norman geske (112 risultati)

Paperback. Condizione: Good. 1st. 92 pages, illustrations (some colour); 28 cm. A Mid-America Arts Alliance program. Good+. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. A good reading copy for the thrifty scholar. *** Masterpieces from the collection of the Museum of Fine Arts, Museum of New Mexico, Santa Fe, NM. Size: 4to.

paperback. Condizione: Good. [History of American Quilts] Softcover. Shelf wear. Artistic marks on front cove.r.

Softcover, 212 pages, good condition: covers have moderate rubbing and browning; first few pages have a dip at the bottom edge from weight?; no internal marks.

Paperback. Condizione: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear. INSCRIBED TO PREVIOUS OWNER AND SIGNED BY EDITOR.; 100% Satisfaction Guaranteed! Ships same or next business day! Signed by Editor.

hardcover. Condizione: Good. Signed by Pozzatti on title page. Dust jacket and cover are nice. Interior pages are clean throughout. Binding is secure.

Paperback. Condizione: Good. Unmarked text. Sun lines on cover. Fifty masterpieces,16 plates in color and thirty-four black-and-white plates. Introduction by Norman A. Geske. Artists include Clinton Adams, George Bellows, Andrew Dasburg, Marsden Hartley, William Penhallow Henderson, Peter Hurd, Lee Mullican, Elmer Schooley, John Sloan, and others. 93p. Measures 8.5x11 inches.

Hardcover. Condizione: Very Good.

Soft cover. Condizione: Fine. 105 pages, with illustrations.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Near Fine. 1st. 212 pages, chiefly illustrations (some colour); 23 x 27 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: Oblong.

Hardcover with dustjacket, 366 pages, very good condition: light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. [8-5/8" X 10-3/4"] 63pp., plus 50 plates. Small stamp on inside pastedown else very good plus condition with text clean and binding tight in a like dust jacket.

Hardcover. Condizione: Very Good. VG/VG-. 131 pp. Oversized. DJ rubbed, sunned, smudged. Short spine edge tears, corner bumps, creasing. Shallow edge curls, creasing. Spine slightly cocked. End papers have chemical browning. Front free end paper has gift inscription and date. Interior bright, clean, unmarked. Heavily illustrated in black and white; some color. Nice reading/research copy.

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Pamphlet. Condizione: Very Good. [ART HISTORY]. Norman A. Geske. "Why Art History? An Exploration of Tem and Ptah (The Geske Lectures)." Lincoln, NE: College of Fine and Performing Arts, the University of Nebraska-Lincoln, 1995. First edition. English language. Stapled pamphlet with card-stock wrappers. Art historical lecture text with illustrations. 2 oz. 32 pp. Text clean. Very Good. OCLC: 36007359. ASIN: B0006FACYS. "The inaugural lecture in a series named for the director emeritus of the Sheldon Museum of Art.".

Paperback. Condizione: Very Good. Color & b/w Illustration (illustratore). First Thus. In lightly faded tape backed wraps, 4to, 131pp. Illustrated. (name in ink). Size: 4to - over 9¾" - 12" tall. Book.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good- Dust Jacket. First Edition. Top outer edge and fore edge have minor soil; corners bumped; pages have very small bottom corner crease; dust jacket has some wear; tight, text clean. xii, 366 p., fully illustrated. Large, heavy volume [otob: 14] Size: Oversize.

hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condizione: Very Good.

Hardcover. Condizione: Very Good. A VG+ copy of the First Edition in VG lightly soiled jacket. Signed by the author (Norman A. Geske.).

Soft cover. Condizione: Very Good. 132 page softcover exhibition catalog with many illustrations b/w and color. This exhibition was created by Norman Geske from the University of Nebraska for the 34th International Biennial Exhibition of Art in Venice and was on display there at the United States Pavillion before moving to National Collection of Fine Arts in Washington, then on to finish at the University of Nebraska. Many American Arts are shown. Catalog is unmarked, tight and clean.

