Schaschl sabine (181 risultati)

Hardcover. Condizione: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Oversized.

hardcover. Condizione: Good.

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condizione: As New. New and sealed.

Condizione: As New. New and sealed.

Soft cover. Condizione: EXCELLENT. First Edition. German and English. 312 pp. Invite to vernissage laid-in.

Softcover, 80 pages; in English; as new condition, clean and crisp; no internal marks.

Trade Paperback. Condizione: Used - Like New. Christensen's large-scale paintings, most often done directly on walls, range from rough graffiti-esque scrawls to smooth geometric stripes, designs and type ('Emergency Exit,' 'I will never make it'). This first monograph tracks Christensen from his native Denmark to Berlin, Basel and the Prague Biennial, exploring his work as artist, curator and critic. Edited by Sabine Schaschl-Cooper. Text by Power Ekroth. Book is new, just unsealed with faint shelf wear at edges. Overall excellent shape. Neat and crisp.…

Trade Paperback. Condizione: Used - Good. Christensen's large-scale paintings, most often done directly on walls, range from rough graffiti-esque scrawls to smooth geometric stripes, designs and type ('Emergency Exit,' 'I will never make it'). This first monograph tracks Christensen from his native Denmark to Berlin, Basel and the Prague Biennial, exploring his work as artist, curator and critic. Edited by Sabine Schaschl-Cooper. Text by Power Ekroth. Book has dust particles on it. Book has minor shelf wear.…

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Softcover; 70 pages; in English and German; very good condition; light rubbing and edgewear to covers; no internal marks. Foreign shipping may be extra.

Condizione: Sehr gut. 1. Auflage. 272 Seiten. Sehr gut erhalten. ISBN: 9783905770834 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Englisch Gewicht in Gramm: 600 17,1 x 2,5 x 23,5 cm, Gebundene Ausgabe.

Hardcover. Condizione: VG-. used hardcover copy in illustrated boards, no jacket, as issued. light shelfwear, corners perhaps slightly bumped. spine and margins lightly sunned. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: As New. Unread book in perfect condition.

Broschur. 0. Edition Kunsthaus Baselland, 5, 8°, 38 S., zahlr. Ill., Broschur, Buch gut erhalten, normale Gebrauchsspuren, Einband bzw. Schutzumschlag berieben u. etwas angeschmutzt, Ecken und Kanten abgerieben u. leicht bestossen RW 14 R 2 Sprache: Deutsch 0,110 gr.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condizione: New.

Hardcover. Condizione: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Lex.8°, OKart. Mit vielen tls. farbigen Abbildungen und Künstlerregister, 303 S., So gut wie neu (I) 2512 ISBN 389322789x Sprache: Deutsch Gewicht in Gramm: 1400.

Condizione: New.

Soft cover. Condizione: EXCELLENT. First Edition. German and English. 312 pp. Invite to vernissage laid-in. Book.

Paperback. Condizione: Brand New. 232 pages. 9.75x11.25x11.14 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 80 pages. German language. 9.29x0.35x12.17 inches. In Stock.

Hardcover. Condizione: Near Fine. 1st Edition. 1ST.PRINTING.NEAR FINE HARDBACK WITH DECORATE DBOARDS.ENGLISH/GERMAN TEXT.room.

224 Seiten, Mit 276 Abbildungen; herausgegeben von Sabine Schaschl, Stiftung für konstruktive, konkrete und konzeptuelle Kunst [Museum Haus Konstruktiv, Zürich]; --- gutes Exemplar, ungelesen Sprache: Englisch Gewicht in Gramm: 1600 Lex.-8°, Gebundene Ausgabe / Pappband.

Hardback. Condizione: Good. Constellations - On the Relationship between Color and Space From today?s perspective, Leon Polk Smith?s dynamic, geometric abstractions can be understood as a missing link in art history. His work connects the European avant-garde with the American Abstract Expressionism of the 1940s and 1950s via references to the work of Piet Mondrian. Smith?s pioneering role in the hard-edge style with its neat monochromatic fields of color as well as his shaped canvases are in turn developments that transpired from America to Europe. Departing from the rectangular canvas allowed Smith to conceive new interrelations between his sophisticated two-color compositions and the spatial context. Most notably, his unique Constellations series, created between 1967 and 1975, marks the high point of his career, and won him artistic acclaim beyond America?s borders. Alongside the early compositions from the 1940s and the multi-part shaped canvases, this book features collages, reliefs and painted objects and proposes a new reception of Smith?s decades-spanning oeuvre.…

Taschenbuch. Condizione: Neu. Neuware -With Concepts of All-Over, Museum Haus Konstruktiv presents a spectacular group exhibition celebrating the interplay of colors, shapes, light, and architecture. This is the final exhibition at the ewz-Unterwerk Selnau before the museum relocates to the Löwenbräukunst-Areal in spring 2025, and it serves as a tribute to the historic industrial building that has been our home for over two decades. Visitors can experience expansive works by Carlos Bunga, Carlos Cruz-Diez, Fritz Glarner, Ana Montiel, Reto Pulfer, Esther Stocker, and Christine Streuli.In art, the term All-Over describes a (painterly) principle of a more or less uniform, all-encompassing composition that can potentially extend beyond the boundaries of the picture plane. In the context of Haus Konstruktiv's nearly 40-year history, All-Over also refers to the end of a chapter: the museum's imminent departure from its long-standing location by the Sihl. With the exhibition title Concepts of All-Over, we deliberately play with this dual meaning: Everywhere! and All over!; Mit Konzepte des All-Over präsentiert das Museum Haus Konstruktiv eine fulminante Gruppenschau, die die Verbindung von Farben, Formen, Licht und Architektur feiert. Sie ist die letzte Ausstellung im ewz-Unterwerk Selnau, bevor das Museum im Frühjahr 2025 ins Löwenbräukunst-Areal umzieht, und sie ist eine Hommage an den historischen Industriebau, der für über zwei Jahrzehnte unser Zuhause war. Zu erleben sind raum-greifende Werke von Carlos Bunga, Carlos Cruz-Diez, Fritz Glarner, Ana Montiel, Reto Pulfer, Esther Stocker und Christine Streuli.In der Kunst beschreibt der Begriff des «All-Over» das (malerische) Prinzip einer mehr oder weniger einheitlich-flächendeckenden Gestaltung eines Bildträgers, die sich potenziell über dessen Begrenzungen hinaus fortsetzen lässt. Mit Blick auf die bald 40-jährige Geschichte des Haus Konstruktiv bezieht sich «All-Over» aber auch auf das Ende eines Kapitels: auf den nahenden Wegzug des Museums von seinem bisherigen Standort an der Sihl. Mit dem Ausstellungstitel Konzepte des All-Over spielen wir bewusst mit dieser Doppeldeutigkeit: Überall! und Alles vorbei! 80 pp. Englisch, Deutsch.…