm.
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Da: Revaluation Books, Exeter, Regno UnitoRevaluation Books
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Hardcover. Condizione: Brand New. 296 pages. 13.50x9.50x1.00 inches. In Stock.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Harvey Miller Manuscripts in the Making (HMMIMA 1) Art and Science Volume one S. Panayotova, P. Ricciardi (eds.) 254 p., 240 colour ill., 220 x 280 mm, 2017 ISBN: 978-1-909400-10-8 Languages: English Hardback The publication is available. Ret…ail price: EUR 225,00 This ground-breaking publication presents the papers delivered at the international Conference held in Cambridge in December 2016 to mark the end of the Fitzwilliam Museum?s acclaimed bicentenary exhibition COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS. It is the first of two volumes in which medievalists and scientists share the results of their research, and combine here to elucidate both the materials and techniques of production of illuminated manuscripts, as well as the artists? collaboration and their aesthetic objectives. Of the 34 papers given at the proceedings, 17 are included in the present volume covering scientific analyses of West European, Byzantine and Islamic manuscripts, Colour and Pigment Studies, Painting Techniques and Workshop Practices, as well as details of the latest scientific techniques and instruments employed for these non-invasive and non-destructive investigations into the delicate manuscripts. The texts are accompanied by over 200 illustrations as well as explanatory Tables and Diagrams. Table of Contents WESTERN EUROPEAN MANUSCRIPTS The Art and the Pigments: a Study of Four Insular Gospel Books in the Library of Trinity College Dublin, Susie Bioletti and Rachel Moss Colour at Canterbury: the Pigments of Canterbury Illuminators from the Tenth to the Twelfth Centuries, Andrew Beeby, Richard Gameson and Catherine Nicholson Seeing Red: the Use of ?Gules? in the Pictorial Imagery of Fourteenth-Century English Manuscripts, Lucy Freeman Sandler Illuminators? Materials and Techniques in Fourteenth-Century English Manuscripts, Stella Panayotova, Lucia Pereira Pardo and Paola Ricciardi The Vadiana Rudolf of Ems: Painting Technique and Workshop Practices in Early Fourteenth-Century Zurich, Doris Oltrogge and Robert Fuchs Dyers, Weavers and Illuminators: Evidence from the Florentine Ordinamenti e matricola della Compagnia di Sant? Onofrio (1338), Bryan Keene Making the Cardinal?s Missal: Looking anew at the Circle of Lorenzo Monaco and the Illuminators of Fitzwilliam MS 30, Éowyn Kerr-Di Carlo Fra Angelico and His Circle: the Materials and Techniques of Book Illumination, Magnolia Scudieri and Marcello Picollo The Peripatetic Activity of Thomas Tresswell, London Stationer (fl. c.1440-1470), Holly James-Maddocks Colour versus Gold: Disgruntled Digressions in a Late Medieval Workshop, Nicholas Herman Tours 1500, Roger S. Wieck Painting Materials in the Fitzwilliam Book of Hours: New Discoveries, Paola Ricciardi and Stella Panayotova BYZANTINE MANUSCRIPTS Colours and Pigments in the Miniatures of the Illuminated ?Book of Job? at the Monastery of St John the Theologian, Patmos, Hariclia Brecoulaki, Sophia Sotiropoulou, Vicky Kantarelou and Ioannis Melianos Technical Analysis of a Byzantine Lectionary from the Ivan Duichev Centre, Nikifor Haralampiev, Joy Mazurek, Catherine Schmidt Patterson, Dafne Cimino, Jo Kirby, David Peggie and Lucretia Miu New Discoveries in the Painting Materials in the Medieval Mediterranean: Connections between Manuscript Illumination and Glass Technology during the Byzantine Era, c.1100-1300, Nancy K. Turner and Catherine Schmidt Patterson ISLAMIC MANUSCRIPTS The Origins and Modifications of the Blue Qur?an, Marcus Fraser, Colour in the Great Mongol Shahnama, Robert Hillenbrand Language : english text - Codice della libreria 010955.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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Couverture rigide. Condizione: As New. Condizione sovraccoperta: As New. prima edizione. Illuminated Manuscripts in Cambridge (HMIMC) A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula. S. Panayotova, N. Morgan, S. Reynolds (eds.) 720 p., 900 c…olour ill., 230 x 330 mm, 2012 ISBN: 978-1-905375-85-1 Languages: English Hardback The publication is available. Retail price: EURO 250,00 This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Illuminated Manuscripts in Cambridge (HMIMC) A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula. This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Illuminated Manuscripts in Cambridge : A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges, Part Two: Italy and the Iberian Peninsula Author: Panayotova, Stella ; Nigel Morgan ; S. Reynolds (eds) Price: Euro 250,00. ISBN: 9781905375851 Description: Turnhout: Harvey Miller, 2012. 2 vols. 34cm., hardcover, 334, 384pp. illus., most in color. Summary: This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augu.
