schanilec david (6 risultati)

Hardcover. Condizione: Fine in Fine slipcase. Limited edition. 34.5 x 23.5 cm. Folio. 153pp. Bound in half grey cloth, half patterned blue paste-down, paper spine label, housed slipcase.Limited to 200 copies printed on Zerkall mould-made paper, this copy is NOT numbered. Illustrated with color linocuts by Esslemont and wood-engravigns by Schanilec.

FIRST EDITION, no.46 of 200 copies, signed, folio, pp.153 + colophon; illustrated throughout with colour linocuts by Esslemont, wood-engravings by Schanilec (including fine folding panorama of the Welsh countryside looking north from Dragon Ridge), tip-ins of various original leaves from books produced by each press, and other plates in colour; beautifully printed in Cronos on mould-made paper; fine in paste-patterned cloth, paper label, & cloth slip-case. 'In one way, [their] correspondence. is a daybook chronicling the seasons of the year in Wisconsin and Wales. In another way, it is a diary, with production notes, of editing, printing, and producing some important books. It is also a log of two personal journeys, a record of the writers' struggles to manage personal lives and professional lives in the midst of children, book fairs, accolades, and calamities.' Illustrated Private Press.

Find in paste patterned cloth with paper label to spine in Slipcase. Number 26 of 200 copies Signed by Authors. Illustrated throughout with tipped in examples of work from both presses in color and black & white. ISBN 0907014208.

Condizione: Fine. No. 124 of 200 copies (this one of 100 in this binding). Folio. 153p. (ii). Illustrated by the authors: a folding five-color wood-engraved panorama; 14 full-page linoleum cuts; 7 tipped-in samples; 3 wood engravings; 7 tipped-in color photographs; 2 paper samples; an inkjet illustration. Laid in prospectus. Bound in tan linen over paper-covered boards with a paper spine label. In a cloth slipcase. Quarter To Midnight, A.225c. No. 124 of 200 copies (this one of 100 in this binding).

Hardcover. Limited Edition/Unique. Limited Edition/Unique. Hardcover. Conversations between David Esslemont & Gaylord Schanilec. Bound by David Esslemont. With an extra suite of the 15 color linocuts [one dup] titled and signed [some numered, some AP]. There are 6 original leaves tipped in: 4 from Esslemont's books and 2 from Schanilec's, including a 4-page leaf with color engraving of Manhattan from New York Revisited. ". . . an edited summary of their conversations over the past four years, telling of domestic problems . . . of printers' problems: of getting in materials, of making the presses work, of which inks to use." Shoulder notes clarify what might be obscure. Esslemont's visits to the Schanilec home in Wisconsin provided the inspiration for his color linocuts; Schanilec's visits and 6-month stay in Wales resulted in the 33-inch color engraving of the Esslemont homestead. A unique iteration of this relatively early work. Includes laid in note from Esslemont explaining history and location of other copies, and an additional suite of signed plates found only with this copy. Tight, bright, and unmarred. Full white alum-tawed goatskin, laminated bevelled boards, painting in acrylic ink, paste graining, and gold tooling, pastepaper flyleaves [inspired by the birch trees in Schanilec's yard]; housed in black cloth fleece lined drop-spine case, printed paper label at spine. 4to. 153pp. Illus. (14 color linocuts by Esslemont, 3 color wood engravings by Schanilec (including a 33-inch folding panorama), 10 tipped-in color ink jet images, and 6 original leaves). Numbered limited edition of 10 copies, this being 4 [entire run is 200]. Signed by both author/artists. This is the only copy to have the extra suite of plates. Fine in Fine Drop-Spine Archival Box.

Edition limited to 200 copies, folio, pp. 153, [2]; this is one of 100 copies bound in America in half cloth, with paste paper covered boards, paper spine label; beautifully illustrated throughout with wood engravings by Schanilec, including a magnificent foldout panorama of the Welsh countryside, and color linocuts by David Esslemont; also tipped in are original leaves from books produced by each press. A record of email correspondence between David Esslemont and Gaylord Schanilec with additional notes and illustrations. With introductions by J. Andrew Armacost and David Chambers. "In one way, the correspondence of Gaylord and David is a daybook chronicling the seasons of the year in Wisconsin and Wales. In another way, it is a diary, with production notes, of editing, printing, and producing some important books. It is also a log of two personal journeys, a record of the writers struggles to manage personal lives and professional lives in the midst of children, book fairs, accolades, and calamities. Still another important story is Gaylord and David's continuing dialogue about their current printing projects and the implications of their individual printing decisions. These conversations raise a number of interesting issues," (introduction). Quarter to Midnight A.225.c.