Paperback. Condizione: Very Good. 55 pages.

Trade Paperback. Condizione: Used - Good. Over the last half-century, Rudy Pozzatti has earned internationalacclaim as an artist, educator, professor of printmaking at Indiana University, andco-founder of Echo Press, a fine arts printmaking workshop. The 95 illustrations inthis book (including 47 full-color plates) capture Pozzatti's bountiful creativityin etchings, engravings, lithographs, and collages produced over the course of hiscareer. An essay by Norman A. Geske defines Pozzatti's place in the renaissance inAmerican printmaking that was sparked by Mauricio Lazansky and his students at theUniversity of Iowa in the 1940s and 1950s. Pozzatti's personal insights andanecdotes about many of the prints enliven the extensive catalogue entries, which, along with an inclusive bibliography and a compendium of the artist's exhibitionsand chronology, make this book an indispensable resource on the artist and hiswork. Book has minor shelf wear.

Wrappers. Condizione: Very Good. Sheldon Memorial Art Gallery (in association with the Center for Great Plains Studies, University of Nebraska-Lincoln), Lincoln, Published 1983. Wraps, 149 pp.; 26 cm; illustrated with 86 black-and-white and 5 color plates throughout. Catalog for the exhibition presented February 11 to March 28, 1982.In Very Good condition. Cream-colored pictorial wraps with black-and-white cover photographs (Louis R. Bostwick's image of Robert Gilder on the front, John Spence's portrait of Keith Jacobshagen on the back); mild shelf wear with light bumping to the corners and light toning along the edges. Binding tight. Interior pages clean and bright; otherwise unmarked.The catalog of a major retrospective survey of Nebraska art organized by Norman A. Geske at the Sheldon Memorial Art Gallery. Geske's introduction traces the development of art in Nebraska from the early artist-explorers through contemporary practice, divided into four parts: artists who recorded the territory before settlement; the pioneers who first established a regional artistic community; figures who linked the regionalist tradition to mid-century modernism; and contemporary painters, sculptors, printmakers, photographers, and craftsmen working in the state in the early 1980s. Each catalog artist is given a biographical entry with details of the works exhibited and reproductions of many of them. Concluded by three essays (by Donald Bartlett Doe on the role of the land in Nebraska art, Rena M. Coen on American art and art history, and James T. Forrest on regional art museums) drawn from the symposium "Toward a State Art History and Collection" held in conjunction with the exhibition, plus a bibliography. Artists represented include Albert Bierstadt, Karl Bodmer, George Catlin, Alfred Jacob Miller, Titian Ramsey Peale, Samuel Seymour, Worthington Whittredge, Robert Henri, John Gutzon Borglum, Solon Hannibal Borglum, Solomon D. Butcher, William Henry Jackson, Aaron Douglas, Weldon Kees, Dale Nichols, Dwight Kirsch, John Falter, Andrew Standing Soldier, and Keith Jacobshagen.Contents: Introduction; Part I, The Artist-Explorers; Part II, The Pioneers; Part III, Prelude to the Present; Part IV, The Contemporary Scene, including Painting, Sculpture, Graphics, Photography, and Crafts; Essay: The Land in the History of Nebraska Art by Donald Bartlett Doe; Essay: American Art and Art History by Rena M. Coen; Essay: Regional Art Museums: Resources of American Art and Art History by James T. Forrest; Bibliography.

Softcover, staple-bound, 36 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Used - Like New. Out of print. Wrapped in Brodart dust jacket protector.

Paperback. Condizione: Very Good. 35 pages.

Softcover. Condizione: Good, covers loose en masse. White & color illus. wraps. 94 pp. 16 color, 34 bw repros. Issued in conjunction with an exhibition. With a lengthy introductory essay by Norman A. Geske. Catalogue lists 50 works by 39 artists of scenes in and around New Mexico. The works included are from the collection of the Santa Fe Museum of Fine Arts. Includes works from the 19th as well as the 20th century.