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hardcover. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. rt and Science . Volume one ( Manuscripts in the Making - HMMIMA,1 ) and Art and Science, Volume two - The set of two Vols. Euro 375,00.- Languagfe : english text - codice articolo 011422.
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Condizione: gut. Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula In englischer Sprache. pages.
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Hardcover. Condizione: New.
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Hardcover. Condizione: New.
Editore: Thames & Hudson, London, first edition, 2008, 2008
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Da: Wykeham Books, LONDON, Regno UnitoWykeham Books
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Cloth, mounted cover illustration with gilt titling and border, square 4to, 26 cm, 352 pp, many ills (chiefly colour). Text in English and Latin. Rear board with faint scuffs, otherwise Near Fine in a slightly scuffed publisher's slipcase with a mounted illustration on one side.
Editore: Turnhout, Brepols, 2009, 2009
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Hardback, 2 volumes ., 560 p., 750 colour ill., 230 x 330 mm. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entr…ies are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Languages: English. 0 g.
Editore: , Brepols, 2012, 2012
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Hardback in cloth + dusjacket, 2 vol., 560 pages., 750 colour ill., 230 x 330 mm., Languages: English, fine condition ! ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the Universi…ty Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Review "These volumes triumphantly justify 'paper cataloguing'. [.] The authors and sponsors are to be warmly congratulated and urged to complete a series that makes a fundamental contribution to knowledge." (Catherine Reynolds, in The Burlington Magazine CLIII, March 2011, p. 182) « On ne peut que se réjouir de la qualité de ces deux premiers volumes et souhaiter la parution rapide des tomes suivants. » (A. Châtelet, dans Art et Métiers du Livre 31, Déc 2009-fév 2010, p. 91-92) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge have all the indices and finding aids (including an index of biblical and non-biblical iconography) to facilitate further research. They are brimming with ideas, are full of dissertation topics, and are testaments to the bounty ? intellectual and sensuous or even sybaritic ? spread out before students of medieval manuscripts." (Kathryn M. Rudy, in HNA Review of Books) "This updating of the traditional manuscript catalogue is a very useful addition to the scholarship on manuscripts in English collections, in part because of the precision and brevity of the updated information, but especially because of the sumptuous illustrations, which provide the irreplaceable visual context for the textual information the catalogue presents." (Stephen Clancy, in Speculum 86/3, July 2011, p. 789) "The series will be a landmark in manuscript studies, and one can only hope that further support will hasten further projected volumes." (Rowan Watson, in: The Burlington Magazine, vol. CLIV, 2012, p. 847) "Esta calidad editorial y científica, presentes en los demás tomos y volúmenes que conforman la serie Illuminated Manuscripts in Cambridge de Harvey Miller/Brepols, es un excelente modelo a tener en cuenta para la edición de futuros catálogos de manuscritos iluminados." (Isabel Escandell Proust, in: Codex Aquilarensis, 29, 2013, p. 289-304) « (?) un instrument de travail précieux pour le chercheur et l?amateur éclairé. » (Marc Gil, dans Le Moyen Age, 1, 2017, p. 207) 0 g.
