Sally hickey (9 risultati)

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Very Good. Used - Very Good.

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Condizione: Very Good.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.…

Soft cover. Condizione: Near Fine. 1st Edition. 1993, 311 pages, illus. b&w | sound copy shows light to moderate general wear with light spine creasing; free of name, notes etc | carefully packaged and dispatched from UK within two working days.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 272 Seiten, 304 Abbildungen - »Psychedelia« ist eines der interessantesten Phänomene der Kulturgeschichte des 20. Jahrhunderts. Summer of Love widmet sich erstmals der einzigartigen Verbindung, die in den 1960er- und 1970er-Jahren zwischen Kunst und Pop-Kultur, zwischen Werbung und politischer Protestbewegung bestand: Es entwickelte sich eine außergewöhnliche Ästhetik, in der sich gesellschaftliche, politische, ethnische und sexuelle Befreiung und nicht zuletzt Experimente mit bewusstseinsverändernden Drogen wie LSD spiegeln. Der Band präsentiert Arbeiten von Andy Warhol, Yayoi Kusama, Verner Pantons Raumutopien, Sequenzen aus Musikvideos von Velvet Underground oder Konzerten von Deep Purple sowie Fotos aus Experimentalfilmen und davon beeinflussten Hollywood-Produktionen und führt damit das große kreative und utopische Potenzial der psychedelischen Kunst vor Augen und belegt deren starke Wirkung auf die Alltagskultur.…

Soft cover. Condizione: Fine. 4to. pp. 178. English & Spanish text. profusely illus. in colour & b/w. wrs. (edges bumped). Exhibition Catalogue.