Sachs samuel ii (39 risultati)

Paperback. Condizione: Very Good. 1st Abbeville Ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condizione: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condizione: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condizione: Very Good. 1st Abbeville Ed. Used - Very Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Good. Still in shrink wrap.; 11.4 X 8.5 X 0.4 inches.

Soft cover. Condizione: Very Good. Soft cover. Condition: Very Good. 1st. rubbing to extremities, Softcover is green ground with inset painting, on the cover, of a portrait by John Singer Sargent. Gold lettering on front; white lettering on green spine. Endpapers are grey/green. Pages are clean and tight catalogue of an exhibition at the Yale University Art Gallery, New Haven, Connecticut, April 3 - July 31,1993, the Detroit Institute of Arts, Detroit Michigan, September 11 - November 14, 1993, and The High Museum of Art, Atlanta, Georgia, December 18, 1993 - March 6, 1994. 37 works by 28 artists are described and illustrated in color. 148pp 1.36lb 11.5x8.4x0.4in. Sections are Foreword; Preface; Acknowledgments; Contributors to the Catalogue; Catalogue; Artists' Biographies; Index of Artists and Works in the Exhibition.…

Paperback. Condizione: Very Good. 1st. [36] pages, illustrations; 23 cm. Circulated in conjunction with the exhibition, "Barbizon Paintings from the George P. Tweed Memorial Collection of the Tweed Museum of Art," 1968-. A very good copy with caption information handwritten under the reproductions of two paintings by a previous owner. *** Tweed Museum of Art, Duluth, MN. Size: 8vo.…

Soft cover. Condizione: Very Good. Very Good, staple-bound paperback with light edgewear to wraps.

Paperback. Condizione: Very Good. First Edition. Softcover in stapled wraps. 12mo. No date or edition given. Has light wear and stickers from museum library. Essay by chief curator Samuel Sachs. All plates in black and white. Unpaginated (24 pp. ) .

Paperback. Condizione: Very Good. 1st. 68 pages, illustrations; 26 cm. Edition of 500 copies. Exhibition held at the Minneapolis Institute of Arts, April 1 through May 3, 1959. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to. Collectible.

Soft Cover. Condizione: Near Fine. Softcover is green ground with inset painting, on the cover, of a portrait by John Singer Sargent. Gold lettering on front; white lettering on green spine. Endpapers are grey/green. Pages are clean and tight; appears as if unused. Illstrated with 67 mostly color pictures. This is the exhibition catalogue put out by Yale University Art Gallery, New Haven and the Detroit Institutute of Arts for exhibitions that ran from 11 September 1993 through 6 March 1994, in both museums. Richard Manoogian is one of the foremost art collectors in the USA. He founded Masco Corporation and uses much of the profit to collect an exceptional body of art. He likes to have exhibitions of his works, usually broken down by categories [as is this one, on American Paintings], in the areas where he has factories and offices, so that his employees may enjoy the works. This was a terrific show, as have been all of his exhibitions [being in the Detroit area I get to see them]. The foreword is written by the then directors of the museums. Sections are Foreword; Preface; Acknowledgments; Contributors to the Catalogue; Catalogue; Artists' Biographies; Index of Artists and Works in the Exhibition. Fabulous collection and catalogue by an industrialist with a highly discerning eye. Oversized, 4#. ; B/W and The Color Illustrations; 8 1/2 x 11 1/2; 147 pages; Cover has light rubbing/scuffing; some minor shelf wear and bumping.…

Soft Cover. Condizione: Near Fine. Softcover is green ground with inset painting, on the cover, of a portrait by John Singer Sargent. Gold lettering on front; white lettering on green spine. Endpapers are grey/green. Pages are clean and tight; appears as if unused. Illstrated with 67 mostly color pictures. This is the exhibition catalogue put out by Yale University Art Gallery, New Haven and the Detroit Institutute of Arts for exhibitions that ran from 11 September 1993 through 6 March 1994, in both museums. Richard Manoogian is one of the foremost art collectors in the USA. He founded Masco Corporation and uses much of the profit to collect an exceptional body of art. He likes to have exhibitions of his works, usually broken down by categories [as is this one, on American Paintings], in the areas where he has factories and offices, so that his employees may enjoy the works. This was a terrific show, as have been all of his exhibitions [being in the Detroit area I get to see them]. The foreword is written by the then directors of the museums. Sections are Foreword; Preface; Acknowledgments; Contributors to the Catalogue; Catalogue; Artists' Biographies; Index of Artists and Works in the Exhibition. Fabulous collection and catalogue by an industrialist with a highly discerning eye. Oversized, 4#. ; B/W and The Color Illustrations; 8 1/2 x 11 1/2; 147 pages; Cover has light rubbing/scuffing; some minor shelf wear and bumping.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Unpaginate - but several hundred - with many b/w illustrations. Exhibition catalog of and exhibit held between July 11 - Sept. 29, 1973. Bibliography at end. Printing limitation of 5000 copies. DJ has a small clean tear at top along spine.…

