Condizione: Very Good. Very Good condition. 3rd printing. ISBN 9781461124504. (juvenile, kid's book, children's book, poem, poetry).
Editore: Citadel Press, New York, 1963
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
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Paperback. 63p., wraps, 5.5x8.5 inch wraps; slight tear on tail of spine, light damp stain on front cover, else very good condition. Signed by the author. Poetry by the Jewish-American radical poet and choreographer.
Editore: Philmark Press, 1986
Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Membro dell'associazione: IOBA
Prima edizione Copia autografata
Paperback. Condizione: Very Good. First Edition. Philmark Press, 1986; no additional printings indicated; 91pp. Inscribed and signed by Edith Segal and Samuel Kamen on front cover verso. Spine is uncreased, binding tight and sturdy; text, illustrations very good; light wear, minor rubbing to edges of wraps. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Signed by Author.
Lingua: Inglese
Editore: Lawrence Hill & Company, New York, 1975
ISBN 10: 0882080563 ISBN 13: 9780882080567
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.
Prima edizione Copia autografata
Hardcover. 96p., original blue cloth binding in dust jacket, first edition, inscribed and signed by Segal & Kamen; dust jacket a bit edgeworn along top-edge and spine-sunned, else very good. Dedicated to Paul Robeson & Chaney, Goodman and Schwerner. Kamen and Segal were husband and wife and studied at The Neighborhood Playhouse and the Art Students League. During the Red Scare in the 1950s she was called to testify before the New York state legislature investigating committee regarding her communist ties.
Editore: Lawrence Hill & Co, New York, 1975
Da: A. Richard Books and More, Washington DC, DC, U.S.A.
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Samuel Kamen (illustratore). A special copy, signed by the author and her husband, artist Samuel Kamen, and presented to sculptor Isabel Letelier, widow of slain Chilean ambassador to the US, Orlando Letelier. COLLECT SIGNED BOOKS. Signed by Author(s).
Editore: Dialog Publications, New York:, 1969
Da: About Books, Henderson, NV, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Blue cloth. Condizione sovraccoperta: Price Clipped Dust Jacket. Kamen, Samuel (signed) (illustratore). First Edition. New York:: Dialog Publications, 1969. Fine condition in Near Fine Dust Jacket. No owner's name or bookplate. No remainder marks. Bright, clean, square, tight, unmarked copy. Sharp corners. . Signed by Author and Illustrator (signatures only). First Edition. Hardcover. Blue cloth/Price Clipped Dust Jacket. Illus. by Kamen, Samuel (signed). 8vo. 128pp.
Editore: Philmark Press, 1981
Da: About Books, Henderson, NV, U.S.A.
Prima edizione Copia autografata
Hardcover. Condizione: Black cloth. Condizione sovraccoperta: Jacket not priced or clipped. Kamen, Samuel (signed) (illustratore). First Edition. Philmark Press, 1981. Fine condition in Near Fine Dust Jacket. No chips. No tears. No creases. No owner's name or bookplate. No remainder marks. Bright, clean, square, tight, unmarked copy. Sharp corners. . Signed by Author and Illustrator (signatures only). First Edition. Hardcover. Black cloth/Jacket not priced or clipped. Illus. by Kamen, Samuel (signed). 8vo. (iv), 150pp.
Editore: Lawrence Hill, New York, 1975
ISBN 10: 0882080571 ISBN 13: 9780882080574
Da: Left On The Shelf (PBFA), Kendal, Regno Unito
Membro dell'associazione: PBFA
Prima edizione Copia autografata
EUR 17,93
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good+. Samuel Kamen (illustratore). First Edition. 96pp Dedicated by author and illustrator to Bill and Celia (Pomeroy). Signed by Author(s).
Editore: Segal-Kamen, Brooklyn, 1968
Da: D. Anthem, Bookseller, Cornish Flat, NH, U.S.A.
Membro dell'associazione: ESA
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Four greeting/holiday (?) cards issued by the radical Jewish poet and dancer Edith Segal and her husband, the artist Samuel Kamen. The cards were likely produced each year for the couple's wide circle of friends, comrades and family and possibly issued as holiday cards since these four are all dated in December. They appear to have issued them until at least 1981. The earliest card in our grouping is from 1968 and features Segal's poem "Challenge" and a cover illustration by Kamen showing a trio of multi-racial babies reaching for a white dove. The 1969 card includes the poem "March Against Death," which along with the cover illustration documents the couple's participation in the November 14, 1969 Moratorium Againt the Vietnam War. The 1972 card includes the poem "Recognition," with a cover illustration of a multi-racial group of adolescents in a field and reprints an illustra features an illustration of three multi-racial children in a field of flowers. The 1976 (?) card reprints Segal's poem "U.S. Calling UNICEF Friends" reprinted from her children's book Come With Me: Poems, Guessing Poems and Dance Poems for Young People (1963), with Kamen's illustrations also reprinted from that work. Segal and her husband were lifelong leftist political activists and used various art forms to protest racism, capitalism, labor exploitation, war, etc (living Segal's maxim "Art is a weapon," which she declared following a visit to the Soviet Union in the late 1920s). She and her husband were both involved with numerous Jewish and progressive camps, such as Kamp Kinderland, and campaigned to save Julius and Ethel Rosenberg and Mort Sobell (see Segal's pamphlet, I Call to You Across the Continent, 1953). Segal performed the first interracial dance titled "Black and White" and authored a number of children's books celebrating racial diversity. Samuel Kamen died in 1995, Edith two years later in 1997. The cards vary in size but are generally 8 ½" x 5 ½". Each signed by Segal and Kamen to the same recipient, with their Brooklyn address printed to the bottom of the rear panel. Some soiling to two of the cards, toning, but a very good grouping. A number of these cards are separately catalogued in OCLC, but not for these years. There are presumably examples in her papers at NYPL.