Sarah guérin (30 risultati)

Paperback. Condizione: Very Good+. First Edition; Third Printing. Fordham Series In Medieval Studies; 5 X 0.75 X 8 inches; 308 pages; Very Good condition. No noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.…

Condizione: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condizione: New.

Paperback or Softback. Condizione: New. French Gothic Ivories. Book.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.…

Condizione: New.

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. Cloth/dust jacket Quarto. black boards, dust jacket, 127 pp Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Paperback. Condizione: Brand New. 336 pages. 8.50x0.70x11.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices. This monograph traces the first century of Gothic ivory sculpture (12301330) through a panoply of new sources, observations, and insights. It will be of interest researchers concerned with the history of materials and craft, medieval devotion and ritual, and art history more broadly. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts.Providing a range of new sources andinterpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history ofmaterials, craft,and later medieval devotional practices.…

Condizione: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.

Condizione: New.

Condizione: New.

Paperback. Condizione: New. This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices.…

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Gebunden. Condizione: New. This monograph traces the first century of Gothic ivory sculpture (1230-1330) through a panoply of new sources, observations, and insights. It will be of interest researchers concerned with the history of materials and craft, medieval devotion and ritual, a.

Hardcover. Condizione: Brand New. 350 pages. 11.22x8.82x1.06 inches. In Stock.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 4to., 127 pp. very good in original blind stamped black cloth, very light shelf wear, very good in original unclipped dusterapper with only light shelf wear, very good Size: 4to - over 9¾" - 12" tall.

Buch. Condizione: Neu. Neuware - This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts.Providing a range of new sources andinterpretations, Sarah Guérin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guérin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guérin's study contributes to our understanding of the history ofmaterials, craft,and later medieval devotional practices.…

Hard Cover. Condizione: Good. 1.ª Edição. Scala Arts & Heritage Publishers. Lisboa. 2015. De 31x24,5 cm. Com 127 págs. Encadernação do editor com sobrecapa de proteção. Ilustrado a cores. Language: Português / Portuguese Location/localizacao: I-225-G-27.

Paperback. Condizione: new. Paperback. This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices. This monograph traces the first century of Gothic ivory sculpture (12301330) through a panoply of new sources, observations, and insights. It will be of interest researchers concerned with the history of materials and craft, medieval devotion and ritual, and art history more broadly. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: new. Paperback. This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices. This monograph traces the first century of Gothic ivory sculpture (12301330) through a panoply of new sources, observations, and insights. It will be of interest researchers concerned with the history of materials and craft, medieval devotion and ritual, and art history more broadly. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condizione: Neu. French Gothic Ivories | Sarah M. Guerin | Taschenbuch | Englisch | 2026 | Cambridge University Press | EAN 9781009018876 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Hardcover. Condizione: new. Hardcover. This volume is the first to consider the golden century of Gothic ivory sculpture (1230-1330) in its material, theological, and artistic contexts. Providing a range of new sources and interpretations, Sarah Guerin charts the progressive development and deepening of material resonances expressed in these small-scale carvings. Guerin traces the journey of ivory tusks, from the intercontinental trade routes that delivered ivory tusks to northern Europe, to the workbenches of specialist artisans in medieval Paris, and, ultimately, the altars and private chapels in which these objects were venerated. She also studies the rich social lives and uses of a diverse range of art works fashioned from ivory, including standalone statuettes, diptychs, tabernacles, and altarpieces. Offering new insights into the resonances that ivory sculpture held for their makers and viewers, Guerin's study contributes to our understanding of the history of materials, craft, and later medieval devotional practices. This monograph traces the first century of Gothic ivory sculpture (12301330) through a panoply of new sources, observations, and insights. It will be of interest researchers concerned with the history of materials and craft, medieval devotion and ritual, and art history more broadly. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…