Condizione: Very Good. Hardcover, 147 pages. In coordination with an exhibition held at Yale, Detroit Institute of Arts and The High Museum in Atlanta during 1993-1994, similar to an earlier exhibition but focuses on the art the Manoogian's had in their home. Record # 363451.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st. Cloth, [272] pages, illustrations; 22 cm. Catalogue of an exhibition at the Minneapolis Institute of Arts, July 11 to September 29, 1973. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. Profusely illustrated. *** "'Fakes, Forgeries, and Other Deceptions,' a unique show organized by Samuel Sachs II, acting director of the Minneapolis Institute of Arts, was exhibited in 1973 and was the first such exhibit of fakes and forgeries by a major museum in over 20 years. The catalogue includes over 240 forgeries and originals in styles from ancient art to the present. Some of the forgeries are so outrageously bad that even an untrained eye can detect the original; but more often the fakes are subtle and convincing, and in these instances modern technology, x-ray analysis, spectroscopic examination, and pigment comparison have been necessary to separate the fakes from the originals. The truly education character of both the exhibition and the catalogue lies in Mr. Sachs' learned and lively comparisons between the genuine and the fake, and both are juxtaposed on the same page with accompanying text." - Publisher. Size: 8vo. Collectible.…

Stapled wraps. Condizione: Fine. First Edition. Fine green pictorial stapled wraps about 7x9 inches. Unpaginated, unmarked; OVR79; Unpaginated pages.

Condizione: Very Good. Very Good condition. Good dust jacket. (art, faux) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good+. First Edition; First Printing. Hardcover in dust jacket. First printing. Brown cloth boards, near pristine, sharp and clean. Protected dustjacket is clean and bright, mild shelf wear to edges. Book is firm in binding, b&w illustrations throughout, many plates, crisp interior. Published to accompany an 1973 exhibit of paintings, furniture, and sculpture at the Minneapolis Institute of Arts in which forgeries were compared to the real McCoy. Catalogue compares and contrasts its myriad examples, via b&w plates and text by Samuel Sachs. Free of any markings, not ex-library.…

Soft cover. Condizione: Very Good. Minneapolis Institute of Arts, 1975. Softcover, 82 pp. Large format exhibition catalog with large color reproductions. A 3-page black & white supplement to the catalog is laid in at front. Very good condition with wraps lightly rubbed.

softcover paperback. Condizione: good; used. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDsm4to; pages not numbered; good softcover paperback; tips bumped; slight signs of wear; factory stapled spine; clean pages; prompt shipping with tracking.

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. First edition 1994. Privately Printed, Large softcover without DJ as issued. Condition very good, square and tight book, slight shelfwear, corners not bumped, no names, no underlinings, no highlights, no side notes, no bent page corners. Not a reminder. 4to, 119 pages, illustrated throughout Uncommon book. ASIN ‏ : ‎ B00L0MRHXA.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Copyright © 1973. Page Numbers: N/A. Solidly and tightly bound copy with moderate external, but minimal internal wear and use. Copy with clean text on crisp and bright pages. Smooth covers. Mildly or minimally shelf worn. Relevant newspaper article or clipping included from previous owner. Dust jacket suffers moderate to extensive wear, with some cuts and tears around places.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Very good copy with minor shelfwear. Dust jacket with minor shelfwear and mild rubbing.

OBrosch., [204] unpaginierte Seiten, 86 Katalogeinträge mit meist SW-Reproduktionen, 21 x 21 cm, Deckel stark abgeschürft, geknickt u. Ecken verbogen, Seitenränder auch leicht verbogen, sonst innen unbeschädigt, insgesamt guter Zustand. Book Language/s: English.

Condizione: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, Nov. 2 (weekend sale item)* 47 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

Soft Cover. Condizione: Near Fine Plus. First Edition. soft cover, staple-bound, as issued., only negligible signs of use, no flaws, clean, no markings, sturdy binding as such.; english text. shows no isbn.; 24pp., 5 color plates, 9 b/w figures. preface by mr. sachs. essay by ms. galassi. 2 articles by the remaining contributors. documents the first time two sections of a larger painting - separated by the artist - were reunited and studied.; can be scarce. Size: Oblong 8vo. Exhibition Catalogue.…