Editore: , Brepols, 2009, 2009
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two volumes; 292 + 255 =560 p., 750 colour ill., 230 x 330 mm, Languages: English, Hardback wih dusjackets , fine condition ! ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the Un…iversity Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. 0 g.
Editore: Turnhout, Brepols, 2012, 2012
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Hardback, 2 vol., 720 p., 900 colour ill., 230 x 330 mm. ISBN 9781905375851. This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the…Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Languages: English. 0 g.
Altre immaginiThe Fitzwilliam Book of Hours : Ms 1058-1975. [ Folio Society edition, 2 volumes (facsimile and commentary) boxed ]
Master of the Dresden Hours ; Master of James IV of Scotland ; Panayotova, S. ; The Folio Society ; Fitzwilliam, Museum.
Editore: The Folio Society, London, limited edition, 2009, 2009
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Da: Wykeham Books, LONDON, Regno UnitoWykeham Books
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EUR 598,59
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Limited edition of 1180 numbered copies and 20 lettered copies. 2 vols, facsimile bound in full silk brocade; commentary in cloth-backed boards, 21 cm, in publisher's original clamshell box, The facsimile comprises 185 leaves (370 ills) and the commentary volume has 144 pp. A splendidly produced full colour facsimile of the Fitz…william Book of Hours (Fitzwilliam Museum ms 1058-1975) , together with a separate commentary volume, in the publisher's original clamshell box. The manuscript was produced in Bruges around 1510. Its illuminations are attributed to the Master of the Dresden Hours and the Master of James IV of Scotland, among others. The principal contents of the commentary volume are: I Piety and Splendour: The Book of Hours in the Late Middle Ages and the Renaissance ; II Structure, Design and Script; III The Texts (The Calendar; Prayer to the Holy Face; The Passion According to St John; The Short Hours of the Cross and the Short Hours of the Holy Spirit; The Mass of the Virgin; the Gospel Sequences and the Hours of the Virgin; The Penitential Psalms and Litany The Office of the Dead; Prayers, Special Devotions and Suffrages to the Saints); IV The Illumination and the Artists; V Original Patronage and Later Ownership; Conclusion; Appendix I: Physical Description of the Fitzwilliam Hours; Appendix II: The Artists' Materials < Spike Bucklow); Select Bibliography. Set number 1159. Fine in Fine solander case.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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EUR 250,00
EUR 37,00 spedizioneSpedito da Italia a U.S.A.Quantità: 1 disponibili
Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. prima edizione. Title: Illuminated Manuscripts in Cambridge : A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges, Part Four: England, Ireland, Scotland, Wales. Volume One - Insular Manuscripts Author: Panayotova, Stell…a ; Nigel Morgan ; (eds) Price: eur 250 ISBN: 97819094000479 Descrizione libro: Brepols Publisher. Hardcover. Condizione libro: New. Harvey Miller Illuminated Manuscripts in Cambridge HMIMC 1 A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET S. Panayotova, N. Morgan (eds.) 560 p., 750 colour ill., 230 x 330 mm, 2009 ISBN: 978-1-905375-47-9 Languages: English Hardback The publication is available. Retail price: EUR 250,00 This publication is the first to appear in a major new series of catalogues covering all the Western medieval illuminated manuscripts in Cambridge, excluding only the separately catalogued manuscripts in the University Library. The catalogue entries, based on the most recent studies undertaken by the Cambridge Illuminations Research Project, are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. While the focus of the catalogue is on the illumination, all decoration and ornamentation being listed in detail, entries also include much information on codicology, on texts and on provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images which are all reproduced in full colour. "These volumes triumphantly justify 'paper cataloguing'. [.] The authors and sponsors are to be warmly congratulated and urged to complete a series that makes a fundamental contribution to knowledge." (Catherine Reynolds, in The Burlington Magazine CLIII, March 2011, p. 182) « On ne peut que se réjouir de la qualité de ces deux premiers volumes et souhaiter la parution rapide des tomes suivants. » (A. Châtelet, dans Art et Métiers du Livre 31, Déc 2009-fév 2010, p. 91-92) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge have all the indices and finding aids (including an index of biblical and non-biblical iconography) to facilitate further research. They are brimming with ideas, are full of dissertation topics, and are testaments to the bounty - intellectual and sensuous or even sybaritic - spread out before students of medieval manuscripts." (Kathryn M. Rudy, in HNA Review of Books) "This updating of the traditional manuscript catalogue is a very useful addition to the scholarship on manuscripts in English collections, in part because of the precision and brevity of the updated information, but especially because of the sumptuous illustrations, which provide the irreplaceable visual context for the textual information the catalogue presents." (Stephen Clancy, in Speculum 86/3, July 2011, p. 789) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge [.] are brimming with ideas, are full of dissertation topics, and are testaments to the bounty - intellectual and sensuous or even sybaritic - spread out before students of medieval manuscripts." ( Kathryn M. Rudy, in Historians of Netherlandish Art ) Language : english text Size: 230 x 330 mm.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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EUR 250,00
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Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula S. Panayotova, N. Morgan, S. Reynolds (eds.) 2 vol., 720 p., 900 colour ill., 230 x 330 mm, 2012 ISBN: 97…8-1-905375-85-1 Languages: English Hardback The publication is available. Retail price: EUR 250,00 This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Size: 230 x 330 mm.
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Da: Luigi De Bei, PREGANZIOL, TV, ItaliaLuigi De Bei
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EUR 325,00
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Couverture souple. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. Product Information Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 42 S. Panayotova, P. Binski The Cambridge Illuminations Ten Centuries of Book Production in the Medieval West. 416 p., 285 colour ill., 210 x 280 mm…, 2005, paperback ISBN 978-1-872501-59-8, EURO 325.00 Available English Text: Cambridge is the depository of one of the greatest collections of illuminated manuscrips in the world. The present volume is published to accompany the exhibition of some two hundred spectacular Cambridge treasures ¿ from the Fitzwilliam Museum, the Cambridge University Library and the individual College libraries ¿ covering a unique array of outstanding but rarely seen illuminated books. The Catalogue spans over ten centuries of book production, from the significant sixth-century Gospels of St. Augustine, to the great Romanesque Bibles such as the Bury and Dover Bibles, the exquisite and emotive devotional books of the thirteenth and fourteenth centuries, up to the refined, classical elegance of the Humanist books of early Renaissance Italy. Manuscripts are grouped thematically under eight headings: 1. The Coming of Christianity, 2. The Bible and its Study, 3. The Liturgy and the Offices, 4. Private Devotion, 5. History and Literature, 6. The Medieval Encyclopedia, 7. The Humanist Manuscript, 8. Manuscripts and Documents for Cambridge University. The Catalogue entries as well as the introductory essays to each section are by well-known authorities in their field, among them the editors Paul Binski and Stella Panayotova, and Jonathan Alexander, Christopher de Hamel, Rosamond McKitterick, Nigel Morgan and Tessa Webber. All manuscripts catalogued are illustrated in full colour, and there is a Glossary, exhaustive Bibliography and detailed Index. Review: "The catalogue, (.), will retain its value as a work of reference long after the exhibition closes. The standard of entries is uniformly high and they display a welcome variety of approach." (C.M. Kauffmann in The Burlington Magazine, CXLVII, November 2005, p.767-768) xx language : english texts.
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EUR 579,90
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Condizione: gut. Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET 2 VOLUMES. In englischer Sprache. pages.
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Da: BWS BKS, Ferndale, NY, U.S.A.BWS BKS
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EUR 1816,39
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Hardcover. Condizione: New.
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EUR 1782,87
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Hardcover. Condizione: New.
